表情的

While the rest of the pack gleefully mined rock's past for their look and attitude, Dengler strode the stage like a poker-faced colossus: living proof that The Boys from the Brazil really did exist (Dengler is, disconcertingly, of German and Colombian descent).

而其余的包兴高采烈地开采石头'的过去对他们的期待和态度，丹格勒大步舞台像一个面无表情的巨人：居住证明，从巴西的男孩确实存在（丹格勒是令人不安的是，德国和哥伦比亚血统）。

While his draftsmanship is as superb as it is appealing, guarnido's sharpest and most persuasive ability is apparent in the emotional nuances and facial expressions of his characters,easily the equal of any Disney effort on record .

瓜尔尼多最快和最有说服力的能力是针对他的文字叙述，以明显的情绪和面部表情的细微差别来进行描绘，以至于他的技法是如此娴熟，具备充分的吸引力。这样努力记录的方式近乎能够等同于媲美迪斯尼轻松的风格。

Behind his impassive kulak's face lay intense self-scrutiny, adamantine moral and physical courage and a sometimes unsettling disregard for the smaller and softer things in life.

在他面无表情的富农的脸孔背后，有着强烈的自我审视，坚定不移的道德情操和实在的勇气以及有些时候让人不安的对生命中的渺小和懦弱部分的蔑视。

At last the doctor relented, took it down, and indulged himself in the gratification of letting her taste form his hand; his eyes, always expressive in the revelation of pleasurable feelings, luminously and smilingly avowed that it was a gratification; and he prolonged it by so regulating the position of the cup that only a drop at a time could reach the rosy, sipping lips by which its brim was courted.

终于医生发了慈悲，取下酒杯，沉醉在让她从他手里尝尝的心满意足情绪中；他的眼睛，在展露出欢乐的心情中总是富于表情的，炯炯有神，笑盈盈地坦率承认这是使人心悦神怡的事；他控制着酒杯的高低来拖延时间。使得一次只有一滴酒流进她那直凑近酒杯边，呷一口的红唇。

Its transcendental aspirations - still unconsciously based on the geocentric view of things, a zenithal paradise, a nadiral hell - were as foreign to his own as if they had been the dreams of people on another planet.

他的表现越来越像一个农民，抖他的双腿，脸上易于表现喜怒哀乐的情绪，富有表情的眼睛传达的意思甚至超过了舌头。读书人的风度差不多消逝了；客厅里的青年人的风度更加看不见了。

Characteristically deadpan, Mark Wallinger presents a series of video monitors on top of wheeled flight cases, each isolating the royal carriage's leisurely progress down the racecourse on the Tuesday, Wednesday, Thursday and Friday of Royal Ascot, red-letter days in the calendar of institutional frivolities.

以一张面无表情的脸为特征，马克·渥林格出现在一系列视频节目的监视器上。监视器放在带轮子的航空箱顶端，皇家马车队由每个航空箱隔开，悠闲地巡游在在星期二、星期三、星期四和星期五举行的皇家赛马会的赛马场上，这些大喜日子已经制度化地无聊地印在日历上。

A new 3D human face model is put forward in this paper after some characters of the human face and the muscle tissues on the face are researched and some actions of the facial expression are analyzed. In this model we divide the whole face into some parts according to its structure. To each part, we apply the principle of elastomer metamorphosing to our face model, so a specific face model can be easily gotten by modifying a common face model.

本文在分析和总结了前人工作的基础上，深入研究了人脸的生理特征、面部肌肉组织结构，分析了人脸面部表情的基本动作，提出了将人脸整体分解为若干个小块的三维人脸几何模型，并根据力学中的弹性体形变原理，将弹性体的形变应用于上述基于面分块的三维人脸几何模型，使特定人脸几何模型的建立变得简单、效率高。

Behind his impassive kulak's face lay intense self-scrutiny, adamantine moral and physical courage and a sometimes unsettling disregard for the smaller and softer things in life.

在他面无表情的富农面孔的背后有着强烈的自我探究、坚定的道德力量、物质勇气以及有时对于世间渺小软弱事情的蔑视。

Change of ********** and major dialogue sounds are a point of interest. Do them, if at all possible,within a pose.

表情的变化和主要的对话都是很重要的兴趣点，一定要认真的做这些事，如果可能的话，以最大的兴趣去做。

The secret of its success is apparently an aggressive and varied marketing strategy, and a wide range of unique features like a special 'emote' control function and infinitely customisable characters in addition to high quality 3D functionality.

其成功的秘诀是明显的侵略性和多样的营销策略，以及独特的功能，如一个特殊的'表情的控制功能和无限可定制的人物种类繁多，除了高品质的3D功能。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。