表演者

In the circumstances, the use of Pu Yi is to be calm and down-to-earth tone of anger and tell others to heart the fact that, but Pu Yi is more like the performance of the show, there is a smooth track of the hypocrites and rogue; Second,"Thief" of the monks recalled emotion is anger, but he could not recall the content to let others feel the immediate pain and shiver, it should be fine and continue to change the content; again, the American Bar of Hideki Tojo's cross-examination is very A good part of the emotional content also; there is the Japanese defense, defending his words more despicable and crafty, perhaps the effect will be even better ...... like many small role, but there is a general On the problems - not delicate and in-depth, but broad-brush descriptions of performers and the impulse to make sure there is no emotional resonance.

在这个情节上，应该是让溥仪用平静而朴实的语气诉说让别人气愤和窝心的事实，但是溥仪的表现更像是在做秀，有很着迹的伪君子的圆滑和无赖；其次，&小偷&和尚的回忆，情绪激愤是对的，但是他回忆的内容还无法让别人感受到切身的疼痛和颤栗，应该换个内容并且继续细腻；再次，美国律师对东条英机的盘问是很不错的一个部分，有情绪也有内容；还有就是那个日本辩护律师，让他的辩护词更为卑鄙和狡猾一点，也许效果会更好……类似的小角色还有很多，但是都有一个总体上的毛病——没有细腻和深化，只是粗线条的描绘和表演者的冲动肯定是无法让人有情感上的共鸣。

Both the Tchaikovsky 6 and the Shostakovich 5 more than hold their own against some very stiff competition, with even more famous brand name performers.

在一个激光唱碟有头衔的兑换上两者的柴可夫斯基 6 世和 Shostakovich 5 超过把握他们自己的反对一些非常强烈的竞争，藉由甚至更出名的商标表演者。

Beautiful,neh? A real showman.

一个真实的表演者

But we don't care about Battlegrounds.

但我们并不在乎沙场中的显露。

Ah! don't mention it, the butcher's shop is a horror.

啊！不用提了。提到肉，真是糟透了。