表现自己

Zeng Haisheng told 10-year-old mother to learn paper-cutting, and later he became the teacher of paper-cutting culture has some thinking, and thinking themselves into the traditional paper-cutting, the use of euphony, symbolic, metaphor and other means to show their the pursuit of a better life and hope, thereby increasing the aesthetic value of paper-cutting works, the beginning of the traditional paper-cutting innovation.

曾海生十来岁就跟母亲学剪纸，后来他当了老师，对剪纸有了一些文化的思考，并将自己的思考融入传统的剪纸中，用谐音、象征、隐喻等手法表现出自己对美好生活的追求与企盼，从而提高了剪纸作品的审美价值，传统剪纸开始了创新。5年前曾海生退休回到家，看到村里有不少父母外出务工的留守孩子，就把他们组织起来，把自己几十年积累的剪纸技艺和盘托出，教授弟子。

The conceit is that Denis will finally learn to appreciate the real Beth Cooper, but her character, like his, is composed of so many contradictory modes of behavior and states of feeling that she never registers as anything but a cute blonde with inexplicable patience for the gawky guy who professes to love her.

最后丹尼斯将了解到一个真实的贝丝库帕是怎样的人，但是和他自己一样，她的行为和想法充满了矛盾，她把自己表现成一个可爱的金发美女，对这个向她表白的笨拙男生表现出莫名其妙的耐心。

"Polly I love you.You are the whole world to me,and the moon and the stars and the constellations of outer space.Please,my darling,say that you will go steady with me,for if you will not,life will be meaningless.I will languish.I will refuse my meals.I will wander the face of the earth,a shambling,hollow-eyed hulk."-"Ad Misericordiam."-"Well,Polly,you certainly have learn your fallacies."-"You're darn right."-"And who taught them to you,Polly?"-"You did."-"That's right,So you do owe me sth,don't you,my dear?If I hadn't come along you never would have learned about fallacies."-"Hypothesis Contrary to Fact."-"Polly,you mustn't take things so literally.I mean this is just classroom stuff,You know that the things you learn in school don't have anything to do with life."

其实文章之中暗含著许多的谬误，例如Dobie一开始认为Polly美丽而且大方就认为自己爱上了她，这是草率结论，因为，他并不爱一个蠢女人，而爱的是改造后的聪明Polly；而Dobie把浣熊皮大衣与Petey交换Polly，这是错误类比，因为Polly是一个女人而并非一件大衣；Dobie一开始认为自己的大脑像发电机一样发达，像化学家的天平一样精确，像手术刀一样锋利，而Petey却笨得像头驴，赶时髦是最缺乏理智的表现，这是绝对判断，正是因为他如此绝对判断自己非人的能力，才导致这样愚蠢的结局。。。。。。。。。

This game was twosome.Each one told a story to his partner,then talked about the behavior and his recept of his partner.

游戏要求是两人一组，每人分别给自己的搭档讲一个故事，然后分别谈谈自己在讲故事时搭档的表现及自己的感受。

And for ways to find out more about me - However I look and sound, Whatever I say and do, and whatever I think and feel at a given moment in time is authentically me - If later some parts of how I looked, sounded, thought and felt turn out to be unfitting, I can discard that which is unfitting, keep the rest, and invent something new for that, Which I discarded I can see, hear, feel, think, say, and do I have the tools to survive, to be close to others, to be productive to make sense and order out of the world of people and things outside of me - I own me, and therefore I can engineer me - I am me and I AM OKAY.

我知道某些困惑我的部份，和一些我不了解的部份。但是只要我友善的爱我自己，我就能够有勇气，有希望的寻求途径，来解决这些困惑，并发现更多的自己。然而，任何时刻，我看、我听、我说、我做、我想或我感，那都是我。这是多么真实的表现那时刻的我。这些时候，我再回头看我所看到的、听的、做过的、想的、感受的，有些可能变得不合适了。我能够舍掉一些不合适我的，并且再创造一些新的。我能看、听、感觉、思考、说和做。我有方法使自己觉得活得有意义、亲近别人，使自己丰富和创意。我拥有我自己，因此我能驾驭我自己。我是我自己，而且我是好的。

The English speaker is being polite to the extent that by accepting and showing appreciation of the compliment, he avoids hurting the positive face of the person who makes it; the Chinese speaker is showing modesty by denigrating himself, ignoring the factuality of the compliment paid to him.

讲英语的人在接受和感谢别人的赞美时，会避免伤害说话人的脸面；中国人表现谦虚则是不顾事实真相贬低自己。正如所提到的，自贬是两千年来中国人表现礼貌的观念，中国人为了表现谦虚会极力地贬低自我所取得的成就并否认别人赞美的真相。

Verbalizing low value shows that you are indifferent to the outcome, not trying to impress her, could care less what she thinks, you have a sense of humor / irony, maybe it shows you are humble...

口头表述自己的低价值，表现了你无视结果，不曾尝试给她留下深刻印象，不是那么关心她到底是怎么想的，也表现了你的幽默感/讽刺；还可能表现了你的谦逊…。

MILANELLO - Kala then talked about his own performance against Brescia:'I had a good chance in the second half but unfortunately the ball didn't go in. If I have to talk about my performance I would say I am very content.

米兰内洛-卡哈随后谈到了对阵布雷西亚的表现，他说：比赛的下半场我曾有个很好的机会，但可惜没有把握住，如果非要让我评价自己本场比赛的表现，我表现满意。

It is because we are now able to access to such information is found in the West of the early AIDS, found that many medical and health workers, including doctors and nurses in the treatment of patients in the process of hand-cut their own, such things happen in the future, the following tested for some time, at the same time after the incident in the day asking them to record their feelings, or performance, but in such a strict observation of the circumstances, some people think that after the incident in this period of time there is a species is similar to a very mild cold symptoms have passed very quickly, of course, after this part of the personnel to prove that he is infected, in turn, we believe that after infection some people have such a performance, but the actual There are a considerable number of people simply do not feel.

就是因为我们现在能查阅到的这些资料是在西方社会艾滋病发现的早期，发现很多医疗卫生工作者，包括医生护士在诊治病人的过程中，把自己的手划破，出现这种事情以后，隔一段时间经过检测，同时在这个事件发生以后要求他们每天记录自己的感觉，或者说是表现，只是在这种严格的观察的情况下，有一部分人觉得在这个事件发生以后的一段时间里有一种类似于感冒的很轻微的症状，很快就过去了，当然这一部分人事后也证明他确实是感染了，回过头来讲，我们认为感染了以后有一部分人会有这样的表现，但是实际上有相当一部分人根本就感觉不到。

So, this paper will discuss them in three chapters.In Chapter I, the paper starts from Xiao Hong's "complex of loneliness", discusses her childhood, marriage and social life, rootles the real reason which oppresses her free soul: the life without voice and ego. Chapter II starts from her unique writing mode, discusses how she found the way to emit her own voice, say her own words, and also about her animadvert on sex discrimination and her discover of the common people's hard life. In this chapter, it also involves several images, which represent the hard life condition of the common people. Chapter III discusses several groups of unique images such as "the back garden", which represent the spree and release of free soul. It shows Xiao Hong's permanent longing for freedom,"love and mildness".

基于此，本文着重从这两方面出发，分三章作如下探讨：第一章，从萧红的&寂寞情结&入手，分别就其童年生活、婚姻生活、社会生活三方面论述萧红自我声音的长期受到压制以至于消解，从而挖掘出导致其自由心灵压抑的真正原因——&无声&的、没有自我的生活；第二章则从她执著于自我的文体形式着手，论述她如何寻求到发出自己的声音、言说自己的话语的方式，并就她对女性艰难境遇的忧患和对普通民众苦难生涯的揭示作了评述，其间，涉及到萧红设置的几组表现民众艰难生存状况的意象；第三章专章论述萧红小说中几组以&后花园&为核心的、表现自由心灵的释放与张扬的独特意象，得出她对自由、对&爱和温暖&永久的憧憬和向往的结论。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。