表现主义的

Here, the mysteriousness of expressionism or abstract expressionism is replaced by a positive eulogy full of sunshine.

在这里，表现主义或者抽象表现主义所具有的神秘感被代之以更加充满阳光感的正面颂扬。

The new expressionism is the inheritance and development of the traditional expressionism.

新表现主义是在传统表现主义有所继承中发展的，但由于时代的不同两者在艺术思想、题材选择以及表现形式上都有所不同。

This article starts with a review of the history of the "Expression" conception in the Occident literature tradition,from which to conclude the base connotation of modern "Expression" conception in occident.Relying on this springboard,we analyses the history of the occidental modern plastic arts gradually ,then the naissance and development of the occidental modern plastic arts may boil down to a going-deep course driven by the "Expression" conception:the impressionism which had been pursuing sensual reality brought out a turning point from Representation to expression;Faurism accomplished the consciousness of Expression based on inheriting and criticizing Post-Impressionisme, and resisted the suppressant on Expression by Physical Image; the German Expressionism and Surrealism uplifted Expression at the same time they resisted Physical Image by "Nugatory Physical image"; From the apocalypse of Cubism,Suprematism and De Stijl tended towards Pure Plastic which excluded Physical Image completely,meaning that it had realized absolute Expression in the range of plastic;After WW II,artsists in western detected that Pure Plastic had actually suppressed Expression newly,as a result of Abstract-Expressionism and Mirnirnaliam Art,Expression broke away from Pure Plastic gradually to seek some new possibilities other than plastic.

本文从对西方文艺传统中的"表现"观念的历史考察着手，归纳出西方现代"表现"观念的核心内涵，以此为基点来逐步分析西方现代造型艺术史，进而将西方现代造型艺术的产生与发展归结为在"表现"观念驱动下不断递进的历史进程：印象主义对感觉真实的追求为造型艺术由再现走向表现打开了缺口；野兽派在继承和批判后印象主义的基础上首次实现了表现的自觉，并在艺术中反抗物象对表现的压迫；德国表现主义与超现实主义以不彻底的"否定性物象"来张扬表现反抗物象；至上主义、风格派等则在立体主义的启示下走向完全排斥物象的纯粹造型，在造型的范围内实现彻底的表现；二战后的西方艺术家们察觉到纯粹造型已经掉转头来形成新的对表现的压制；经由抽象表现主义、最低限艺术，表现逐步摆脱了纯粹造型，寻求造型之外的新的表现可能。

His works deal with diseases, death and venereal love .This thesis uses creative course of its representative works,《Life》, as a main clue to analyse Monk抯 psychometry world from social environment, growing experience thinking origins uhich has a great influence upon its art creation.

其中，表现主义绘画作为现代主义美术发轫时期的重要流派之一，主要据点在德国，也有其复杂的历史渊源和时代动因，而在此我们要追溯的是被德国表现主义画家奉为精神领袖的先驱者--爱德华·蒙克及其《生命》组画。

But China's new expressionist painting has a tortuous process of development, the paper with the history of China, the new steps expressionist painting the generation and development of some preliminary discussion.

不过中国的新表现主义绘画却有着一个较为曲折的发展过程，本文跟随历史的脚步，就中国的新表现主义绘画的产生、发展作一些初步的探讨。

China's new Expressionist painting has a more tortuous development process, this article the historical background from its start focusing on the performance of China's new art of painting for a number of characteristics.

摘 要：中国的新表现主义绘画有着一个较为曲折的发展过程，本文从它的历史背景着手重点对中国的新表现主义绘画的艺术特征作一些浅析。

Among a few essays which are about the expressionistic techniques used in the play, they mainly focus on some of the expressionistic techniques such as stream of consciousness, dream, and some auxiliary stage devices, but there is no systematical analysis of the expressionistic techniques adopted in the play.

因此，本文试图从现实主义戏剧和表现主义戏剧的特点分析作品，从而在作品的整体结构，人物的刻画，舞台设计和语言使用上寻求理论支撑，进一步证明《推销员之死》是一出现实主义与表现主义完美结合的戏剧。

It should be noticed for viewers that most narrations of the work was hidden by the expressionism brushworks of the picture, which was one characteristic of Xie Dongming's works.

这种充满激情的大胆的表现主义技法运用正是谢东明绘画的一贯特质，所以这件作品的画面其实比较好地反映了谢东明对表现主义艺术语言的把握。

Most of his works had strong presentation of expressionism language just like the See the Sea, besides, there seemed also has a dream-like world hidden deeply under the appearance of expressionism brushworks, to which Xie Dongming explained it as to present the invisible reality with visible appearance.

就如我们在这张《看海》中所注意到的，他的许多作品都具有强烈的表现主义特徵，并且在这种表现主义之下还深藏着一种不易言说的梦幻色彩。

This article starts with a review of the history of the "Expression" conception in the Occident literature tradition,from which to conclude the base connotation of modern "Expression" conception in occident.Relying on this springboard,we analyses the history of the occidental modern plastic arts gradually ,then the naissance and development of the occidental modern plastic arts may boil down to a going-deep course driven by the "Expression" conception:the impressionism which had been pursuing sensual reality brought out a turning point from Representation to expression;Faurism accomplished the consciousness of Expression based on inheriting and criticizing Post-Impressionisme, and resisted the suppressant on Expression by Physical Image; the German Expressionism and Surrealism uplifted Expression at the same time they resisted Physical Image by "Nugatory Physical image"; From the apocalypse of Cubism,Suprematism and De Stijl tended towards Pure Plastic which excluded Physical Image completely,meaning that it had realized absolute Expression in the range of plastic;After WW II,artsists in western detected that Pure Plastic had actually suppressed Expression newly,as a result of Abstract-Expressionism and Mirnirnaliam Art,Expression broke away from Pure Plastic gradually to seek some new possibilities other than plastic.

本文从对西方文艺传统中的&表现&观念的历史考察着手，归纳出西方现代&表现&观念的核心内涵，以此为基点来逐步分析西方现代造型艺术史，进而将西方现代造型艺术的产生与发展归结为在&表现&观念驱动下不断递进的历史进程：印象主义对感觉真实的追求为造型艺术由再现走向表现打开了缺口；野兽派在继承和批判后印象主义的基础上首次实现了表现的自觉，并在艺术中反抗物象对表现的压迫；德国表现主义与超现实主义以不彻底的&否定性物象&来张扬表现反抗物象；至上主义、风格派等则在立体主义的启示下走向完全排斥物象的纯粹造型，在造型的范围内实现彻底的表现；二战后的西方艺术家们察觉到纯粹造型已经掉转头来形成新的对表现的压制；经由抽象表现主义、最低限艺术，表现逐步摆脱了纯粹造型，寻求造型之外的新的表现可能。

Singer Leona Lewis and former Led Zeppelin guitarist Jimmy Page emerged as the bus transformed into a grass-covered carnival float, and the pair combined for a rendition of "Whole Lotta Love".

歌手leona刘易斯和前率领的飞艇的吉他手吉米页出现巴士转化为基层所涵盖的嘉年华花车，和一双合并为一移交&整个lotta爱&。

This is Kate, and that's Erin.

这是凯特，那个是爱朗。