表达方式

Sodium arsenite and cigarette smoke solution have interactions on protein expression of Bcl2 and Bax.

亚砷酸钠和香烟烟气溶液对大鼠淋巴细胞的Bcl2蛋白表达、Bax蛋白表达的影响存在交互作用，交互作用方式为协同作用。

The key to expressing anger healthfully is to do it assertively; not aggressively or passively.

健康表达愤怒的方式是带主见而不是带攻击性或被动地表达。

But when an object is so given that its parts, and every quantity of it, can be determinately represented only through limitation, the whole representation cannot be given through concepts, since they contain only partial representations; on the contrary, such concepts must themselves rest on immediate intuition.

如果一个对象的部分，或者数量只有通过对整体设限的方式来加以确认，那么对于这个整体的表达不可能通过概念来表达，因为这些概念只包含部分的整体。与此相反，这些概念必须根基于直接的直觉。

With Bakhtin s dialogism,the author tries to find out the reasons of Nineteen Classic Poems emotional effects through the analysis of diverse voices and poets tactful techniques.

利用巴赫金的对话理论，通过分析《古诗十九首》中所表达的各种声音，以及作者委婉含蓄的表达自己内心声音的方式，尝试分析该组诗感发力量强烈的原因。

The six authors have displayed, in their own ways, a panorama of modem Chinese social life. Zhan Xin-xin expresses the anxiety and lost self of Chinese people at the beginning of main current political culture breakdown and materialistic flooding immediately after the Great Cultural Revolution. Liu Suo-la exposes the anti-classic and pro-individualistic radicalism of young college students facing an opening-up and multi-cultural age. Chen-Rong, in transcendence of historical rationalism, proposes human spiritual emancipation and subjective revelation in order to oppose traditional feudalistic stereotypes. Liu Zhen-yun in his typical cool-minded description, discloses the routine spiritual enslavement, oppression and murder, as well as men\'s helplessness, hopelessness and distortedness in familiar daily life affairs. Zhang Wei attaches importance to a heart-felt emotional and conscientious expression, thinking that the only things that may combine one\'s individual subjective options with his personal moral responsibility towards world and others are his inner authentic feelings and conscience.

这六位作家是张辛欣、刘索拉、谌容、刘震云、张炜和潘军，他们从不同的角度，以各自不同的方式，展示了中国现代社会中的一幅幅人生图景：张辛欣的作品呈现了"文化大革命"以后主流政治文化分化瓦解和物质主义泛滥初始人的自我迷失与彷徨焦虑的状态；刘索拉表达了改革开放和文化多元时代青年大学生反叛经典和张扬个性的激进姿态；谌容从超越历史理性的高度致力于反抗传统意识和封建世俗观念对人格个性的压抑，提倡人的精神解放和主体意志的彰显；刘震云以近乎残忍的描写，揭露了熟视无睹的日常生活对人的精神上的奴役、蹂躏和扼杀以及人在这一过程中的无奈、绝望和扭曲；张炜强调一种内在真情与良知的表达，认为唯一能够把个人的主观选择与对世界、对他人的道德责任联系起来的，就是人在心灵深处为自己和他人保存的那一份真情与良知；潘军从复归自我和维护个性尊严的角度，把人的爱欲和物欲升华为一种超越世俗伦理道德的纯个人化、精神化的心理体验和情感交流。

The six authors have displayed, in their own ways, a panorama of modem Chinese social life. Zhan Xin-xin expresses the anxiety and lost self of Chinese people at the beginning of main current political culture breakdown and materialistic flooding immediately after the Great Cultural Revolution. Liu Suo-la exposes the anti-classic and pro-individualistic radicalism of young college students facing an opening-up and multi-cultural age. Chen-Rong, in transcendence of historical rationalism, proposes human spiritual emancipation and subjective revelation in order to oppose traditional feudalistic stereotypes. Liu Zhen-yun in his typical cool-minded description, discloses the routine spiritual enslavement, oppression and murder, as well as men"s helplessness, hopelessness and distortedness "in familiar daily life affairs. Zhang Wei attaches importance to a heart-felt emotional and conscientious expression, thinking that the only things that may combine ones individual subjective options with his personal moral responsibility towards world and others are his inner authentic feelings and conscience.

这六位作家是张辛欣、刘索拉、谌容、刘震云、张炜和潘军，他们从不同的角度，以各自不同的方式，展示了中国现代社会中的一幅幅人生图景：张辛欣的作品呈现了"文化大革命"以后主流政治文化分化瓦解和物质主义泛滥初始人的自我迷失与彷徨焦虑的状态；刘索拉表达了改革开放和文化多元时代青年大学生反叛经典和张扬个性的激进姿态；谌容从超越历史理性的高度致力于反抗传统意识和封建世俗观念对人格个性的压抑，提倡人的精神解放和主体意志的彰显；刘震云以近乎残忍的描写，揭露了熟视无睹的日常生活对人的精神上的奴役、蹂躏和扼杀以及人在这一过程中的无奈、绝望和扭曲；张炜强调一种内在真情与良知的表达，认为唯一能够把个人的主观选择与对世界、对他人的道德责任联系起来的，就是人在心灵深处为自己和他人保存的那一份真情与良知；潘军从复归自我和维护个性尊严的角度，把人的爱欲和物欲升华为一种超越世俗伦理道德的纯个人化、精神化的心理体验和情感交流。

I want to find a new way of expressing myself …design is a dreadful form of expression.

我想寻找一个新的方式来表达我自己…设计是一个可怕的表达形式。

Nowadays exchange is usually carried on by means of money, and since every commodity has therefore a price expressible in money, the exchange-value of every commodity can be expressed in terms of money.

如今，交换一般通过货币的方式进行，既然每一商品都有一个价格以货币来表达，每一商品的交换价值就能用货币来表达。

Results: 1. Childhood trauma history: the patients with BPD had significantly higher scores of emotional abuse, physical abuse, sex abuse, emotional neglect and physical neglect than the non-personality disorder patients. 2. The parental rearing style: comparing with the Chinese norm, the scores of emotional warmth / comprehension of BPD group were lower; the scores of punishment/rigorousness and rejection /deny of BPD group were higher; The differences were significant. 3. Family environment: comparing with Chinese norm, the scores of intimacy/ affection expression/ independence/ success/ culture/ entertainment/ morality and religion/sense of organization of BPD group were lower; the scores of contradictory were higher.4. Correlation analysis revealed that the childhood trauma history of BPD was correlated with the unhealthy parents' rearing style and family environment. 5. Logistic regression analyses revealed that gender, emotional abuse, physical abuse, emotional neglect are the risk factors for BPD.

结果1、BPD儿童期创伤经历：BPD患者在情感虐待、躯体虐待、性虐待、情感忽视、躯体忽视及总体虐待程度显著高于精神科门诊中非人格障碍患者。2、 BPD父母养育方式：BPD患者的父母养育方式与中国常模相比存在较多显著差异，父亲在情感温暖理解、过度保护方面远低于对照，而在惩罚、严厉，拒绝、否认方面远高于对照；母亲在情感温暖、理解方面远低于对照，而在拒绝、否认，惩罚、严厉方面远高于对照。3、 BPD家庭环境：患者家庭的亲密度、情感表达、独立性、成功性、文化性、娱乐性、道德宗教观、组织性等方面均显著低于中国常模；而矛盾性方面显著高于常模。4、 BPD儿童期创伤与不恰当的父母养育方式和不良的家庭环境显著相关。5、BPD的影响因素：经Logistic回归分析，性别、年龄，情感虐待、躯体虐待、情感忽视是影响BPD患病与否的关键因素。

The third chapter focus on dicussing the narrative structure in Chinese modern authors' autobiographies. Firstly, we found there are at least three modes of structure:self-estimation,self enquiry on identity and the arranging of autobiographical facts.

纵的方面，即从叙事学的角度来探讨现代作家自传的叙事结构，主要是自我形象的塑造与阐释的三种方式，即自我评价、身份探讨与事实排列三个方面，分别选定不同方式的代表作家来剖析说明，不同的结构方式产生的是不同的自我形象；其次是现代作家自传话语的分析，从女性作家入手来阐释女性自传相对于男性自传更为深刻的表达焦虑。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。