衣柜

Mom: Oh I know, it's in the closet.

哦，我知道了，在衣柜里。

I want to lock you up in my closet, where no one's around

我希望把你锁进我的衣柜，在没有人的地方

I am not going back in the closet.

我不会再回到衣柜里。

I need the points of the closet.

我是需要大点的衣柜。

Donald estimates that there are approximately 600 hanger s for clothes in the closet and they're all full.

唐纳德估计衣柜里大约有600来个衣架，全都挂满了。

She crossed the room and opened a door to the clothes－closet.She reached for a clothes hanger.

她走过房间打开衣柜的一扇门，想取一个衣架。

ORGANIZE SMALL GIFTS: Hang a shopping bag on a clothes hanger in a closet.

安排小礼物：在衣柜里的挂衣钩上挂上一个购物袋。

Ha, it's the smell of my clothes hanging outside in the balcony and clothespress.

哈，那是我挂在外面阳台上和衣柜里的衣服的味道。

Ha, it's the ****ell of my clothes hanging outside in the balcony and clothespress.

哈，那是我挂在外面阳台上和衣柜里的衣服的味道。

Without not much experiences of moving house, we anticipated the most difficult parts would have been the large appliances such as the TV, washing machine, our bed and the big clothespress.

因为没有多少搬家的经验，我们原先设想最难的部分可能是大型的家具，比如电视机、洗衣机、双人床和巨大的衣柜。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。