表情的

Snape was standing in front of the window staring vacantly ahead, his eyes fixed on something on the horizon.

斯内普站在窗前，表情空白的看着前方，视线锁在无穷远的某一点上。

In the face detection based on the movement of the mouth expression analysis, the voice synthesizer.

详细说明：在人脸检测的基础之上，对嘴部的运动表情进行分析，进行语音模拟。

If a dog wants to paly, it may wag its tail in the air and lower its front legs ,its ears are up and forward, and its face is relaxed.

如果狗想玩耍，它会在空中摇尾巴并放低前爪，耳朵会朝前立起来，它的表情是放松的。

My mother forced a smile and shot me a wark look that abruptly softened once we got to the Buick and my grandmother reached for her hand.

一上车祖母就握住妈妈的手，妈妈勉强地笑了笑，一副凝重的表情看着我。

In Chun Xi the go smoothly of the road gets benefit watchmaker's shop, reporter discovery, the assistant is faineant station is before bar mostly, expression is looked at frozenly now and then carry have " Pacific Ocean general merchandise "," Yi Teng " the citizen in and out that waits for mark shopping bag.

在春熙路的亨得利钟表店，记者发现，营业员大多是无所事事地站在柜台前，表情冰冷地看着偶尔拎有"太平洋百货"、"伊藤"等标志购物袋的市民进进出出。

I tried to focus on the excitement on my boys' faces, until the little one's crumpled in fear as we prepared to descend the black water slide.

我一直都试图把注意力集中在孩子们脸上的兴奋表情，直到我们的小儿子因我们准备滑下黑水而害怕退缩时。

"He says so, and he ought to know," was the answer, with a wave aside of the manuscript, accompanied by a look of loathing.

"那是他说的，他总该知道，"妹妹回答，带着厌恶的表情一挥手，推开了稿子。

All the life and expression had gone out of his face;it was like a waxen mask.

他的脸变得毫无生气，毫无表情，就像一副蜡制的假面具。

Arthur looked up All the life and expression had gone out of his face it was like a waxen mask .

他的脸变得毫无生气，毫无表情，就像一副蜡制的假面具。

The expression of a well-made man appears not only in his face

长得很好的男人的表情不仅显现在脸上

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。