表现主义的

The station of Expressionism music is very especially in the west music history.It can be seen a historical "monument", not only has a "creation" in melodize technique such as atonalism and twelve—note techniques.but also been worth attention to the music break through romanticism'spoony expression and impressionism'sentimental exterior description.

勋伯格的表现主义音乐在西方音乐史上的地位是极其特殊的，之所以被当作一块历史的"纪念碑"，不仅仅是因为他在作曲技术上的"创造"——以无调性和12音技法为标志。

American Pop was born in the 1960s, with the emergence of international masters like Andy Warhol, James Rosenquist and Roy Lichtenstein. Andy Warhol has had a tremendous influence on the development of Chinese art. Performance art emerged in the 1970s as well as Nam June Paik's video art and Christo and Jeanne-Claude's installation art. Sigmar Polke and Gerhard Richter were among the leaders of the Post Modern movement, which also flourished in the 1970s. Among them, Richter has had the most significant impact on Chinese art. New Expressionism emerged in the United States during the 1980s with artists such as Keith Haring, installation artist Ann Hamilton, and Cindy Sherman whose work is somewhat derived from New Expressionism.

进入50年代又出现了格林伯格画派、形式主义绘画，以及具象复活等等。50年代后期出现了新现实主义画派，以及为心灵而创作的博伊斯。60年代美国波普艺术诞生，出现了安迪·沃霍、罗森奎斯特、利希滕斯坦这样的世界级大师人物，其中安迪·沃霍对中国的影响最大。70年代出现身体艺术、行为艺术、白南准的电子艺术、克里斯托和珍妮—克劳德的包裹艺术，以及以波尔克、里希特、巴尔德萨利的后现代主义，其中里希特在中国影响巨大。80年代出现了美国新表现主义如基斯·哈林，装置如汉密尔顿，以及辛迪·舍曼的挪用。

With a little understanding of the theory of Gombrich, we can easily find out his criticism of expressionism theories in many of his works, but we may ignore his denouncement of the illusion that art could be created on the pure soul with the "originality", namely, this denouncement of the hereinabove "realistic painting".

如果稍微了解贡布里希理论的话，我们会相当容易地在他的许多著作中找到他对表现主义理论的批判，但是人们可能会忽略他对那种以为人们可以在心灵白板的状态下用"原创性"去创造艺术的幻觉的指责，也就是对上述所说的那种"写实"的指责。

Great comic artists assume that truth may bear all lights, and thus they seek to accentuate contradictions in social action, not gloss over or transcend them by appeals to extrasocial symbols of divine ends, cosmic purpose, or laws of nature.

此外，一些黑人小说的风格，像Jean Toomer的Cane，就接近于表现主义或者超现实主义，这种巧合是否给流行描述黑人主人公与命运对抗的主题提供了一个反衬点，或者经常被更加自然的表达模式所传达的主题？

In the history of Western art, the 20th-century Expressionist painting started from some young German artists' rebellion against the naturalism of the impressionists and postimpressionists. In 1911, those artists were awakened by Fauve and other artists of the ParisSchool, who had an exhibition in Germany.

二十世纪早期的欧洲表现主义绘画，起自艺术家们对法国印象派和后印象派之自然主义方法的反叛。1911年，巴黎画派的早期现代主义者们在德国举办画展，唤起了德国一批年轻画家的觉悟和焦虑。

In the history of Western art, the 20th-century Expressionist painting started from some young German artists' rebellion against the naturalism of the impressionists and postimpressionists. In 1911, those artists were awakened by Fauve and other artists of the Paris School, who had an exhibition in Germany.

二十世纪早期的欧洲表现主义绘画，起自艺术家们对法国印象派和后印象派之自然主义方法的反叛。1911年，巴黎画派的早期现代主义者们在德国举办画展，唤起了德国一批年轻画家的觉悟和焦虑。

Our spiritual essence, it may be, is selfishness; certainly our art, from Whitman to the Abstract Expressionists, flaunts the naked self with a boldness rarely seen in other national cultures.

我们精神的实质应该是自私自利；当然，我们的艺术，从惠特曼到抽象表现主义，大胆地标榜着在其他的民族文化中才可以见到的赤裸裸的自我。

The dropping and splashing skill of creating paintings is in art history a big contribution by the american abstract performance artist Baroque, it's exactly not the thinking of the reasonableness but the free droppings and splashings that efficiently translated the artist's own emotions and cocepts on the canvases, and passed to the audience.

滴洒画法是美国抽象表现主义画家波洛克对艺术史的一大贡献，正是通过这些随意的滴洒，而非理性的思考，艺术家才最有效地将自己的情感和观念形式化于布面之上，并最终传达给我们的观众。

Years ago, Li-lei was a member of the art movement for Shanghai 'corner of print', and his print series "Sun Birds" and his oil painting series "Moon Snake" short after while have the obvious expressionism style, meanwhile, and the aesthetic core and artistic structure of these works have the affectionately poetic implication.

早在整整20年前，他作为上海&版画角&艺术运动的成员之一，在他创作的《太阳鸟》版画系列，以及在其后不久创作的《月亮蛇》油画系列中，在风格样式上已带有较为明显的表现主义意味，而且其审美内核及意趣营构，也已蕴藉着脉脉含情的诗意。

So how might Xu Hongmin's work, based as it is on line and reductive colour, relate to the legacy of the Constructivists, of Mondrian, of the Abstract Expressionists, or even of Agnes Martin whose work it mostly closely resembles?

这样说来，徐红明的作品，以线条和缩减后的颜色，与结构主义者，蒙德里安，抽象表现主义，甚至与与其最为近似的Agnes Martin的作品又是怎样的一种关系？

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。