表现为...的形式

The traditional definition of painting as a visual, concrete art form has been questioned by recent aspects of conceptional art,

理性艺术近来的表现，对绘画为视觉和具象艺术形式的传统定义提出了质疑。

First, the relationship between them had been up and down, but the general tendency was descending. Second, the honeymoon time was short, and it always kept states of contradictoriness. Third, the struggles sometimes showed relaxed and sometimes showed sharply. While the forms were legal. The struggle fields showed in politics, economics and thought field. Four, the crackof two sides relationship was irreversibility.

一是两方关系有起有落，总的呈下降趋势；二是实质上的蜜月时间短，多数时间处于矛盾对立状态；三是斗争时缓时烈，斗争形式一般为合法斗争，斗争领域一般在政治、经济、思想领域；四是双方关系的破裂表现出不可逆性。

The author put forward the following opinions: civilian sport refers to non-official sports activities de-veloped among the masses; it is not provided with the characteristic of being passed on and continued generation by generation, can occur in a certain period, and disappear in a certain period; folk sport refers to sports activities closely related to civilian customs, mainly existing in civilian celebrative activities, religious activities and ritual ac-tivities; it is a form of sports culture passed on and continued generation by generation, provided with the character-istics of collectivity, inheritability and mode; national sport is divided into general type and special type; general na-tional sport refers to a special culture that once historically reflected and carried common psychological capacity and culture of a nation and is enjoyed by that nation; Chinese national sport, ancient Grecian sport and ancient Egyptian sport are specific forms of presentation of national sport; special national sport refers to a sports cultural form that is exclusively owned by a nation in modern time, reflects and carries common psychological capacity and culture of that nation, and is created and enjoyed by that nation; traditional sport refers to a stable sports culture that is historically inherited and gradually formed by a nation in practical activities in a long history, embodied in all as-pects of sports cultural activities and passed on generation by generation.

摘 要：民间体育是指非官方的在民众中开展的体育活动，它不具有世代相传和延续的特点，可以在某一时期出现，又可能在某一时期消失；民俗体育是指那些与民间风俗习惯关系密切，主要存在于民间节庆活动、宗教活动、祭祀活动中，是一种世代传承和延续的体育文化形态，具有集体性、传承性和模式性特点；民族体育有广义和狭义之分，广义民族体育指曾在历史上反映和承载着一个民族共同心理素质、共同文化，为该民族享用的一种特殊文化，中华民族体育、古希腊体育、古埃及体育都是民族体育的具体表现形式，狭义民族体育是指近现代一个民族所独有的，反映并承载该民族共同心理素质、共同文化并为该民族所创造和享用的一种体育文化形态；传统体育是指由历史沿袭下来，是民族在漫长的历史实践活动中积累而成的稳定的体育文化，体现在健身、养生、娱乐思维方式、行为方式等体育文化活动的各个方面，并通过社会心理结构及其它物化媒介(如棋盘、武术器械、文献典籍等)得以世代相传。

The articles guided by the copyright theories and the traditional infringement theories and its main clue is the determination and preclusion of network infringement. The author sets out from the present conditions of the copyright infringement in our country, draws some successful experience from abroad, goes on making a complete and systematical study on some basic theories of network copyright infringement, including some specific steps: such as the standard of establishing the copyright infringement on net, concrete manifestation, the doctrine of liability fixation, the exception of the principles and the precautionary measures and remedy for copyright infringement.

本文以传统侵权理论和版权理论为指导，以因特网上版权侵权的认定到制裁为主线，从我国因特网上版权侵权的现状出发，借鉴国外成功的经验，对网络版权侵权的一些基本理论问题进行了较为全面、系统地探讨，具体包括网络版权侵权的认定标准、具体表现形式、归责原则、侵权的例外情况及防止侵权发生的预防措施和侵权发生后的制裁措施。

Secondly, On the basic of existing research about mode classification of E-U-R cooperation, combine high school in Xinjiang in the aspects of producing to learn to grind to cooperate of actual, high school in Xinjiang in the research result conversion, product and technical developments and produce to learn to grind the cooperation to induce appliedly serves to consult with the mode, technique to turn to let with technique for the technique the mode, cooperation development mode, set up the entity mode, school to do the industry mode, the university science and technology park totally of the mode six greatest modes, detailed analyzed the influence factor, merit and shortcoming of the manifestation, characteristic, implement of a mode and open the exhibition circumstance in Xinjiang, return for a mode chose the typical model with meticulous care of case example.

其次，在参考现有研究对产学研合作模式分类的基础上，结合新疆高校在产学研合作方面的实际，把新疆高校在科研成果转化、产品和技术的开发和应用方面的产学研合作归纳为技术服务和技术咨询模式、技术转让模式、合作开发模式、共建实体模式、校办产业模式、大学科技园模式六大模式，详细分析了每种模式的表现形式、特征、实施的影响因素、优缺点以及在新疆的开展情况，还为每种模式精心选择了典型的案例。

Its manifesting formality was in proximity to non-rationality, but the ideological arms they made use of to oppose the repudiation and re-evaluation of all traditional values was undoubtedly modern rationality that the modern enlighteners admitted. This phenomenon is just the tactics of"the derationalization of rationality"in the enlightening process.

近现代思想家阐发自己的启蒙思想时，往往以情感——信仰——意志这一思想框架为特点，并顺理成章地将文学创作提到实现启蒙目的的至关重要的地位，其表现形式接近非理性，但藉以反对批判与重估一切传统价值的思想武器却无疑是启蒙者所体认的现代理性，此现象即为启蒙过程中的&理性的非理性化&策略。

The creative industry is the result of creativity"s commercialization and marketing in the knowledge economy time. C. Giving a definition of creative industry by philosophy which says "it is the industry to put creative products commercialized and valued through creative work, and the result of mixing of economy, culture and technology. The mixing of creativity, culture and technology is the general characteristic of creative industry.

把创意产业界定为&运用创新劳动把创意产品商品化并形成价值的产业，是经济、文化和科学技术相互融合的产物&；把创意产业的基本特征归纳为创意劳动在本质上的原创性、在创意手段上的数字化、在创意组织上的网络化和在产品表现形式上的智能化，提出了创意、文化、科技三者的融合是创意产业的总体特征，这一总体特征是创意产业与其他产业相区别的明显标志。

Realism concentrates on the representation of the external reality of certain social group, featured by chronological order, omniscient point of view, closed ending, external characterization and so on; modernisms focus shifts to the consciousness and subconsciousness of mankind, mythical archetype, stream of conscious, anti-hero, open ending have been used frequently by modernists; postmodernism serves as a break as well ascontinuity of modernism, similar with modernism, it rebels against any pre-established rules and pays attention to innovations in form, but it emphasizes absurdity, playfulness and the crisis of representation in postmodern society, the blurring of high and low literature, collage, parody are the favorites of postmodernist.

现实主义侧重对社会某一群体的现实生活的反映，一般带有明确的时空概念，严密的情节，常用的叙事角度为全知视角，人物塑造上以外部描写为主；现代主义小说多表现人物内在心理的变化，关注人的意识及潜意识，神话原形、意识流、反英雄、开放式结尾为现代主义小说常用手法；后现代主义小说继承了现代主义对传统的反叛、形式上的革新等原则，但其作品强调后工业社会的荒诞性、游戏性及表征危机，有意识地混淆了高雅文学与通俗文学的界限，拼贴画、戏仿在后现代作品中应用广泛。

Taking the relationship of science and art as a starting point, it analyzes the relation between photographing and painting , the artists closely related to photograhing and painting , the artists closely related to photograhing in history and discusses the historical relationship between photographing and painting by taking the experience of specific artists as examples; then by analyzing the reason why artists use photographs , it shows the functions of photographs in creation ; after thens , by doing case study of Chinese artists and their different ways of using photographs, it analyzes different forms through which photographs are exressed.

首先以哲学、科学与艺术的关系为切入点，深入探讨了照片运用于绘画的现象，以及历史上与摄影联系最密切的画家，并且以具体画家为例子来论述了摄影与绘画的历史姻缘；然后通过分析艺术家运用照片的原因，阐明了照片在绘画创作中的具体功能和作用；接着以中国艺术家的具体个案与他们使用照片的不同方式相结合的方法，阐明了照片运用于绘画创作中的不同表现形式。

Accordingly,this paper firstly delimits the connotations of human assets—the use right,the power of appointment and the usufruct of human assets—from the angle of Property Rights Economics,and specifies the subject and object of them.

因此，本文首先从产权经济学的角度对人力资产的内涵做出界定，将人力资产归结为人力资源的使用权、处置权和收益权等产权权利，从而明确人力资产计量的主体和客体；其次，根据人力资产的内涵来分析人力资产的特征，并据此探讨人力资产的价值构成——使用价值和创造价值，为寻找人力资产价值的货币表现形式提供理论依据。

I can not make it blossom and suits me

我不能让树为我开花

When temperatures are above approximately 80 °C discolouration of the raceways or rolling elements is a frequent feature.

当温度高于 80 °C 左右时，滚道或滚动元件褪色是很常见的特征。