表现

This article starts with a review of the history of the "Expression" conception in the Occident literature tradition,from which to conclude the base connotation of modern "Expression" conception in occident.Relying on this springboard,we analyses the history of the occidental modern plastic arts gradually ,then the naissance and development of the occidental modern plastic arts may boil down to a going-deep course driven by the "Expression" conception:the impressionism which had been pursuing sensual reality brought out a turning point from Representation to expression;Faurism accomplished the consciousness of Expression based on inheriting and criticizing Post-Impressionisme, and resisted the suppressant on Expression by Physical Image; the German Expressionism and Surrealism uplifted Expression at the same time they resisted Physical Image by "Nugatory Physical image"; From the apocalypse of Cubism,Suprematism and De Stijl tended towards Pure Plastic which excluded Physical Image completely,meaning that it had realized absolute Expression in the range of plastic;After WW II,artsists in western detected that Pure Plastic had actually suppressed Expression newly,as a result of Abstract-Expressionism and Mirnirnaliam Art,Expression broke away from Pure Plastic gradually to seek some new possibilities other than plastic.

本文从对西方文艺传统中的"表现"观念的历史考察着手，归纳出西方现代"表现"观念的核心内涵，以此为基点来逐步分析西方现代造型艺术史，进而将西方现代造型艺术的产生与发展归结为在"表现"观念驱动下不断递进的历史进程：印象主义对感觉真实的追求为造型艺术由再现走向表现打开了缺口；野兽派在继承和批判后印象主义的基础上首次实现了表现的自觉，并在艺术中反抗物象对表现的压迫；德国表现主义与超现实主义以不彻底的"否定性物象"来张扬表现反抗物象；至上主义、风格派等则在立体主义的启示下走向完全排斥物象的纯粹造型，在造型的范围内实现彻底的表现；二战后的西方艺术家们察觉到纯粹造型已经掉转头来形成新的对表现的压制；经由抽象表现主义、最低限艺术，表现逐步摆脱了纯粹造型，寻求造型之外的新的表现可能。

This article starts with a review of the history of the "Expression" conception in the Occident literature tradition,from which to conclude the base connotation of modern "Expression" conception in occident.Relying on this springboard,we analyses the history of the occidental modern plastic arts gradually ,then the naissance and development of the occidental modern plastic arts may boil down to a going-deep course driven by the "Expression" conception:the impressionism which had been pursuing sensual reality brought out a turning point from Representation to expression;Faurism accomplished the consciousness of Expression based on inheriting and criticizing Post-Impressionisme, and resisted the suppressant on Expression by Physical Image; the German Expressionism and Surrealism uplifted Expression at the same time they resisted Physical Image by "Nugatory Physical image"; From the apocalypse of Cubism,Suprematism and De Stijl tended towards Pure Plastic which excluded Physical Image completely,meaning that it had realized absolute Expression in the range of plastic;After WW II,artsists in western detected that Pure Plastic had actually suppressed Expression newly,as a result of Abstract-Expressionism and Mirnirnaliam Art,Expression broke away from Pure Plastic gradually to seek some new possibilities other than plastic.

本文从对西方文艺传统中的&表现&观念的历史考察着手，归纳出西方现代&表现&观念的核心内涵，以此为基点来逐步分析西方现代造型艺术史，进而将西方现代造型艺术的产生与发展归结为在&表现&观念驱动下不断递进的历史进程：印象主义对感觉真实的追求为造型艺术由再现走向表现打开了缺口；野兽派在继承和批判后印象主义的基础上首次实现了表现的自觉，并在艺术中反抗物象对表现的压迫；德国表现主义与超现实主义以不彻底的&否定性物象&来张扬表现反抗物象；至上主义、风格派等则在立体主义的启示下走向完全排斥物象的纯粹造型，在造型的范围内实现彻底的表现；二战后的西方艺术家们察觉到纯粹造型已经掉转头来形成新的对表现的压制；经由抽象表现主义、最低限艺术，表现逐步摆脱了纯粹造型，寻求造型之外的新的表现可能。

Act donkey act dutch act get into the act=get in on the act; get in on sb's act go into one's act have act or part in in the act keep an act plead the baby act put on act read the Riot Act act against act as act for act like a charm act of grace act of settlement act on act one's age act out act up act up to act action activity words actions action

act perform do behave act 作不及物动词时意思是"做，表现，行动，行事"，多用于带有副词、副词短语、形容词补语的陈述句中，或用于表示专门行为的疑问句中，表示动作的状态。 behave 是不及物动词，意思是"行为、表现、举止"，主要用于人和以道德标准衡量的人的行为，有时和反身代词连用表示"规规矩矩"。

To behave or conduct oneself; act

表现：表现，为人，行动

Think about the highlights of your life: a straight-A student at college, an achiever in career, a narrow escape from death.

想想你一生中的最精彩表现：表现：大学时成绩全优事业上的成功者，生，事业上的成功者，一次大难不死。

And the relationship just shows: Plath\'s poetry is not autobiographic, but has distinct autobiographic quality, and the autobiographic quality appears to have three levels: reappearance, expression and interference.

这三者之间的关系表明：普拉斯的诗歌是非自传的，但却带有明显的自传性，而且这种自传性表现为三个递进的层次：再现——表现——同谋。其中，第一章探讨了诗歌对生活的再现，在生活中的经验和记忆与诗歌之间发现某些直接的镜像关系，以此证明生活是文学创作的基础。

The Bahai Faith considers Jesus to be one of many "Manifestations" of God, with both human and divine stations.

巴哈依教信仰认为耶稣是神的众多"表现"之一，既有人性，也有神性。

Behave vi.to act,conduct oneself in the way mentioned

行为；举止；表现；守规矩；举止适当有礼。

In this paper, we try to cognize the its theory clearly, integrally and objectively, furthermore, to estimate it appropriately by particular analysis and discussion on fundamental of Diderot and Coquelin, who are two representatives of "presentation" school.

同时，我们也对发生在我国六十年代初期的一场有关"表现"与"体验"的讨论作了粗略的分析，使我们对"表现派"在我国艺术领域中的现状，有了一个比较清楚的了解。

He was sincerely influenced by the left-wing literature which stood for the stream of the times and exerted his utmost in every way to break through his selfhood, presented "pangs of living" and pangs of the times in his works, and turned out to be a faithful "describer of the epoch".

他真诚地接受了代表时代潮流的左翼文学的影响，努力从各个方面突破自我，表现"生的苦闷"和时代苦闷，成为忠实的"时代表现者"。

As of Tuesday, Google's results were still censored in China.

截至周二，谷歌的搜索结果仍受中国审查。

In order to make the positive action increase and negative one decrease, the sub-forces of the social factors must be adjusted to form a centripetal force.

在这一过程中，人的主体性发挥是社会有机体健康发展的灵魂。