表达方式

Although language enables us to say things, it also constrains us to say them in certain ways.

尽管我们能够用语言来表达事物，但语言也限制我们只能用特定的方式来表达。

The good you do, the kindness proffered, the love and good will you send forth, will all come back to you multiplied in many ways.

你做的好事，你向他人付出的善意，你表达出的爱和好心，都将会以多种方式成倍地回馈给你做的好事，你向他人付出的善意，你表达出的爱和好心，你。

In this research, B2 gene of HCV was highly expressed as a fusion protein (Trx-B2) by cloning into pThioHisA, and induced specific anti-HCV antibody in higher titer than unmodified B2 protein after immunize mice or rabbit.The results showed antigen Trx-B2 has obvious immunogenicity and induced specific antibody,which might be able to serve as diagnosis HCV. Consequently, this PcAb of rabbit was used to coated Immulon plate, and a method of both antibodys sandwiching antigens was developed to detect 32 HCV positive serum and 32 nomal serum.Results show that ratio of positive are 87.5%and 43.75% respectively.

但缺点是该抗原所诱导的抗体滴度较低，可能是由于其分子量较小，所以本课题将人工合成的HCV复合多表位抗原基因B_2克隆到表达载体pThioHisA中，利用硫氧还蛋白融合方式对该抗原进行修饰，并在大肠杆菌中表达融合蛋白(Trx-B_2)，纯化该蛋白后免疫小鼠及家兔，结果表明用硫氧还蛋白修饰后的融合蛋白免疫小鼠和家兔后，得到的抗体滴度均高于未经修饰过的复合多表位抗原合成肽所诱导的抗体滴度，并从免疫后的兔血清中提取IgG包被酶联板，利用双抗夹心法分别检测了32份HCV阳性血清和32份正常人的血清，结果阳性率分别为87.5%和43.75%，符合率为71.88%。

Results The expression of Collagen Ⅳ can be seen in the basement membrane of glomeruli, renal tubules and collecting ducts.

国内外学者对Ⅳ型胶原在肾组织中表达的研究显示，在肾脏发生发育过程中Ⅳ型胶原以一种复杂的动态方式表达于基膜［4］。

In contrast, deletion of the propeptide yields mature but inactive NK, the inclusion bodies of NK or denatured rNK couldn't be renatured in any condition, but with the aid of exogenously purified propeptide or Ser221Ala proNK, the inactive mature protein could be renatured by an intermolecular pathway in vitro.

此外，我们利用融合基因表达系统在大肠杆菌中高效表达了谷胱甘肽S-转移酶／NK和硫氧还蛋白／NK两种融合蛋白，经体外复性、纯化，均获得活性蛋白。以上结果显示，pro肽在体内体外，通过分子内或分子间的方式均能帮助NK分子的折叠与再折叠，作为一种分子内的分子伴侣，pro肽为NK分子正确折叠所必需。

Man's knowledge emerged this way. He first had a perception he wanted to express, so he made sounds and language emerged. In order to decode the world, he invented mathematics. These added two things onto perception, extensions of perception, and later on there emerged the higher pursuits of man, such as art. There are two parts to art, the first belonging to the material, and the other belonging to the mental. Later on it split apart, with one part going on to be scientists, and the rest going on to research perception. Each different depiction method is a new re-expression of man's perception and spirit, a re-explanation of man's perception.

人类的智慧是这样出来的，他首先有感觉要表达，就发出声音，语言就出来了，为了解读世界，发明了数学，这就在感觉本体上面添加了两个东西，感觉的延伸，最后出现了人的更高的一些要求，比如艺术，艺术里面有两个部分，一部分属于唯物，一部分属于唯心，后来就分流了，一部分去做科学家，剩下的就是研究感觉，每一种描述方式都是对人的感觉和精神的重新再表达，重新解释人的感觉。

Man's knowledge emerged this way. He first had a perception he wanted to express, so he made sounds and language emerged. In order to decode the world, he invented mathematics. These added two things onto perception, extensions of perception, and later on there emerged the higher pursuits of man, such as art. There are two parts to art, the first belonging to the material, and the other belonging to the mental. Later on it split apart, with one part going on to be scientists, and the rest going on to research perception. Each different depiction method is a new re-expression_r of man's perception and spirit, a re-explanation of man's perception.

人类的智慧是这样出来的，他首先有感觉要表达，就发出声音，语言就出来了，为了解读世界，发明了数学，这就在感觉本体上面添加了两个东西，感觉的延伸，最后出现了人的更高的一些要求，比如艺术，艺术里面有两个部分，一部分属于唯物，一部分属于唯心，后来就分流了，一部分去做科学家，剩下的就是研究感觉，每一种描述方式都是对人的感觉和精神的重新再表达，重新解释人的感觉。

Some of the participating artists use "small" artistic mediums to express their motif: Huixin reveals "cultural invasion" by toy-sized sculptures and in a jocular way; Panyue's 'Sagittarius" portrays an absurd stage play with dainty and detailed images; Zeng Suchai's canvas dolls bring a breath of freshness; Li Zan and Chen Weiwei reflect their unique impression of social life through depicting fictitious characters; Li Zhiyin's exquisite youth romance is fully embodied in her small dreamlike sculptures; Nano Warsono's comic-strip-like pictorial narration triggers philosophical thoughts; while Takehiro Yoshimitsu expresses the prowess of "small and the possibility that resides in fragility.

在参展的艺术家当中，有的是以&小&的创作形式来表达他们某一创作主题：惠欣以玩具大小的雕塑、戏谑的方式提示出&文化侵略&的现实；潘钺的&人马座&以精巧玩味的画面演绎了一出荒诞的舞台剧；曾素钗的画布玩偶让人耳目一新；李赞和陈薇薇则通过对虚拟角色肖像的刻画反映出对社会生活的独特体会；刘知音细腻的青春浪漫在她小巧梦幻的雕塑作品上充分体现；Nano Warsono 连环画般的画面叙述引发小小哲思；Takehiro Yoshimitsu表达出一种&小&的力量以及脆弱中潜在的可能性。

Malan Maiden was the first song my mother taught me to sing. It's a love song from our village which expresses love with an element of sadness. I chose to sing it like the blues but with a stepped-up beat in order to express the tenacity and staunch optimism of Amis women.

马兰姑娘是妈妈教我唱的第一首歌这是部落的一首情歌是一首有点伤心表达爱意的歌曲所以我用了一点蓝调加上有点轻快的方式来唱觉得这是一首可以表达阿美族女性内在的韧性与坚强乐观。

For the view he there expresses is that judicial decisions are ascriptions of responsibility or rights and that these are "performatory utterances "," nondescriptive statements ", statements not capable of being true or false .

因为他表达了这样的观点——法院的决定是责任或者权利的归属，是&施为动词式的表述方式&、&非表述性的语句&，这些表达是不可能有对错之分的。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。