衬衫

People who works in offices frequently refers to "white collar workers", for the simple reason that they usually wear a collar and tie for work.

坐办公室的人之所以常常被称作"白领工人"，就是因为他们通常是穿着硬领白衬衫，系着领带去上班。

I'm afraid I've singed the collar of your shirt.

恐怕我把你的衬衫领子烧焦了。

Wear an open shirt, and touch your neck and collarbone.

穿一个开放的衬衫，摸着你的脖子和锁骨。

L need a collarless blouse in light green.

我要一件淡绿色的无领衬衫。

"But it's never fine to go in with a collarless shirt," warns Wendleton.

"但是穿无领衬衫参加面试总是不合适的，"Wendleton提醒大家。

For evening, she suggested a collarless white linen shirt with midnight-blue pants.

对于晚装，则是无领白衬衫搭配夜蓝色的裤子。

A short, sleeveless, collarless garment worn especially over a shirt and often under a suit jacket

马甲一种短的无袖无领衣服，尤其是穿在衬衫外面夹克装里面的；背心

He had changed into casual wear -- a white collarless T-shirt, black vest, white trousers, and white canvas shoes -- and he was so drop-dead gorgeous!

他换了休闲---白色短袖衬衫恤，黑背心，黑裤子还有白色的帆布鞋。他真是酷毙了！

He wore a collarless striped shirt, closed at the neck with a golden stud, and pants held up by suspenders.

他穿了一件没有领子的条纹衬衫，领口上别着一颗金色饰扣，裤子用吊带系着。

For day dresses, no matter jacket or suit coat, they are usually tightly cut and matched with collarless shirts and double-breasted waistcoats; in order to create the sens e of different layers, the materials of trousers and jacket are completely different. They are mainly of light colors, such as beige and the color as slightly red as cappuccino.

日装方面，无论是夹克还是西装外套都采用了紧身剪裁，并以意大利式的无领衬衫和双排扣马甲与之搭配；为了营造层次感，裤装与上衣的面料都是截然不同的；色彩则以浅色系为主，比如米白色和微红的 Cappuccino 色。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。