表现的

Representing is not always carried out at full scale but can be abstracted at different scales and levels of detail.

表现的内容不一定是用1：1比例的来表现，也可以抽象成不同的比例来表现不同的细节。

The 'arrival' of Sisyphus means that he has to employ 'pathetic fallacy' to personify the stone as signifying man's desire and mental burden – the stone lying at the roadside has been changed and elevated to a symbolic level, which incorporates the myth with heroic spirit and becomes the objective equivalent to that of desire, anxiety, and pressure. In essence, the physical features are drowned and from between to express the natural physical features or the ideas, he chooses the latter. This means that there is disjoint between what originally moved him and what he would like to express, but he is acutely aware of it – the 'danger of illustration'. We can see that these series of paintings are finally presented to us, the physical features of the objects still remains and are expressed to some extent. Among them some directly depict the stones in their own part about their pleats and points, desolateness and heaviness; at the meantime, nobody appears in the pictures.

西西弗斯的"到来"，意味着他不得不采用感情误置的方式，将石头进行拟人化的处理，用以指称人的欲望和精神负担——那块路边的石头已经不复它本来的面目，它被提升到一个象征的位置上，与神话和英雄的精神题旨迅速结合在一起，成为人性之中欲望、焦虑、压力等情感的客观对应物，从本质上来说，物自身的特性被淹没了，在表现物的自然特性和表现理念这两者之间，他选择了后者，这意味着，在感动他的最初事实与他要表现的事实之间就有了一种脱节，但他敏感地意识到了这种脱节，这种"图解的危险"，我们可以看到，当这组画最终呈现在我们面前的时候，物的自然特性得到了很大程度的挽留和表现，其中有一些画作直接描绘了岩石本身，它本身的褶皱和棱角、苍凉和沉重，同时，并没有人出现在这样的画面上。

Bing no longer restricted to its traditioned role as the presentation of the suspended time and a fleetingly observed sight before the great changes in Western art, perfect theatment of time and space in painting has overwelmingly changed and transcended the traditionally-established means of presenting a three-dimentional illusionism based on a two-dimentional plane,crying for the emergence of pluralist concept and multiple fashions of time-space treatment in painting.

作为绘画表现的一个重要部分的时空表现在现代绘画中也出现了翻天覆地的变化。西方现代艺术变革之前的艺术家将如何在二维的平面塑造物体的三维空间形体，表现凝固的时间或瞬间场景视为绘画的重要方面，而西方现代绘画在继承性的推翻传统的绘画的同时，出现了多元的，丰富的时空表现样式。

The present study demonstrated the gingival overgrowth is characterized by specific miRNAs expression profile. In the preliminary study, we established a databank by using microarray analysis of miRNAs and gene expression from one patient with inherited gingival fibromatosis.

首先，在初步实验中利用遗传性牙龈纤维瘤病患者的牙龈组织进行了微型核醣核酸以及基因表现的微阵列分析，建立了庞大的资料库，并且证明在增生的牙龈组织中，某些特定的微型核醣核酸及基因有特异的表现；因此，我们加入另外两位患有牙龈增生的组织检体来分析，共同进行数据的比对，减少个体表现差异的干扰；结果显示：共有六种微型核醣核酸在牙龈增生的实验组中具有一致的表现趋势，包括miR-203，-143，-145，-200a，-200b，-923。

As for the geographical location of the characteristic performance, it is quite natural that the country in which the party liable for the performance is habitually resident or has his central administration (if a body corporate or unincorporate) or his place of business, according to whether the performance in question is in the course of his trade or profession or not, should prevail over the country of performance where, of course, the latter is a country other than that of habitual residence, central administration or the place of business.

关于地理的位置那特性表现，它相当天然国家在哪一个宴会有义务的为表现习惯地居民或者有他的中央行政(如果一个身体企业的或者不合并)或者他的地方生意，根据到是否表现在疑问是在他的期间贸易或者职业，应该在表现的国家上方采用哪里，当然，后者习惯住宅是除了那之外一个国家，中央的行政或那地方生意。

Warriors have a game, shaman, hunter three occupations, through the figures point to property with the characteristics of the career was the ever-changing; in addition to hundreds of job-specific skills, there are couple of skills, tribal skills, animal skills, NPC skills the performance skills of a more diversified form of expression.

游戏中拥有勇士、巫师、猎手三种职业，通过人物属性配点把各职业的特点表现得千变万化；除了上百种职业技能之外，还有夫妻技能、部落技能、神兽技能、NPC技能，在技能的表现形式上表现的更加多样化。

Our data showed that two liver-abundant miRNAs can down-regulate HCV gene expression in HCV replicon cells.

结果显示有两个肝脏大量表现的miRNA过量表现时抑制HCV的表现。

These researches are dominant by self-presentational styles andclassifications,determinant of self-presentation and selfpresentational strategies and so on.

但已有研究主要集中于分析自我表现的类型、自我表现的影响因素、自我表现的策略等问题。

To observe the magnetic resonance imaging morphological features of radiation encephalopathy in nasopharyngeal carcinoma and investigate their diagnostic value. Methods: The MRI data of 160 lesions from 104 NPC patients with the diagnosis of temporal lobe REP were retrospectively analyzed.

目的鼻咽癌(nasopharyngeal carcinoma，NPC)放疗后放射性脑病(radiation encephalopathy，REP)的表现形式多样，对其多样性表现的报道并不多，本研究观察NPC放射性脑病的磁共振成像(magnetic resonance imaging，MRI)形态学表现特征并探讨其诊断价值。

The 'arrival' of Sisyphus means that he has to employ 'pathetic fallacy' to personify the stone as signifying man's desire and mental burden – the stone lying at the roadside has been changed and elevated to a symbolic level, which incorporates the myth with heroic spirit and becomes the objective equivalent to that of desire, anxiety, and pressure. In essence, the physical features are drowned and from between to express the natural physical features or the ideas, he chooses the latter. This means that there is disjoint between what originally moved him and what he would like to express, but he is acutely aware of it – the 'danger of illustration'. We can see that these series of paintings are finally presented to us, the physical features of the objects still remains and are expressed to some extent. Among them some directly depict the stones in their own part about their pleats and points, desolateness and heaviness; at the meantime, nobody appears in the pictures.

西西弗斯的&到来&，意味着他不得不采用感情误置的方式，将石头进行拟人化的处理，用以指称人的欲望和精神负担——那块路边的石头已经不复它本来的面目，它被提升到一个象征的位置上，与神话和英雄的精神题旨迅速结合在一起，成为人性之中欲望、焦虑、压力等情感的客观对应物，从本质上来说，物自身的特性被淹没了，在表现物的自然特性和表现理念这两者之间，他选择了后者，这意味着，在感动他的最初事实与他要表现的事实之间就有了一种脱节，但他敏感地意识到了这种脱节，这种&图解的危险&，我们可以看到，当这组画最终呈现在我们面前的时候，物的自然特性得到了很大程度的挽留和表现，其中有一些画作直接描绘了岩石本身，它本身的褶皱和棱角、苍凉和沉重，同时，并没有人出现在这样的画面上。

Neither the killing of Mr Zarqawi nor any breakthrough on the political front will stop the insurgency and the fratricidal murders in their tracks.

在对危险的南部地区访问时，他斥责什叶派民兵领导人对中央集权的挑衅行为。

In fact,I've got him on the satellite mobile right now.

实际上 我们已接通卫星可视电话了