被解放的

It is neither the separation between the mail and femail, nor the district dividing line between day clothing and the evening wear.his special style,bardian hue and the cultural conflict and communication brought up the dandyism which made him thought the most affective fashion designer in the early 1980s.in 1975,he successfully held his first fashionable issue show,whose revolutionary design opinion made a great contribution to the Milan to become a new fad city.non-liner and stink design of frame and lines,not stickto formal or inforaml fig and the natural colors completely got rid of the popular hippie style in the 1960s.with simple contour and loose lines changed the traditional mail endure and cabined style ,its crape grain coat was the rage.three months later,because of the contract of man fashion ,woman fashion fetched to heel,which adopted traditional man suuff,showing the stongly neutral style.

不是男女性别的截然划分，不是日装和晚装的严密分界，阿玛尼特立的风格、个性的色彩和文化冲突与交流造就的时髦使他自80年代起就一直被认同是最影响力的时装设计师。1975年阿玛尼的第一次时装发布会获得成功，其革命性的设计理念也为米兰成为新的时尚之都做出了巨大贡献。没衬里和张扬结构线条的设计，不拘于正式与非正式的休闲衣着打扮，天然去雕饰的色彩，完全剔除了60年代盛行的嬉皮风格，以简单的轮廓、宽松的线条，改变了传统男性硬挺拘束的风格，绉纹风格的外套风靡一时。三个月后，男装的微缩女装版紧跟着推出，采用传统男装面料，显示出强烈的中性风格。阿玛尼因此成为继保罗·波烈和夏奈尔之后的又一位女性时尚设计的解放者。

At the crossing line of the minoritizing and universalizing of queer subjectivity between Korea and the West, I'd like to construct an argument and discuss a new possibility of "West Meets East" in queer politics as to how Korean queers achieve sexual citizenship by not assimilating heteronormative norms and values but liberating their own quotidian sexual subjectivities and reforming institutions to further recognition of sexual diversity and inequality.

南韩的酷儿们要获得性方面的公民权不应该被异性恋的规范同化，而是要解放他们自己每天的性主体性，更多认识性多样性，认识实际存在的不平等。因此，在将酷儿的主体性少数派化和普遍化的过程中，在南韩和西方的交界线上，我希望建构一个新的论调，提出一种新的有关酷儿政治的&西方遇见东方&的可能性。

Finally, according to market conditions and market products this article paper analyzes the trends in the development of camera technology, and designs a color night vision camera.

最后根据市场情况和市面上产品的情况分析了摄像机技术的发展趋势，并设计了一款彩色夜视摄像机。

Only person height weeds and the fierce looks stone idles were there.

只有半人深的荒草和龇牙咧嘴的神像。