裹尸布

D its lonely hours and dreary, When we Close the aching sight, Musing sadly, lorn and weary, Trusting that tomorrow's light May reveal a day more cheery; Amid affliction's darker hour, When no hope beguiles our sadness, When Death's hurtling tempests lower, And forever shroud our gladness, While Grief's unrelenting power Goads our stricken hearts to madness; When from friends beloved we're parted, And from scenes our spirits love, And are driven, broken-hearted, O'er a heartless world to rove; When the woes by which we've smarted, Vainly seek to melt or move; When we trust and are deluded, When we love and are denied, When the schemes o'er which we brooded Burst like mist on mountain's side, And, from every hope excluded, We in dark despair abide; Then, and ever, God sustains us, He whose eye no slumber knows, Who controls each throb that pains us, And in mercy sends our woes, And by love severe constrains us To avoid eternal throes.

小时的孤独和凄凉，当我们关闭疼痛视觉，沉思可悲的是，洛恩和厌倦，相信明天的光线可能揭示出一个更愉快的一天；一片痛苦的黑暗时刻，当我们不希望翻滚的波涛上面悲伤，当死亡的飞驰暴风雨低，我们永远裹尸布高兴，虽然悲伤的不懈动力Goads我们灾区的心以疯狂；当从我们可爱的朋友分手，从场面我们的精神的爱，并驱动，伤心，O'er是无情世界的罗夫，当其中我们元气疾苦，妄想寻求融化或移动，当我们的信任和迷惑，当我们爱和被剥夺，当计划o'er 像我们反复思量山区一边薄雾破灭，从每一个希望排除，我们在黑暗的绝望遵守，那么，和以往任何时候都维持我们的上帝，他的眼睛没有沉睡知道，谁控制每一个跳动的痛苦我们，在我们的困境发出慈悲，爱和严重制约我们避免永恒的阵痛。

Arguments and evidence cited against a miraculous origin of the shroud images include a letter from a medieval bishop to the Avignon pope claiming personal knowledge that the image was cleverly painted to gain money from pilgrims; radiocarbon tests in 1988 that yielded a medieval timeframe for the cloths fabrication; and analysis of the image by microscopist Walter McCrone, who concluded ordinary pigments were used.

争论和证据却与裹尸布的神奇起源相反，包括一封中世纪的主教写给教宗阿维尼翁的信，声称肖像是有人运用容貌知识聪明地印上去，为了从朝圣者身上获得金钱；1988年，碳的放射性同位元素测试得出这是一块中世纪时期制造的伪造物；分析肖像的显射镜技术人员沃尔特指出，这只是使用了一种平常的颜料。

The detail and heft of the man on the shroud was greatly enhanced in the photographic negative, leading to renewed speculation on its miraculous origin.

裹尸布上的人的细节和份量在相片的反面非常大地放大了，对它不可思议的起源引向了重新思索。

A posterior image of the body was found on the back of the shroud.

一个较晚的人体肖像也可以在裹尸布的背面被发现。

If the claims of this testimony are correct, it would be consistent with the radiocarbon dating of the shroud.

如果这个见证的声称是真实的话，那么裹尸布的放射性碳年代测定将会相互一致。

However, the resemblance between the shroud image and Leonardos famous self-portrait has been described as striking by many.

然而，列奥纳多的自画像和裹尸布之间有很多惊人的相似。

The image on the shroud is much clearer in black-and-white negative than in its natural sepia color.

裹尸布上的这个形象，如果使用黑白摄影中的"反转"方式观看，会比在正面自然的黑白影像之下，显得更加清晰得多。

The Man of the Shroud has a beard, moustache, and shoulder-length hair parted in the middle.

"裹尸布的男人"拥有胡子，小胡子和齐肩头发，中间分开。

His answer is very simple, because "there is no shroud pocket."

他的回答很简单，因为"裹尸布上没有口袋"。

One day the Shroud will return for you.

总有一天，裹尸布会穿在你身上。

This one mode pays close attention to network credence foundation of the businessman very much.

这一模式非常关注商人的网络信用基础。

Cell morphology of bacterial ghost of Pasteurella multocida was observed by scanning electron microscopy and inactivation ratio was estimated by CFU analysi.

扫描电镜观察多杀性巴氏杆菌细菌幽灵和菌落形成单位评价遗传灭活率。