衣柜

And your shirt is on a coat hanger.

太太： 在衣柜里，还有你的衬衫在衣架上。

Wife: They're over there in the dresser. And your shirt is on a coat hanger.

太太： 在衣柜里，还有你的衬衫在衣架上。

I decided that a new wardrobe would help and I bought some nice cologne.

我相信，一个新衣柜会有所帮助，并且我还买了一些古龙香水。

This article did the closet to the condensation type the principle of work to carry on the detailed elaboration, and elaborated the drying system various parts' shaping and the structural design, the monolithic integrated circuit control system's software and hardware design in detail, finally has carried on the detailed analysis to its market value.

本文对冷凝式干衣柜的工作原理进行了详细的论述，并详细论述了干燥系统各部件的选型和结构设计、单片机控制系统的软硬件设计，最后对其市场价值进行了详细的分析。

Consuelo Castiglioni likes to talk about her Winter Edition pre-collection as the basis of a Marni wardrobe.

苏埃洛卡斯蒂廖尼喜欢谈论她冬季版前收集的基础奈特利衣柜。

Tom Baker, Elisabeth Sladen, Bernard Archard, Michael Sheard, Gabriel Woolf, Peter Copley Dr.

Sarah在翻TARDIS的衣柜时找到一件第二任博士伙伴Victoria穿着过的裙子。

When I was happy, it was only necessary to glance into my closets, and it would have been evident that I was not a coquettish and untidy woman

从前当我比较快乐时，别人只消看看我的衣柜，一眼就会明白我并不是个污七八糟爱俏的女人。

When I was happy, it was only necessary to glance into my closet s, and it would have been evident that I was not a coquettish and untidy woman

从前当我比较快乐时，别人只消看看我的衣柜，一眼就会明白我并不是个污七八糟爱俏的女人。

At home, I stuck the shirt in the back of the coset and never wore it again.

回到家里，我重重地把这件臭衬衫甩进衣柜，发誓从今以后不穿它。

The closet was a shallow cavity with a wooden rod braced across, a faded cretonne curtain on a string closing it off from the rest of the room.

Jack的衣柜空间狭窄，架了一根横向木杆，以串了绳子的褪色大花帘布开合，以隔开房间其他部分。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。