表情的

Gerty's were of the bluest Irish blue, set off by lustrous lashes and dark expressive brows.

格蒂那双爱尔兰蓝眼睛是再蓝不过的，并且有带光泽的睫毛和富于表情的深色眉毛相衬托。

I never saw this great-uncle, but I'm supposed to look like him-with special reference to the rather hard-boiled painting that hangs in father's office.

我从未见过这位伟大的叔叔，但据说我和他很像，特别是和那副挂在父亲办公室的毫无表情的油画对比。

During the making of a porn film, one of the girls - blonde with a black velvet neckband - goes through all the various acts without a change of expression.

在一部色情电影的拍摄期间，我看见一位金发碧眼、围着丝绒围巾的女孩，毫无表情的做着各种姿势。

Her beautifui features, naturally statuesque in their noble outlines, seemed transformed into marble by the rigidity of her expression.

她那美丽的五官，高尚的线条，自然而然地形成了雕塑美、而由于她表情的严峻，仿佛就变成了大理石雕像。

In 1931 he was appointed Tooke Professor of Economics and Statistics at the London School of Economics, and in 1950 he went to the University of Chicago as Professor of Social and Moral Sciences.

可惜遇到了一个上课从来不带钱包不带手机的人，她们总是在转身背过脸去变换另一个表情的一刹那不小心地泄露了她们的不满、不屑。

I'd be an emotion without aheart.I'm aface without expression,A heart with no beat.

没有你？我的情感将没有了根基；我将是一张没有表情的脸；一颗停止跳动的心

I'd be an emotion without a heart. I'm aface,without expression, A heart with no beat.

我的情感将没有了根基；我将是一张没有表情的脸，一颗停止跳动的心。

Without you I'd be an emotion without aheart.I'm aface without expression,A heart with no beat.

没有你？我的情感将没有了根基；我将是一张没有表情的脸；一颗停止跳动的心

Without you I'd be an emotion without aheart.I'm aface without expression,A heart with no beat.

没有你？我的情感将没有了根基；我将是一张没有恋爱指数测试表情的脸；一颗停止跳动的心

I'd be asoul without apurpose.

我的情感将没有了根基；我将是一张没有表情的脸，一颗停止跳动的心。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。