被调的

The excellent agreements between simulated and measured results prove the accuracy of the established circuit model. Moreover, the varactor was added to the resonator to adjust its resonant frequency. As expected, the reactance introduced by the varactor indeed affects the net inductance and capacitance obviously. It is noted that, not only the shift with the center frequency, the inductive or capacitive of the reactance can also provide a parameter to switch its frequency toward the two directions away from the one without varactor. As a consequence, a wideband tunable band-pass filter is achieved. Although the bad quality factor with the diode strongly increases the insertion loss, this concept was proved to be available for effectively tuning the center frequency of such a class of band-pass filter.

另外，在共振器上的varactor是用来调整共振器的共振频率，如预期的，由varactor所造成的电抗确实的影响到共振器的总电感和电容值，值得一提的是，不仅滤波器的中心频率可以被改变，这电抗是电感性或是电容性也将决定滤波器的中心频率将大於或小於未加varactor时滤波器的中心频率，利用这个结果，我们也实现了一个宽的可调频率带通滤波器，虽然不理想之二极体的Q值增加了滤波器的介入损失，但这原理是被证明可有效的用於调变带通滤波器的中心频率。

In the spiral pipe heat exchanger exports terminal, the ammonia steam temperature has been heated up 85 ℃--95 ℃, by now, the ammonia steam had the 45kg-55kg/cm2 ammonia steam pressure, sent in the ammonia steam turbine through the constant temperature pipeline, impelled ammonia steam turbine revolving, led the generator electricity generation;After the ammonia steam makes the merit release energy, the temperature drop, the returns ammonia storage tank, passes through again adjusts the press pump to press into the spiral pipe-type heat exchangers to carry on the next circulation;Including the ammonia steam turbine entire ammonia steam road is becomes the independent closed cycle system, is isolates completely with the outside air;The ammonia steam only plays the carryhome and the shift energy role, in the electricity generation process does not consume the actuating medium, the stored energy carrier water also is only gets up the carryhome and the shift energy function,The waterway also is from becomes the independent closed cycle system, in the electricity generation process also the needless water consumption, through the actuating medium ammonia steam and the stored energy carrier water unceasing shuttle service, transforms through the heat interchanger the solar energy as the actuating medium ammonia steam heat energy and the kinetic energy,With the aid of the ammonia steam turbine heat - machine transformation function and the generator machine - electricity transformation function, has realized the solar energy hot - electricity entire conversion process, transforms continuously the solar energy into the electrical energy, power supply for foreign;The low temperature generating system must solve three big technical keys:One, the anticorrosion (has actuating medium has strong corrosiveness), two is Explosion-proof (Some actuating medium Can have the detonation with the air mix when divulging, controls warm malfunction, elevates temperature suddenly also can have detonation), three is guards against the revolution axis divulging

以太阳能低温发电系统为例，低温发电方法是这样进行的：以水作为储能载体的太阳能采集器将太阳能采集起来，将水温提升至85℃--98℃；用氨作为工作介质储于氨储罐及氨汽路中；采用螺旋管型热交换器；用调压泵将氨储罐中的氨汽压入螺旋管型热交换器的螺旋管内，用调压泵将携带太阳能的85℃--98℃的储能载体热水压入螺旋管型热交换器的螺旋管外壁空间进行循环式热交换，在热交换器的螺旋管出口端，氨汽温度已被加热到85℃--95℃，这时，氨汽具有45kg—55kg/cm2的氨汽压力，通过恒温管道送入氨汽轮机，推动氨汽轮机旋转，带动发电机发电；氨汽作功释放能量后，温度下降，返回氨储罐，再经调压泵压入螺旋管型热交换器进行下一次循环；包括氨汽轮机在内的整个氨汽汽路是自成独立的封闭循环系统，与外界空气是完全隔绝的；氨汽只起携带和转移能量的作用，发电过程中并不消耗工作介质，储能载体水也是只起携带和转移能量的作用，水路也是自成独立的封闭循环系统，发电过程中也不消耗水，通过工作介质氨汽和储能载体水的不断循环运行，通过热交换器将太阳能转化为工作介质氨汽的热能和动能，借助氨汽轮机的热—机转化功能和发电机的机—电转化功能，实现了太阳能的整个热—电转化过程，将太阳能源源不断地转变为电能，对外供电；低温发电系统要解决的三大技术关键：一是防腐（有的工作介质具有较强的腐蚀性）、二是防爆（有的介质泄漏与空气混合会产生爆炸，控温失灵，急剧升温也会产生爆炸）、三是防轴漏（汽轮机是动态旋转体，必须解决工作介质的防轴漏问题）。

In the early 1950s and beyond, the term rhythm and blues was frequently applied to blues records.

早在20世纪50年代及以后，这个词的节奏和蓝调经常被应用到蓝调记录。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

Take as a single example this easily overlooked little passage from the rondo of the 23rd piano concerto; it is, in its essence, nothing more than a functional bit of connective tissue taking us from one place to another within the movement's structure. Ten brief bars—about 10 seconds—of basic scalar material, doing its job efficiently and economically. But it is at the same time so richly and amusingly characterized, so full of piping energy, with its determined but struggling piano line climbing its stutteringly inexorable way up to the note E, punctuated along its course by deadpan commentary from the winds, sneaking in the D natural that signals the change of key with almost undetectable sleight of hand—the passage almost constitutes a miniature comic universe all by itself.

请听这段在《第23钢琴协奏曲》中常常被人忽视的回旋曲( http：//img.slate.com/media/87/7_mozart488.asf )，没有哪个功能性连结段能比它更好地仅通过乐章结构就将听众带入另一个世界，长约10秒钟的概要部分(brief bars of basic scalar material)不仅经济有效地发挥其职能，同时又表现出丰富、诙谐的特色，充满木管乐器的活力，伴随着坚决但阻碍不断的钢琴的快速音群移入E大调，其行进过程不时被管乐器部加以修饰、注解，自然而然的转为D大调，转调手法之娴熟几乎无法察觉——这段音乐本身创造出一个微缩的喜剧世界。

I can feel the blackness of every male taking root within my body, palpitating my soul.

如果有人问我，我会说，当晚上一个人独处房间，当把灯光熄灭，点起菸，你可以听见一些些微弱的声音，那像男人的喘息，像呻吟，像翻身床垫发出的声音，而你的毛孔将会放大，你可以感觉的到那黑色的雨从身体里流出，在每一个汗毛之间流动，从每一个毛细孔里流了出来，那是他的柑橘调香水，那是他汗湿的背心，那是他黏滑的体液，我可以感觉到每个男人的黑，在我体内扎根，在我灵魂里磨擦，当你发现自己再也不是一片白水而是阵黑雨，你会发现自己的生命像颗地球，在黑雨的沾染中温室化，在整片的火海中失去温度，你只能尖叫，发现自己的身体早已不是自己，被别人的回忆与习性占满而崩毁，世界只剩满满的无法忘怀与不能割舍，只剩下找寻另一个相似物另一个填充另一片黑雨，没有人逃的过这场浩劫，上帝终要人们复杂的互相侵蚀，在最后消灭回归。

I can feel the blackness of every male taking root within my body, palpitating my soul.

妳怕黑吗？』如果有人问我，我会说，当晚上一个人独处房间，当把灯光熄灭，点起菸，你可以听见一些些微弱的声音，那像男人的喘息，像呻吟，像翻身床垫发出的声音，而你的毛孔将会放大，你可以感觉的到那黑色的雨从身体里流出，在每一个汗毛之间流动，从每一个毛细孔里流了出来，那是他的柑橘调香水，那是他汗湿的背心，那是他黏滑的体液，我可以感觉到每个男人的黑，在我体内扎根，在我灵魂里磨擦，当你发现自己再也不是一片白水而是阵黑雨，你会发现自己的生命像颗地球，在黑雨的沾染中温室化，在整片的火海中失去温度，你只能尖叫，发现自己的身体早已不是自己，被别人的回忆与习性占满而崩毁，世界只剩满满的无法忘怀与不能割舍，只剩下找寻另一个相似物另一个填充另一片黑雨，没有人逃的过这场浩劫，上帝终要人们复杂的互相侵蚀，在最后消灭回归。

It is proved that, frequency conversion has excellent accent speed, a brake capability, high efficiency rate, great credit rate factor and joint electricity effect and other merits.

实践证明，变频调速具有优异的调速和起制动性能，以及高功率因素和高效率的节电能力等优点，而被国内外公认为最有发展前途的调速方式。

The court is not required to issue one, and most petitions for writs are denied.

最高法院不比一定发布调案令，大部分的调案复审诉请都被拒绝了。

In the last new years , as the demands of wireless communication system grows rapidly , the bands of microwave frequency had been saturated with various communication applications . To achieve wider spectrum for high-speed and high-capacity transmission , bands of millimeter-wave frequency are the solution of this problem . The advantage of MMW wireless communication systems is wider bandwidth comparing with microwave communication systems . To utilize the spectrum efficiently , many methods of complexly digital modulation is proposed . The more complex modulation , the higher linearity is required , and more various phase of signals are required to accomplish process of modulation . Therefore high-linearity and quadrature-phase modulator and demodulator are the emphasis of this thesis . For high level of integration , high performance and low cost , this chip is fabricated by the complementary oxide semi-conductor 0.13um process . A compact size of direct down-conversion and direct up conversion circuits will be presented in this thesis .

近年来随著无线通讯产业的蓬勃发展，微波频带已经趋近於饱和，为了追求更宽的频谱来达到更快传输速率及高资料容量的传输，宽频的毫米波频段提供了解决此问题的途径，毫米波无线通讯系统提供了相对於微波通讯系统宽频的优点，且为了更有效的使用频谱，各种不同且复杂的数位调变方式及方法被发表出来，越复杂的调变方式其所需的线性度越高，且需要更多不同的相位讯号来完成调变的过程，因此高线性度及四相位的调变及解调器将是此篇论文的研究重点，为了达到高整合性，高效能，及低成本的电路设计，我门利用互补式金氧半导体制程来完成此电路设计，因此一小面积的直接降频(Direct down-conversion)及直接升频(direct up-conversion)电路将在文中介绍。

It has been put forward that there exists single Ball point and double Ball points on the symmetrical connecting-rod curves of equilateral mechanisms.

从鲍尔点的形成原理出发，分析对称连杆曲线上鲍尔点的产生条件，提出等边机构的对称连杆曲线上有单鲍尔点和双鲍尔点。

The factory affiliated to the Group primarily manufactures multiple-purpose pincers, baking kits, knives, scissors, kitchenware, gardening tools and beauty care kits as well as other hardware tools, the annual production value of which reaches US$ 30 million dollars.

集团所属工厂主要生产多用钳、烤具、刀具、剪刀、厨具、花园工具、美容套等五金产品，年生产总值3000万美元，产品价廉物美、选料上乘、质量保证，深受国内外客户的青睐