表现主义

Yang Kai's painting is not an abstract expressionism, but closer to a symbolic expressionism.

杨锴的绘画不是一种抽象表现主义，更接近一种象征的表现主义。

Here, the mysteriousness of expressionism or abstract expressionism is replaced by a positive eulogy full of sunshine.

在这里，表现主义或者抽象表现主义所具有的神秘感被代之以更加充满阳光感的正面颂扬。

The new expressionism is the inheritance and development of the traditional expressionism.

新表现主义是在传统表现主义有所继承中发展的，但由于时代的不同两者在艺术思想、题材选择以及表现形式上都有所不同。

The expressionism principle is the hope describes the outside world by the subjective visible image, opposed the realism and the naturalism such gather with the photographic camera -like eye the focal point in exterior detail, the expressionism has represented humanity's internal eye, must make the brand-new completely unique explanation to the world.

表现主义的原理是渴望以主观视像来描绘外部世界，反对写实主义和自然主义那样用照相机式的眼睛将焦点聚于外部细节上，表现主义代表了人类的内部眼睛，要对世界作出全新的完全独特的解释。

The primary features of exprssionism are: emphasis on subjectivity, emphasis on abstraction, and the use of various kinds of expressionistic techniques such as dream, chorus effect, interior monologue,etc.

表现主义的基本特点就是强调主观性，抽象性及用象征，面具，音响效果，心理外化，内心独白等来表现人物的内心世界，通过这些表现主义手法，可以使读者了解人物的心理活动，把人物的内心情感外化在舞台上，使读者和观众一目了然。

Here, the expressionist spirit, which had deep influence on Liu, was converted or transformed. The mysteriousness of expressionism or abstract expressionism is replaced by positive eulogizing.

在这里，曾经深深影响过刘永刚的表现主义精神得到了转化与改造，表现主义或者抽象表现主义所具有的神秘感被代之以更加充满阳光感的正面颂扬。

This article starts with a review of the history of the "Expression" conception in the Occident literature tradition,from which to conclude the base connotation of modern "Expression" conception in occident.Relying on this springboard,we analyses the history of the occidental modern plastic arts gradually ,then the naissance and development of the occidental modern plastic arts may boil down to a going-deep course driven by the "Expression" conception:the impressionism which had been pursuing sensual reality brought out a turning point from Representation to expression;Faurism accomplished the consciousness of Expression based on inheriting and criticizing Post-Impressionisme, and resisted the suppressant on Expression by Physical Image; the German Expressionism and Surrealism uplifted Expression at the same time they resisted Physical Image by "Nugatory Physical image"; From the apocalypse of Cubism,Suprematism and De Stijl tended towards Pure Plastic which excluded Physical Image completely,meaning that it had realized absolute Expression in the range of plastic;After WW II,artsists in western detected that Pure Plastic had actually suppressed Expression newly,as a result of Abstract-Expressionism and Mirnirnaliam Art,Expression broke away from Pure Plastic gradually to seek some new possibilities other than plastic.

本文从对西方文艺传统中的"表现"观念的历史考察着手，归纳出西方现代"表现"观念的核心内涵，以此为基点来逐步分析西方现代造型艺术史，进而将西方现代造型艺术的产生与发展归结为在"表现"观念驱动下不断递进的历史进程：印象主义对感觉真实的追求为造型艺术由再现走向表现打开了缺口；野兽派在继承和批判后印象主义的基础上首次实现了表现的自觉，并在艺术中反抗物象对表现的压迫；德国表现主义与超现实主义以不彻底的"否定性物象"来张扬表现反抗物象；至上主义、风格派等则在立体主义的启示下走向完全排斥物象的纯粹造型，在造型的范围内实现彻底的表现；二战后的西方艺术家们察觉到纯粹造型已经掉转头来形成新的对表现的压制；经由抽象表现主义、最低限艺术，表现逐步摆脱了纯粹造型，寻求造型之外的新的表现可能。

His works deal with diseases, death and venereal love .This thesis uses creative course of its representative works,《Life》, as a main clue to analyse Monk抯 psychometry world from social environment, growing experience thinking origins uhich has a great influence upon its art creation.

其中，表现主义绘画作为现代主义美术发轫时期的重要流派之一，主要据点在德国，也有其复杂的历史渊源和时代动因，而在此我们要追溯的是被德国表现主义画家奉为精神领袖的先驱者--爱德华·蒙克及其《生命》组画。

From a perspective of examining the relationship between expressionistic techniques and main themes of the play, the thesis focuses on expressionistic techniques, namely, the use of mask, monologue, stage settings and directions by which Eugene ONeill displays the multi-themes concerning self-searching, maternal love and brotherhood.

本文通过分析表现主义特征，表现主义手法和剧作主题的关系，本论文重点重在分析尤金·奥尼尔的表现主义手法，及如何在剧作中运用面具，独白，舞台布景及舞台指示语言表现人物的人格分裂，寻求真我，渴望母爱和兄弟之情之主题。

From a perspective of examining the relationship between expressionistic techniques and main themes of the play, the thesis focuses on expressionistic techniques, namely, the use of mask, monologue, stage settings and directions by which Eugene O'Neill displays the multi-themes concerning self-searching, maternal love and brotherhood.

本文通过分析表现主义特征，表现主义手法和剧作主题的关系，本论文重点重在分析尤金·奥尼尔的表现主义手法，及如何在剧作中运用面具，独白，舞台布景及舞台指示语言表现人物的人格分裂，寻求真我，渴望母爱和兄弟之情之主题。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。