表达方式

Naturally, we tend to use old representations in our new environments.

同样很自然的，在新的环境里，我们习惯于采用旧的表达方式。

Estimates expression of the general as " Number of utterances " Plus the number of structure.

约量的表达方式一般为&数助词&加数量结构。

"High tech" and "state of the art" are two expression that describe very modern technology.

&高科技&和&顶级&是描述非常现代的技术的两种表达方式。

Aesthetic. Found amidst the wave of celebration for high technology and the increasingly global mediascape, these works represent an alternative stream of innovation in the gray area where art and science intersect.

这些艺术家在一个高科技崇拜的全球化浪潮当中利用了一些很普通的技术元素，在艺术与科技之间寻找个人想法的表达方式。

Stamped into the very fiber of the Senate, within its genetic code, was the same contest between power and principle that characterized America as a whole, a lasting expression of that great debate among a few brilliant, flawed men that had concluded with the creation of a form of government unique in its genius—yet blind to the whip and the chain.

参议院的本质特性，存在于它的&遗传密码&中，即是，从整体上描述了美国特性的，在权力和原则之间相同的斗争，是少数才华横溢的但有瑕疵的人的绝妙的争论的一个持久的表达方式，这些人用他们独一无二的才智创造出了一种政府运作形式（但却忽视了监督和约束的力量）。

Credal network is one of the graphical tools for knowledge representation and reasoning under uncertain conditions,where probability values may be qualitatively expressed by intervals or inequality.

Credal网络是研究不确定环境下知识表示和因果推理的一种图模型，其条件概率值可以用不精确的区间或不等式定性地表示，使得表达方式更加灵活有效。

Chapter Three studies Donnes unique approach to love in technique in his Songs and Sonets.

第二章从邓恩在运用意象方面考察他独特的爱情表达方式。

Chapter One explores Donnes unique approach to love in wit in his Songs and Sonets.

第一章从邓恩在他的爱情诗中运用机智入手探讨他独特的爱情表达方式。

The thesis attempts to study John Donnes unique approaches to love in his Songs and Sonets.

本文主要探讨约翰·邓恩在《歌与短歌》集中对于爱情独特的表达方式。

The conclusion, firstly, points out that Donnes unique approaches to love in his Songs and Sonets contribute to his departure from literary conventions.

第三章阐述邓恩的《歌与短歌》集在表现技巧上体现出的他对于爱情的独特的表达方式。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。