衬衫

Is this your shirt, Davy?

这是你的衬衫吗，戴夫？

I confess to an occasional—nay, frequent—craving for coffee and to an occasional—nay, frequent—craving for thrills, but, as for happiness, I should prefer to grow broad beans and lettuces in a walled garden and to sit in a deck-chair in my shirtsleeves, watching their brief lives till they were ready for the table.

我不否认自己偶尔渴望——不，是经常渴望——咖啡，也偶尔渴望——不，是经常渴望——刺激，但说到幸福，我宁可在有围墙的园子里种下蚕豆和莴苣，身上只穿件衬衫，坐在帆布躺椅上，观察它们短暂的生命，直到它们成为盘中菜。

Asim found him as a pious looking gentleman wearing white loose shirt over brownish red colored cloth locally called 'dhoti'.

阿西发现他是一个虔诚的期待这位身穿白色宽松衬衫的棕红色布当地所谓

A guy who wakes up hum-drum and throws the same dingy shirt and pair of jeans on every day?

一个人谁醒来的嗡嗡声，鼓和罚球上天天一样肮脏的衬衫和牛仔裤？

He looks magnificent with white shirt, and black dinner jacket!

他穿白色的衬衫，配上黑色的晚宴外套，显得很高贵！

He pulled distastefully at his grey shirt and wondered whether he might undertake the adventure of washing it.

他厌恶地扯扯灰衬衫，吃不准是不是要把它洗洗。

Even if the double-breasted blazer ook is not for you, take note of the preppy6

即使这件双排扣西装不适合你，也可以留意那件没有系领带的中规中矩的带纽扣衬衫。

Even if the double-breasted blazer ook is not for you, take note of the preppy6buttoned-up shirt minus tie.

即使这件双排扣西装不适合你，也可以留意那件没有系领带的中规中矩的带纽扣衬衫。

My shirt be drench with sweat.

我的衬衫被汗水湿透了。

When Lin was a young man he usually wearing a shirt with bow tie to dress bright and pretty, Lin felt to dress in beautiful and proper form that is an enjoying of life and is a kind of manner to the person in the meantime. It seemed really exactitude in the modern society.

年少时爱漂亮，经常是衬衫、领结打扮得光鲜亮丽，阿泉师感觉穿著美观得体，就是人生的享受，同时也是对人的一种礼貌，这在现代社会似乎也是满正确的观念。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。