表情的

To this end, the artists experimented with facial features and expressions, as well as costuming, to achieve character individuality.

为此，艺术家们尝试着加入不同的面部特征、表情，以及各异的着装，来区别不同角色。

I look this picture emotively, so so heart-warm , she is doing a great job on painting Adan's expression~!!

收到这幅画我真的是相当的感动，她真的把阿丹的表情画得好棒啊~！！！

In Chun Xi the go smoothly of the road gets benefit watchmaker's shop, reporter discovery, the assistant is faineant station is before bar mostly, expression is looked at frozenly now and then carry have " Pacific Ocean general merchandise "," Yi Teng " the citizen in and out that waits for mark shopping bag.

在春熙路的亨得利钟表店，记者发现，营业员大多是无所事事地站在柜台前，表情冰冷地看着偶尔拎有&太平洋百货&、&伊藤&等标志购物袋的市民进进出出。

The Keeshond (pronounced kayz-hawnd) is a natural, handsome dog of well-balanced, short-coupled body, attracting attention not only by his coloration, alert carriage, and intelligent expression, but also by his stand-off coat, his richly plumed tail well curled over his back, his foxlike expression, and his small pointed ears.

荷兰毛狮犬荷兰毛狮犬AKC标准及简介荷兰毛狮犬简介荷兰狮毛犬是一种自然，英俊的狗，非常匀称，身躯接合短，不光是身上的颜色非常引人注意，姿势警觉，且表情

Observing the disagreeable impression made on Balashov by this reception, Davoust raised his head, and asked him frigidly what he wanted.

达乌发现由于他的这种接待，巴拉瑟夫面上露出不愉快的表情，于是抬起头来，冷冷地问他要干什么。

Then, he says, frostily, 'I will not enter into discussion here in this press conference and I think also it is totally out of the matter we like to discuss today in Africa together with the African journalists for the development of football in this continent.

然后他面无表情地说：我不想在新闻发布会上讨论此事，我们今天是在非洲，和非洲记者讨论非洲足球的发展，此事与我们今天的讨论无关。

Then, he says, frostily, 'I will not enter into discussion here in this press conference and I think also it is totally out of the matter we like to discuss today in Africa together with the African journalists for the development of football in this continent.

然后他面无表情地说：我不想在新闻发布会上讨论此事，我们今天是在非洲，和非洲记者讨论非洲足球的发展，此事与今天的发布会无关。

Right fusiform activity was greater for fearful than neutral faces, independently of the attention effect on this region.

右侧梭状回的活动程度在看到恐惧脸孔时比看到无表情脸孔时大，无关乎注意力在此区域的影响。

I start crying, not grimacing or sobbing, just big silent tears rolling down my cheeks.

我哭了，没有痛苦的表情或哽咽声，只是大颗的眼泪从脸上黯然落下。

When singer get eociting, his or her voice rose high rhy them speed up, timble get loud, pitch get high, and the movement range of face hand and body increase; when singing a very sad and grudgeful songs, his or her voice fall timbre get blue, pitch decrease and emotional move ment change accordingly.

当内心情感激动奔放时，声音力度增强，节奏加快，音色宏亮，音调高昂，面部、手以及全身动作幅度增大；当演唱极度悲伤与怨恨的歌曲时，声音力度就会减弱、音色暗淡、音调低沉，表情动作也有相应的变化。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。