西他

His letter to Sergius with great politeness explains that he had said the emperor was wrong, and had quoted the famous words of St. Leo's Tome to Flavian:"Agit utraque natura cum alterius communione quod proprium est" as plainly defining two distinct but inseparable operations; Sergius was responsible for leading him into error by sending him the letter of Mennas.

他写信给谢尔盖与伟大的礼貌解释说，他曾表示，天皇是错误的，并引用了这句名言，圣利奥的圣多美和普林西比，以弗拉维安：" agit utraque的Natura暨alterius communione和proprium预测："由于明显的界定两种截然不同的，但不可分割的行动；谢尔盖是负责领导把他的错误，派出他的信

It was all no use soothering him with no, nono, baby, no and telling him about the geegee and where was the puffpuff but Ciss, always readywitted, gave him in his mouth the teat of the suckingbottle and the young heathen was quickly appeased.

用那套乖乖乖，娃娃乖来哄他，给他讲咭咭的故事，告诉他噗噗在哪儿都是白搭；然而一向能随机应变的西茜把奶瓶嘴往他的嘴里一塞，这下子小异教徒立即被安抚了。

And she sent for Barak, the son of Abinoam, from Kedesh-naphtali, and said to him, Has not the Lord, the God of Israel, given orders saying, Go and get your force into line in Mount Tabor, and take with you ten thousand men of the children of Naphtali and of the children of Zebulun?

4：6 她打发人从拿弗他利的基低斯将亚比挪庵的儿子巴拉召了来，对他说，耶和华以色列的神吩咐你说，你率领一万拿弗他利和西布伦人上他泊山去。

It is not known whether he painted the Two PORTRAITS which we set before the reader's notice, during his first absence from Spain, or during an embassy with which Philip afterward entrusted him,(in 1648) to Pope Innocent X. And a similar uncertainty attends on the supposition that they represent Ferdinand de Medicis and his consort, the grand Duke and Duchess of Tuscany, as is, however, generally supposed.

目前还不知道他是否在他的画来自西班牙，或在与后来的菲利普使馆首次委托他缺席的情况下，我们两个的肖像前，读者的通知规定，（1648年），以诺森十一个类似的不确定性出席假设上的，他们代表费迪南德迪西斯和他的妃子，大公爵和公爵夫人的托斯卡纳，作为然而，一般所设想的。

Long John Silver, he is called, and has lost a leg; but that I regarded as a recommendation, since he lost it in hi country's service, under the immortal Hawke.

人们叫他高个子约翰·西尔弗，他少了一条腿；但是我认为那是他可取之处，因为他是在那不朽的豪克上将麾下为祖国服务的时候失去这条腿的。

Hippolytus tried to prove that all Gnosticism was derived from heathen philosophy; his speculations may be disregarded, but, as he was in possession of a great number of Gnostic writings from which he quotes, his information is priceless.

西波吕试图证明，所有诺斯替主义来自异教徒的哲学，他猜测可能会被忽视，但是，因为他拥有大量的诺斯底著作从他报价，他的信息是无价的。

With this Idomeneus began dragging him by the foot through the thick of the fight, but Asius came up to protect the body, on foot, in front of his horses which his esquire drove so close behind him that he could feel their 'breath upon his shoulder.

英雄伊多墨纽斯言罢，抓起他的腿脚，拖着他走过激战的人群。其时，阿西俄斯跃下战车，趋身助援，试图抢回伙伴，站在驭马前面，后者由驭手驱赶，紧跟在他的后头，喷出腾腾的热气，吹洒在他的背肩。

Ixion In thessaly there once lived a king by the name of ixion.he was both handsome and mighty.he went to woo the beautiful maiden dia and won her love,but her old father was most reluctant to part with his child.only when ixionswor

以前有个叫伊克西翁的国王居住在色萨利。他既英俊潇洒又力大无穷。他向美丽的姑娘黛求婚。黛和他一见倾心，但是她的父亲却极不情愿离开他的孩子。

Mercutio. Among his virtues, I admire above all his lightness in a world of brutality, his dreaming imagination - as the poet of Queen Mab - and at the same time his wisdom, as the voice of reason amid the fanatical hatreds of Capulets and Montagues.

迈丘西奥。在他所有的美德中，我尤其赞赏的是他在一个非人道社会中秉持的轻松愉快，他幻象中的创造力——如同麦布女王——同时他聪慧明智，是间于凯普莱特和蒙太古家族疯狂仇恨之中的理性之声。

Ranging in scope from Le Corbusier's interest in fashion, housework and sex to a close analysis of the philosophies underlying his architecture, his fascination with Orphism, his artwork and his buildings, this book examines the ramifications of his interest in feminism in all aspects of his life.

这本书从柯布西耶的在时尚、家事与性别的兴趣，到建构他建筑的哲学观、对奥菲士主义的迷恋、以及他的艺术、建筑作品等，检视他对女性主义各方面的兴趣，以及揭露他对女性的理想模型与事实上对女性的爱和认知间的差异。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。