表现主义

After that, chapter two, in order to explore for the purpose of the subconscious self, so is based on Dadaism, Surrealism, Psychoanalysis, Abstract Expressionism and Symbolism. In addition, according to the analysis of literature review on relevant psychological theories, we can find out the meanings of symbolic significance of the images from works.

第二章，以探求自我潜意识为目的，故以达达主义Dadaism、超现实主义Surrealism、心理分析主义Psychoanalysis、抽象表现主义Abstract Expressionism与象徵主义Symbolism的思想来作为理论基础，并配合相关心理分析理论的文献，观察作品中出现之物象的象徵意义。

Deemer Gallery gains power as scale increases, so that the most powerful works are the largest, producing a sensation of physical envelopment reminiscent of the effect of some Abstract Expressionist paintings.

他在 B。 Deemer 画廊展出的作品越大越有气魄，正如一些抽象表现主义的巨作一样，具有一种震摄的力量，将观者包涵在其中。

It explains String Theory (which attempts to unify Quantum Mechanics and Einsteinian Relativity); describes Fauvism (an artistic movement that paved the way for Expressionism and Cubism); defines Locofocoism (an American political ideology named after a "self-lighting cigar)"; and identifies and explores so much more.

它解释了弦理论（它试图统一量子力学和爱因斯坦相对论）；描述野兽派（艺术运动，造就了表现主义和立体主义的方式）；定义Locofocoism（美国政治思想后，&自我命名照明雪茄）&；并确定和探讨，使更多。

China's new expressionist painting is the 1990s China as one of the important cultural phenomenon.

中国新表现主义绘画是中国20世纪90年代末的一个重要文化现象。

When you view an abstract expressionist canvas, time is in your control.

面对一张抽象表现主义的绘画时，时间是由你掌握的。

It is said that you works used to be abstract or expressionist. How did the transform occur?

听说你之前还画过抽象或者表现主义的作品，你创作的转变是如何发生的？

Zhang Enli is a major expressionist artist in the Chinese contemporary art world.

张恩利是中国当代艺术重要的表现主义艺术家之一。

Francis is considered as one of the most significant modern artists in North America. He is abstract expressionist who prefers to be an action painter.

弗朗西斯是被看作当代最伟大的北美艺术家之一，他是抽象表现主义中趋于行动派的画家。

If we cannot, at least we can appreciate the fusion of colors and the Expressionist feeling of urgency that is communicated.

假如我们不能沟通这种表现主义画家的的紧急的感情，至少我们能欣赏画中颜色的溶解。

Expressionist drama emphasized that "stripped human skin in order to see them buried deep inside the soul."

表现主义戏剧强调&剥掉人的外皮，以便看到他们深藏内部的灵魂&。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。