表达性

Methods Rat spinal cord injury models were established by aneurysm clip compression, and nestin expression and proliferation of ependymal cells at different times were shown with pathological and immuno-histochemical staining.

应用动脉瘤夹压迫建立大鼠脊髓损伤模型，通过组织病理学及免疫组织化学方法检测不同时段室管膜细胞的反应性增生和神经外胚层多潜能细胞特异性抗原nestin的表达。

Its antimicrobial activity was proved using primary cultures of epididymal epithelia and antisense technique under the cooperation of the chinese university of hong kong.

与香港中文大学合作，利用附睾上皮细胞的体外培养及反义核酸技术证明了它的抗菌性。同时，bin1b的表达可以被附睾炎症上调。

They identified 371 genes (nearly 10%) as monoallelically expressed in epigenetically stable patterns in at least one population of cells derived from a single B cell clone.

他们确认起源于一个单B细胞克隆种群的371个基因（近10％）以单等位基因性在后生遗传稳定模式中表达。

We have investigated whether the combination of decitabine and a clinically relevant inhibitor of histone deacetylase activity (belinostat, PXD101) can further increase the re-expression of genes epigenetically silenced by DNA methylation and enhance chemo-sensitisation in vivo at well-tolerated doses.

我们研究了地西他滨联合组蛋白去乙酰化酶抑制剂（belinostat，PXD101）是否可以进一步增加DNA甲基化后生沉默基因的重新表达，在耐受性良好的剂量下增加化疗敏感性。

Loss of INI1 expression may also be helpful to distinguish epithelioid MPNST from metastatic melanoma in a subset of cases.

在一些病例中，INI1表达的缺失同样能鉴别上皮样MPNST和转移性黑色素瘤。

Objective To construct genetically modified rat bone marrow stem cells expressing exogenetic glial cell-line derived neurotrophic factor which can be used in gene therapy of spinal cord injury .

目的构建表达外源性胶质细胞源性神经营养因子的转基因大鼠骨髓基质干细胞，拟应用于脊髓损伤的基因治疗研究。

We characterized the RNA and protein content of embryonic stem cell microvesicles and show that they can be engineered to carry exogenously expressed mRNA and protein such as green fluorescent protein.

我们对胚胎干细胞微泡的RNA和蛋白质含量进行特征性描述，并证明它们可以被设计用于传送外源表达的mRNA和蛋白，如绿色荧光蛋白。

On the other hand, the influence of Absurd drama manifested mainly in the perspective of observing the world in later plays. Absurd drama reveals the uncertainty of the world by the skill of"simile way". Contemporary playwrights draw extensively and broadened the use of"simile way", and create the new simile symbols: anti-classic simile, anti-system simile and anti-meaning simile. At the same time they use a comprehensive simile to create a kind of sensual drama.Absurd drama also destroys the language function of traditional drama by rupture and desegregation, also tends to use "the language of no meaning," to reflect the world's essence. The contemporary generation create a physical theatre to expulse of the role of language. Another extreme is to strengthen language function thus creating a language game.

另一方面，荒诞派戏剧的影响力主要体现在后世剧作对客观世界的认知上：荒诞派通过&直喻&的手法来表现世界不确定性的本质，被后世剧作家广泛借鉴并且拓宽了直喻手法的使用，出现了反经典、反系统和反深度的直喻符号，同时另一个极端则是用剧场性的全面直喻创造了具有震撼力的感官戏剧；荒诞派通过破裂与解体的方法化解了传统戏剧的语言功能，更倾向于用&无义的语言&表达来体现世界的无义，后世剧作家在此基础上索性彻底驱逐了语言的作用从而创造了肢体戏剧，另一个极端则是强化语言功能创造了&语言游戏&。

Tongue tie is too short, so that should not extend extraoral tongue, the impact of the flexible tongue movement, so the impact of the larger aspects of language development, commonly known as "大舌." 2, these are caused by organic disease transformer ambiguous words; There is also a non-organic ambiguous words, 2-year-old children with limited vocabulary; but would like to use language to express the results difficult to say if a series of adults, medically known as the "insinuations", also known as the "language disorder."

舌系带过短，使舌不能伸出口外，影响舌头的灵活运动，所以对语言发育方面影响较大，俗称&大舌头&。2、上述属于器质性病变压器造成的说话不清；还有一种非器质性的说话不清，2岁小儿词汇有限；但又很想用语言来表达，结果说出一连串成人难懂的话，医学上称之为&隐语&，又称&乱语&。

IMSA expresses the fabricative logic of composite computation with XML document, deals with the

IMSA以XML显性表达复合计算的组合逻辑，屏蔽了各计算源间的异构性。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。