表达方式

So I say that Chinese don't go Dutch is not merely a kind of folkway and custom, but it is a means, a method, a repayment way, a way to express emotion, even is probably a kind of

所以我说，中国人不各自付账不仅仅是一种社会风俗和习惯，它还是一种手段，一种方式，一种报答的方式，一种表达情感的方式，甚至可能是一种

So I say that Chinese don't go Dutch is not merely a kind of folkway and custom, but it is a means, a method, a repayment way, a way to express emotion, even is probably a kind of stratagem

所以我说，中国人不各自付账不仅仅是一种社会风俗和习惯，它还是一种手段，一种方式，一种报答的方式，一种表达情感的方式，甚至可能是一种计谋

So I say that Chinese dont go Dutch is not merely a kind of folkway and custom, but it is a means, a method, a repayment way, a way to express emotion, even is probably a kind of stratagem

所以我说，中国人不各自付账不仅仅是一种社会风俗和习惯，它还是一种手段，一种方式，一种报答的方式，一种表达情感的方式，甚至可能是一种计谋

So I say that Chinese don't go Dutch is not merely a kind of folkway and custom, but it is a means, a method, a repayment way, a way to express emotion, even is probably a kind of stratagy

所以我说，中国人不各自付账不仅仅是一种社会风俗和习惯，它还是一种手段，一种方式，一种报答的方式，一种表达情感的方式，甚至可能是一种计谋

So I say that Chinese don't go Dutch is not merely a kindof folkway and custom, but it is a means, a method, a repayment way, away to express emotion, even is probably a kind of stratagem

所以我说，中国人不各自付账不仅仅是一种社会风俗和习惯，它还是一种手段，一种方式，一种报答的方式，一种表达情感的方式，甚至可能是一种计谋

So I say that Chinese don't goDutch is not merely a kind of folkway and custom, but it is a means, amethod, a repayment way, a way to express emotion, even is probably akind of stratagem

所以我说，中国人不各自付账不仅仅是一种社会风俗和习惯，它还是一种手段，一种方式，一种报答的方式，一种表达情感的方式，甚至可能是一种计谋

To produce the tremendous impact, make people not at just enjoy the single medium of literature expression means, to the literature of enjoy the way of request also more and more high, now orotund medium and and portrait medium to the work is after carrying on a stereoscopic sex packing regard the writing medium as principle of reading method even let people accept easily, and this kind of newly arisen culture- network the culture melted the meeting the main characteristic of the current public culture, at the same time have its oneself of new characteristics- the freedom of the creations, civilian, and have the ego of performance terrace, thus make some common netizen also really done the author, even is famous, got the similar treatment of master of literature, this text not only did the simple discussion to the basic concept of the literature of network, still thorough of to network literature of development did the simple outlook, this is because the network literature hases already dissolve to go into our life in the middle, if ever of traditional writer still has no accredit network literature, but ignore you how to think, the network literature have already walk to go into us living in the middle.

目前互联网传播速度快，交互性强，和容量大的特点，对传统文学的结构方式，故事情节，形象手段美学欣赏等都产生极大的冲击，使人们不在只是欣赏单媒体的文学表达手段，对文学的欣赏方式的要求也越来越高，现在声音媒体和和图象媒体对作品进行全位立体性包装后以文字媒体为主的解读方式更让人们容易接受，而这种新兴的文化--网络文化融会了当前大众文化的主要特征，同时有着其自身的新特点--创作的自由性，平民性，以及有自我的表现平台，从而使一些普通的网民也着实做了作者，甚至是出名，得到了文学大师一样的待遇，本文不仅对网络文学的基本概念做了简单的讨论，还深入的对网络文学的发展做了简单的展望，这是因为网络文学已经溶入了我们的生活当中，即使有的传统作家还没有认可网络文学，但是不管你怎么想，网络文学已经走入了我们生活当中。

Currently the Internet dissemination speed quick, hand over with each other sex strong, and the characteristics for have great capacity, to the structure method of the tradition literature, story details, image means the esthetics enjoys etc. to produce the tremendous impact, make people not at just enjoy the single medium of literature expression means, to the literature of enjoy the way of request also more and more high, now orotund medium and and portrait medium to the work is after carrying on a stereoscopic sex packing regard the writing medium as principle of reading method even let people accept easily, and this kind of newly arisen culture- network the culture melted the meeting the main characteristic of the current public culture, at the same time have its oneself of new characteristics- the freedom of the creations, civilian, and have the ego of performance terrace, thus make some common netizen also really done the author, even is famous, got the similar treatment of master of literature, this text not only did the simple discussion to the basic concept of the literature of network, still thorough of to network literature of development did the simple outlook, this is because the network literature hases already dissolve to go into our life in the middle, if ever of traditional writer still has no accredit network literature, but ignore you how to think, the network literature have already walk to go into us living in the middle.

目前互联网传播速度快，交互性强，和容量大的特点，对传统文学的结构方式，故事情节，形象手段美学欣赏等都产生极大的冲击，使人们不在只是欣赏单媒体的文学表达手段，对文学的欣赏方式的要求也越来越高，现在声音媒体和和图象媒体对作品进行全位立体性包装后以文字媒体为主的解读方式更让人们容易接受，而这种新兴的文化--网络文化融会了当前大众文化的主要特征，同时有着其自身的新特点--创作的自由性，平民性，以及有自我的表现平台，从而使一些普通的网民也着实做了作者，甚至是出名，得到了文学大师一样的待遇，本文不仅对网络文学的基本概念做了简单的讨论，还深入的对网络文学的发展做了简单的展望，这是因为网络文学已经溶入了我们的生活当中，即使有的传统作家还没有认可网络文学，但是不管你怎么想，网络文学已经走入了我们生活当中。

Increased expression of PENK mRNA was more marked in the ipsilateral dorsal horn of the spinal cord, especially in lamina Ⅲ-Ⅳ and the contralateral medulla, especially in the gigantocellular reticular nucleus, lateral paragigantocellar reticular nucleus and lateral reticular nucleus.

本实验用原位杂交技术对电针刺激后前脑啡肽mRNA在脊髓和延髓的表达进行了观察，发现给予大鼠单侧后肢电针刺激引起脊髓和延髓中PENK mRNA阳性神经元数显著增加，尤其是同侧脊髓背角各层PENK mRNA的表达，和对侧延髓网状结构如网状巨细胞核α部、网状巨细胞外侧旁核及外侧网状核中的PENK mRNA表达增加，这与脊髓上传的信号由同侧脊髓交叉到对侧脑干的走行方式是一致的。

A study has indicated the expression of Smad2 in human dental pulp cells, but there are no reports about the functions of Smad2/3 in TGF- P modulating dental pulp repair and tooth development.

本研究的目的是观察人牙髓细胞内Smad2和Smad3分子在TGF-β1信号转导中的作用，以及TGF-β1对二者表达水平的调控方式，并检测Smad2和Smad3在牙胚发育的不同时期和正常、龋坏、炎症牙髓组织中的表达及其变化，旨在从细胞内信号转导水平探讨TGF-β调节成牙本质细胞分化和牙本质形成的分子机理，为揭示牙胚发育和牙髓损伤修复过程中基因表达的调控机制提供一定的实验依据。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。