表现爱情的

A person's highest happiness is found in the bestowal of benefits on those he loves; love finds its

一个人最大的幸福莫过于泽被在其之所爱，在给予的过程中，爱情表现得最自然，最真切。

LOVE: You need to be surrounded by people who value your playfulness and self-expression_r.

爱情运势：今年需要有人环绕你的周围，赏识你的有趣和自我表现。

Mansfield Park presents the antithesis of worldliness and unworldliness ; Emma gives the thought over self-deceptive vanity; and Persuasion contrasts the true love with the prudential calculations.

曼斯菲尔德花园》表现了世俗与非世俗的并存；《爱玛》对自欺欺人的虚荣心给予了反思；《劝告》将真挚爱情与精打细算进行了对照。

She is a typical "charming chinese old-style woman" who accepted a little "new education".through our analysis,we can find when she was giving in to her husband,she wanted to react against him inside of her;she loved her son ,but she took all she could do to let him give up his true love at the same time; she did pursue her love,but meanwhile shed rather let herself be in chains in this rich family and play a painful role between "mother" and "lover"; she looked down up working-class people ,but meanwhile she commiserated working-class women.all above,prove that fan is a double-personality female.she could stand for all contemopany chinese young women who were influenced by "new education": lovely but unreasonable.the author of "the thunder storm" expressed how contemopany chinese young women should face the challenge from life through creating her.meanwhile,it can prove the value of "the thunder-storm".

她是1个具有特殊魅力的"中国旧式女人"，同时又是受了点"新式教育"影响的女性。她是1个有着双重性格的女子。她对丈夫既表现出软弱地屈从又表现出怨恨和反抗；她既关爱儿子又要以世俗的等级观念来干涉儿子的感情；她敢于追求自己的爱情却又把自己束缚在1个狭小的空间；她鄙视下等人的生活同时又对处于社会底层的女性表现出真诚的同情。蘩漪是54时期中国青年知识女性的1个时代缩影。通过对她的分析，我们可以看到特定时期中国知识女性的可爱之处以及时代赋予给她们的缺陷，从而进1步阐述当代中国女性应该以什么样的姿态站在人生的舞台上，也更进1步确定了《雷雨》所具有的社会价值和时代意义。

This paper analyzes the conceits and imageries in his love poem-A Valediction:Forbidding Mourning,in order to explore the poet's underlying aim of the writing technique,with poet's view of love uncovered in the end.

本文通过分析奇喻和意象在他的爱情名诗——《告别辞：节哀》中的运用，旨在揭示这种表现手法所蕴藏的诗人的写作意图，从而进一步了解诗人爱情观。

By centering round a variety of ethical relationships, this play demonstrates the historical transformation from the ethics based on the familial interest to that of the national politics. The conflict between Hokon and Skule represents the opposition between the new and the conventional ethical views, and the hope and disillusionment of Skule and his son indicates the failure of the efforts in maintaining the old regalist ideas while the marriage and love between Hokon and his wife affirms the principle that personal love should give way to the national interest in a particular context.

作家以人物之间的种种伦理关系为着眼点，揭示了由以家族利益为核心的伦理到以国家政治为核心的伦理之历史转变：霍古恩与斯古利君臣之间的冲突表明新旧伦理观念的对立；斯古利与彼得父子之间的失望与希望表现了对旧王权伦理的维护及最终失败的命运；而霍古恩与玛格蕾蒂夫妻之间的爱情关系，则肯定了特定政治语境中个人爱情必须服从国家利益的原则。

By centering round a variety of ethical relationships this play demonstrates the historical transformation from the ethics based on the familial interest to that of the national politics. The conflict between Hokon and Skule represents the opposition between the new and the conventional ethical views and the hope and disillusionment of Skule and his son indicates the failure of the efforts in maintaining the old regalist ideas while the marriage and love between Hokon and his wife affirms the principle that personal love should give way to the national interest in a particular context.

作家以人物之间的种种伦理关系为着眼点，揭示了由以家族利益为核心的伦理到以国家政治为核心的伦理之历史转变：霍古恩与斯古利君臣之间的冲突表明新旧伦理观念的对立；斯古利与彼得父子之间的失望与希望表现了对旧王权伦理的维护及最终失败的命运；而霍古恩与玛格蕾蒂夫妻之间的爱情关系，则肯定了特定政治语境中个人爱情必须听从国家利益的原则。

By centering round a variety of ethical relationships this play demonstrates the historical transformation from the ethics based on the familial interest to that of the national politics. The conflict between Hokon and Skule represents the opposition between the new and the conventional ethical views and the hope and disillusionment of Skule and his son indicates the failure of the efforts in maintaining the old regalist ideas while the marriage and love between Hokon and his wife affirms the principle that personal love should give way to the national interest in a particular context.

作家以人物之间的种种伦理关系为着眼点，揭示了由以家族利益为核心的伦理到以国家政治为核心的伦理之历史转变：霍古恩与斯古利君臣之间的冲突表明新旧伦理观念的对立；斯古利与彼得父子之间的失望与希望表现了对旧王权伦理的维护及最终失败的命运；而霍古恩与玛胳蕾蒂夫妻之间的爱情关系，则肯定了特定政治语境中个人爱情必须服从国家利益的原则。

She is a typical "charming chinese old-style woman" who accepted a little "new education".through our analysis,we can find when she was giving in to her husband,she wanted to react against him inside of her;she loved her son ,but she took all she could do to let him give up his true love at the same time; she did pursue her love,but meanwhile shed rather let herself be in chains in this rich family and play a painful role between "mother" and "lover"; she looked down up working-class people ,but meanwhile she commiserated working-class women.all above,prove that fan is a double-personality female.she could stand for all contemopany chinese young women who were influenced by "new education": lovely but unreasonable.the author of "the thunder storm" expressed how contemopany chinese young women should face the challenge from life through creating her.meanwhile,it can prove the value of "the thunder-storm".

她是1个具有特殊魅力的&中国旧式女人&，同时又是受了点&新式教育&影响的女性。她是1个有着双重性格的女子。她对丈夫既表现出软弱地屈从又表现出怨恨和反抗；她既关爱儿子又要以世俗的等级观念来干涉儿子的感情；她敢于追求自己的爱情却又把自己束缚在1个狭小的空间；她鄙视下等人的生活同时又对处于社会底层的女性表现出真诚的同情。蘩漪是54时期中国青年知识女性的1个时代缩影。通过对她的分析，我们可以看到特定时期中国知识女性的可爱之处以及时代赋予给她们的缺陷，从而进1步阐述当代中国女性应该以什么样的姿态站在人生的舞台上，也更进1步确定了《雷雨》所具有的社会价值和时代意义。

Her lyrical odes to the nation, family, and love are in the form called Long Song.

她通过这种被称为长调的歌唱形式，在歌词中表现了国家，家庭，和爱情。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。