衬衫

I think I have a fresh sweatshirt for you somewhere.

我应该有乾净的衬衫让你换

I bought a sweatshirt at your store yesterday, but it's too large for me.

我昨天在你们店里买了件运动式宽松棉衬衫，但太大了。

Father stands beside the son, dress stands get shirt and shorts, the eye looks at syncline upper part.

父亲站在儿子身边，穿着立领衬衫和短裤，眼睛望向斜上方。

Yes, I can't find my shirt.

是的。我找不到我的衬衫了。

Is this your T- shirt No, it isn't.

这是你的衬衫吗？不是。

I know you don't like her shirt,but it's not nice to tell her that.

我知道你不喜欢她的衬衫，但是那样告诉她是不友好的。

I don't like this shirt ,give me that one instead.

我不喜欢这件衬衫，请给我拿那件吧。

A:"I don't think your shirt and suit go together very well."

A："我认为你的衬衫与你的西服不太适合。"

This shirt doesn't fit me.

这件衬衫不适合我。

I can't decide which shirt to buy.

我不知道应该买哪件衬衫。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。