表情的

After all, our facial expression is an important part of our appearance.

毕竟，我们的面部表情，是一个重要组成部分，我们的外貌。

He's got a great personality and a thought-provoking facial expression.

他有一个伟大的人格和发人深省的面部表情。

Felicia : Don't look shocked, Martha. It makes your face look fat.

别做这么惊讶的表情， Martha ，这会让你的脸看起来很胖。

Based on these databases, a comparison of the performances of several FER systems is presented.

1引言表情是人类用来表达情绪的一种基本方式，是非语言交流中的一种有效手段。

Your whimpering and your dripping facial parts suggest that perhaps this conversation has run its course, so I'll let you get back to your finger painting, your fidgeting, and your wanton, inexplicable shredding of the in-flight magazine.

从你垂垂欲落泪，呜咽如有声的表情来看，咱们的谈话该结束了。我会让你回去继续点点戳戳，继续东动西动，继续玩闹，继续撕机上杂志玩。

He showed a lot more emotion through his actions, facial expressions and body language than Firth ever did.

他表明，有更多的情感通过他的行动，面部表情及身体语言比河口以往任何时候都没有。

Once again this strange look came over her face and she told me that she had seen a ghost floating above my body and that it was female!

她脸上再次出现了那种奇怪的表情，她告诉我前一天晚上她看见一个男人的鬼魂在我身体上方飘荡！

That face of become noodles to have no facial expression again, eyes droop wear, she be whole personal start shiver, slowly flounce to be grasp of hand, a little a little of, more arrive to afterwards tremble more severe.

那张脸又变成面无表情，眼眸低垂着，她整个人开始颤抖起来，缓缓挣脱被握住的手，一点点一点点的，越到后来抖得越厉害。

There was something forbidding on her face and I didn't dare to look at her.

她的脸上露出令人生畏的表情，令我不敢正眼看她。

Than before, but pure fun, a lot of UNO, a frame-up of licenses, there will be animation and features, up close look at the expression, it is terrible.

但又比以前纯粹的UNO好玩很多，出陷害牌时会有动画和特写，仔细看陷害者的表情，很可怕。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。