表现为...的形式

The thesis will begin with the introduction of counterpart of English judicial review. According to the unscramble of counterpart prejudication in the history of Britain, I will abstract the logic category of "administrative discretion------the principle of reasonableness", and based on the logic category, I will point out that if want to justify the review of court on the administrative discretion such as "misuse of authority"and "apparently inequitable administrative punishment", we must induct the principle of reasonableness. And based on the material of concrete cases, I will analyze that there still are states of unreasonable execution of administrative discretion in the rest representations of unlawfulness in the 54th provision of our statute law of administrative litigation.

本文首先考察英国合理性审查原则的相关制度，通过解读英国历史上重要相关判例，提炼出"行政裁量权——合理性审查原则"这一逻辑规范范畴，并以此范畴为切入视角，指出，要在理论上正当化法院对"滥用职权"和"显失公正行政处罚"等行政裁量权的司法审查，必须引入合理性审查原则，并以具体案例为材料，通过分析得出，在《行政诉讼法》第54 条的其他违法表现形式中，都有行政裁量权不合理行使的情形存在，并指出，产生这种现象的原因是，《行政诉讼法》第54 条规定的七种违法表现形式采取的是不同的分类标准。

So they have a wider exploring space when meeting the new subject of oil painting portraits----the new men in 21st century. So this thesis holds that: do not be influenced by the popular trend of that time while opening to outside world; learn from those masters and predecessors system and selectively and inherit the excellent methods, forms and artifices. So that we can improve the artistes' ability of holding and expressing continuously who is as the subject of the oil painting portraits. In the light of the object, we should seize the character of the time from the object observantly; find and express the affecting character moving the subject on any ordinary object.

据此，笔者对21世纪的油画肖像画创作探索的思路为：在秉承开阔艺术胸怀的前提下不为流行之风所动，对前辈大师进行有选择地、系统地学习，继承借鉴其优秀的创作方法、创作形式和创作技巧，不断完善充实当代油画家作为油画肖像画创作主体的把握和表现能力；在表现客体对象方面，力求敏感地把握客体对象身上所渗透的时代气息，在面对的每一个普通表现对象身上都能找到并表现其能打动创作主体的特质。

The main research work and its results are: 1Empirical results are analysed for the relations of fault displacement and earthquake magnitude, and difference between permanent ground deformation and maxium dynamic relative displacement on the two sides of fault; 2An analytic method is proposed for resopnse of a buried pipeline due to earthquake fault movement; 3A new shell model with an equivalent boundary and relted finite element analysis method are proposed for estimating response of a buried pipeline under large fault movement; 4By the proposed method, damage performance of water supply steel pipelines with large diameter is simulated to the real cases in Kocaeli Earthquake and Ji-Ji Earthquake, and simulating results show the real failure mode of pipes is revealed; 5Effects of overlying soil and soft/hard interlayers are analyzed on ground rupture mode and degree due to earthquake fault, and some earthquake rupture phenomena in soil layers are theoretically described for the first time; 6Pipeline response characters are discussed for the case of considering effects of soil layers on ground rupture mode; 7Research results and proposed method are applied in seismic analysis of pipline acrossing fault in the Gas Tansportation Project from West to East in China.

主要工作和成果包括：1）分析了不同断层位错形式下地表破裂位错量与震级之间的经验关系，并基于集集地震近断层记录分析了断层两侧永久地面变形和地震动相对位移幅值之间的差别，为合理地考虑地震断层位错地面变形动态影响提供了依据；2）发展了断层位错地面大变形下管线反应分析模型并给出物理概念明确、简单实用的解析分析方法；3）建立了断层位错下埋地管线反应分析的等效边界壳模型有限元方法，方法中引入了以非线性弹簧形式模拟离断层较远处管段影响的等效边界，简化了计算模型并突出了近断层处管体反应；4）利用等效边界壳模型方法，对土耳其地震和集集地震中大口径埋地管线震害进行了模拟，结果表明所提方法可以更清地解释震害所表现的管体破坏特征；5）研究了覆盖土层和软硬夹层的存在对断层位错地面破裂形式和程度的影响，首次从理论上解释了某些地震地表破裂现象；6）探讨了考虑土层对断层位错地面变形影响的管体反应特征；7）本项目成果已在西气东输工程的管道跨断层抗震问题分析中得到了应用。

First,schoolchild shape creation ability development course has five main implications:(1) having the continuous change development characteristic,(2) appearing comparative primary and the simple connotation,(3) belonging to the spontaneous shape creativity manifestation to be widespread,(4) taking the creative imagination as the main manifestation,(5) owning the function and the status which cannot be substituted.

一学童造形创造能力发展历程具有五项主要涵义：(1)具有不断变化发展的特质，(2)显现较为初级和简单的内涵，(3)属於自发性的造形创造力表现形式广泛，(4)以创造性想像为主要的表现形式，(5)具有不可替代的作用和地位。

Taletelling" is a typical form of oral communication,"acting", a comprehensive one and one of the perfect forms for human communication, and the "partly-versed novel , another form of the communication, as a middle style between the novel and drama; of course, the entrance of verses into the novel is not meant merely to stand close by the orthodox.

中国古代白话小说戏曲传播，虽然是发生在以文字为主要传播媒介的时代，却由于接受者的待殊性，语言一直是与文字同样重要的传播媒介。"说话"是口语传播最纯粹最典型的表现形式；"表演"是一种综合性的传播方式，也是人类传播活动中最完美的表现形式之一；"词话"是介于小说与戏曲之间的文体，却同时又作为小说戏曲的传播方式存在。

By absorbing and analyzing and demonstrating surrealism affect on techniques and methods of manifestation in poster triumphantly, through using negative logic and over space time and fantasticism in reason ,they can convert wateriness into magic, and bring strong impact to vision, and increase attention value of advertisement at its maximum.

他们成功地吸收、借鉴和运用超现实主义艺术流派的表现手段、表现形式和表现技法，合理地利用反退择、超时空、怪诞感，使画面化平淡为神奇，产生强烈的视觉冲击，极大地增强了广告的被注意值。

By absorbing and analyzing and demonstrating surrealism affect on techniques and methods of manifestation in poster triumphantly,through using negative logic and over space time and fantasticism in reason,they can convert wateriness into magic,and bring strong impact to vision,and increase attention value of advertisement at it smaximum.

他们成功地吸收、借鉴和运用超现实主义艺术流派的表现手段、表现形式和表现技法，合理地利用反逻拼、超时空、怪诞感，使画面化平淡为神奇，产生强烈的视觉冲击，极大地增强了广告的被注意值。

Chapter five looks at the mutation in language stream with contemporary philologic theories. The characteristics of mutation in changshan dialect are supposed to be show by tone changing , light syllable, r-suffixation, z-suffixation,etc.我每is possibly the r-suffixation of women我们;Some final varied pattern of suffix子is actually r-suffixation;Changshan dialect"s light syllable lies in every level of language and it has multifold forms; There is rich tone change of verbs which can present certain grammatical meanings in Changshan"s dialect.

第五章动态的描写了长山方言中的语流音变，利用当代语音、语法、语义理论从轻声变调、语法变调、小称变韵、子变韵等几个方面考察长山方言语流音变的特点，认为&我每&有可能是&我们&的小称形式；以闻喜方言为代表的&子变韵&并不是&子&音转变而来，而是&儿化&的一种形式；长山方言的轻声变调存在于词汇、短语、句子等多个语言层面，有三种表现形式；轻声助词&了&、&着&、&到&省略后，会引起前面动词的语法变调，等等。

The dialect can provide plentiful references for Chinese research and the numeral expressions as well as the quantity of the plural mark in Chinese dialectal personal pronoun are quite rich, therefore it has the vital significance to study Chinese plural pattern from the personal pronoun system of Chinese dialect, which may deepen the understanding to the question of Chinese plural pattern and promote the further study of pronoun system.

方言为汉语的研究提供殷实的土壤，方言中人称代词复数标记数量多、表现形式丰富，因此从汉语方言人称代词的复数表现形式来研究汉语的复数形态问题可以深化对汉语复数形态问题的认识，推动对代词系统的进一步研究。

The subgrade damages are divided into two-types: high subgrade and low subgrade damages. High subgrade damages of which are related to the embankment height and slope directions maily include longitudinal cracks and subgrade cracks. The higher of the embankment height, the greater of the happening rate. The mechanisms of high subgrade damages formation are analyzed by the observed dates of soil temperature within the embankment and damages survey. In warm permafrost regions, the damages are mainly caused by the formation and development of the thaw bulb and thaw layer. In cold permafrost regions, the damages are mainly caused by frozen bulges.

围绕这些病害特征及形成过程，提出了将多年冻土区填土路基病害分为低路基病害与高路基病害，目前青藏公路路基的病害形式主要表现为以纵向裂缝与路基开裂为主的高路基病害，并提出了高路基病害与路基高度及坡向直接相关，路基高度越高，高路基病害发生的几率越大；通过对高路基地温观测数据的分析，并结合高路基病害的调查结果，研究得出了不同地温区高路基病害的形成机理，提出高温冻土区主要是由于融化盘与融化夹层的形成与发展所引起的，低温冻土区主要是由于冻结核的形成与发展所引起的。

The concept of equivalent rotationally rigidity is offered and the formula of rotationally rigidity is obtained.

主要做了如下几个方面的工作：对伸臂位于顶部的单层框架—筒体模型进行分析，提出了等效转动约束的概念和转动约束刚度的表达式。

Male cats normally do not need aftercare with the exception of the night after the anesthetic.

男猫通常不需要善后除了晚上的麻醉。