被忽视

Delivery room accoucheuse cannot repeat mechanically " not impatient bearing a dot, do not be fond of no less than unripe coming " and ignore a patient experience, should go up in spirit, support gives on physical strength, make the puerpera is in the process that faces anguish, do not feel loneliness is mixed helpless, make its acquire contented feeling and safe move in mentally, experience comfortable reach the warmth like the family member. 2 increase love, patience, guidance applies an abdomen to press palace mouth to leave complete hind, the puerpera is advanced delivery room, because palace shrinks painful reach an environment to change and cause mental tension, produce scared psychology, need human nature to change more right now nurse.

产房助产士不能机械地重复"别性急忍着点，不疼生不下来"而忽视病人的感受，要在精神上、体力上给予支持，使产妇在面对痛苦的过程中，不感到孤独和无助，使其在心理上获得满足感和平安感，感受到舒适及亲人般的暖和。2增加爱心、耐心，指导运用腹压宫口开全后，产妇被推进产房，由于宫缩痛及环境改变而引起精神紧张，产生惧怕心理，此时更需要人性化护理。

However, little is known about the effect of weak background noise on the detection of acoustical signals in animals.

平时被人们忽视的弱背景噪声是否影响动物的声信号的检测，其神经机制是什么，还未见相关的研究报道。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

Take as a single example this easily overlooked little passage from the rondo of the 23rd piano concerto; it is, in its essence, nothing more than a functional bit of connective tissue taking us from one place to another within the movement's structure. Ten brief bars—about 10 seconds—of basic scalar material, doing its job efficiently and economically. But it is at the same time so richly and amusingly characterized, so full of piping energy, with its determined but struggling piano line climbing its stutteringly inexorable way up to the note E, punctuated along its course by deadpan commentary from the winds, sneaking in the D natural that signals the change of key with almost undetectable sleight of hand—the passage almost constitutes a miniature comic universe all by itself.

请听这段在《第23钢琴协奏曲》中常常被人忽视的回旋曲( http：//img.slate.com/media/87/7_mozart488.asf )，没有哪个功能性连结段能比它更好地仅通过乐章结构就将听众带入另一个世界，长约10秒钟的概要部分(brief bars of basic scalar material)不仅经济有效地发挥其职能，同时又表现出丰富、诙谐的特色，充满木管乐器的活力，伴随着坚决但阻碍不断的钢琴的快速音群移入E大调，其行进过程不时被管乐器部加以修饰、注解，自然而然的转为D大调，转调手法之娴熟几乎无法察觉——这段音乐本身创造出一个微缩的喜剧世界。

Both owned and stray pets are neglected, maltreated, and abused on an all too regular basis.

不管是被饲养的还是被弃养的，宠物受到忽视、虐待、甚至凌虐，在台湾都是稀松平常的事情。

In a profile in The Washington Post, Rice said,''I decided I'd rather be ignored than patronized.

在华盛顿邮报刊登的赖斯小传中，赖斯说：&我决定宁愿被人忽视，也不愿被居高临下地搪塞&。

In such a time when human rights are totally ignored,betrayals and treacheries ran amuck,extreme violence is thought highly of,when so often a virtual reality becomes a substitute for the truth.

在那样一个人权被彻底忽视，背叛与不义横行，极端暴力被极力美化，事实成为谎言的替代品的年代。

The daily Progress notes that doctors and nurses are required to write were a story in themselves. Some described the love or neglect by family members. Some represented the dedicated care of our nurses who recorded on the chart every 2 hours that the position of a patient with incipient bedsores was changed.

医师与护士每天的疾病进展记载也相等於病人他们自己的故事，记录著有些病人被家人所关爱、有些被家人忽视、医院护士每两小时记录著对初期的褥疮病人的更换姿势的悉心照顾。

TXT_KEY_EVENT_NEWS_IMPACT_CRATER_1 Discovery of naturally occurring glass globules has been ignored by leadership and will pass in to the dustbin of history.

天然玻璃球的发现被的领导者忽视了，并会被历史所遗忘。

Lighting, sadly, is often overlooked by the inexperienced artist who commonly believes that, since real world scenes are often lit by a single light a lamp, the sun, etc.

悲哀的是光源的使用经常被一些没有经验的画师所忽视，他们一般会这么想，既然现实世界中的图景只是被一个光源照亮，那么一个光源也能在电脑图象处理方面做同样的事情

Plunder melds and run with this jewel!

掠夺melds和运行与此宝石！

My dream is to be a crazy growing tree and extend at the edge between the city and the forest.

此刻，也许正是在通往天国的路上，我体验着这白色的晕旋。