衣服上的

He had sold the last of his furniture, then all duplicates of his bedding,his clothing and his blankets, then his herbariums and prints; but he still retained his most precious books, many of which were of the greatest rarity, among others, Les Quadrins Historiques de la Bible, edition of 1560; La Concordance des Bibles, by Pierre de Besse; Les Marguerites de la Marguerite, of Jean de La Haye, with a dedication to the Queen of Navarre; the book de la Charge et Dignite de l'Ambassadeur, by the Sieur de Villiers Hotman; a Florilegium Rabbinicum of 1644; a Tibullus of 1567, with this magnificent inscription: Venetiis,in aedibus Manutianis; and lastly, a Diogenes Laertius, printed at Lyons in 1644, which contained the famous variant of the manuscript 411, thirteenth century, of the Vatican, and those of the two manuscripts of Venice, 393 and 394, consulted with such fruitful results by Henri Estienne, and all the passages in Doric dialect which are only found in the celebrated manuscript of the twelfth century belonging to the Naples Library.

他把最后的几件木器也卖了，随后，凡属多余的铺盖、衣服、毛毯等物，以及植物标本和木刻图版，也全卖了；但是他还有些极珍贵的藏书，其中有些极为稀有的版本，如一五六○年出版的《历史上的圣经四行诗》，皮埃尔·德·贝斯写的《圣经编年史》，让·德·拉埃写的《漂亮的玛格丽特》，书中印有献给纳瓦尔王后的题词，贵人维里埃－荷特曼写的《使臣的职守和尊严》，一本一六四四年的《拉宾尼诗话》，一本一五六七年迪布尔的作品，上面印有这一卓越的题铭："威尼斯，于曼奴香府"，还有一本一六四四年里昂印的第欧根尼·拉尔修①的作品，在这版本里，有十三世纪梵蒂冈第四一一号手抄本的著名异文以及威尼斯第三九三号和三九四号两种手抄本的著名异文，这些都是经亨利·埃斯蒂安②校阅并取得巨大成绩的，书中并有多利安方言的所有章节，这是只有那不勒斯图书馆十二世纪的驰名手抄本里才有的。

Iv Female gaze and my own internalized fat-oppressive attitude acted as the jailers of panopticon more than the male in relationship. v Female dressing was restrained because of the following three factors: a feminine dressing, b hegemony of clothes sizes and the phenomenon of shaping body to fit clothes, c close attention to specific body parts. vi On the issue of nudity, I realized "gain and loss logic of body eroticism based on seeing and being seen" and conflicts in erotic autonomy.

女性的眼光以及自身「内化的抑肥心态」作为圆形监狱监控者甚至比关系中的男性更甚（5）限制女性身体装扮的因素包括女性化装扮、衣服尺寸的霸权和量衣裁体的现象、对特定身体部位的关注（6）在身体裸露的议题上，看见「看与被看的身体情欲赚赔逻辑」以及情欲自主的冲突。

Once a little bit, incoherent drunk-breaking pictures: spring rain, you and I circle the playground tireless running, he served as strands of rain drift stick in our hair, the clothes also does not matter, the most beautiful is not the rainy day, who have escaped the rain with your roof; the sun or bright summer, and you get along so natural, tacit understanding hundred percent, when you, in my side, happy easy, I heard a gentle breeze in the breathing, clear up in days Good quiet; autumn pond, you and I in the water next to pick up a fallen leaves, and carefully buried them good, cold winter, we take each other out, in order to wait for it in every one evening sunset ......

曾经的一点点，支离破醉的画面：春天的细雨中，你和我在操场一圈一圈不知疲倦地跑步，任雨丝沾在我们的发上、衣服上也无所谓，最美的不是下雨天，是曾与你躲过的雨的屋檐；阳光还是灿烂的夏天，和你相处那么的自然，默契百分百，当你，在我的身边，快乐变得简单，听见微风在呼吸，放晴的天好平静；秋天的池塘边，你和我在水旁，拾起一片片落叶，小心翼翼地将它们埋好，冬天的冰冷里，我们彼此取明，为等它于每一个黄昏日落

If the stuff's clothes style is as fashion as he or she likes, maybe skimpily clad women, or men address with easy negligence, which will give their customs unbelievable impress.

你需要论证的是在某些情况下人们的衣着无法代表内心的希望和兴趣，红字部分说的是穿的不随性会造成的工作上的不良影响，中间还说了很多男的女的会穿什么样的衣服。

Such as the employees in the big business company, the stuff used to negotiate with their customs to gain more profits. If the stuff's clothes style is as fashion as he or she likes, maybe skimpily clad women, or men address with easy negligence, which will give their customs unbelievable impress.

你需要论证的是在某些情况下人们的衣着无法代表内心的希望和兴趣，红字部分说的是穿的不随性会造成的工作上的不良影响，中间还说了很多男的女的会穿什么样的衣服。

I don't know whether we've forsaken our poetic nature, our romanticism, inherent inner beauty, or whatever we've done to ourselves, that nowadays most of the time we think more of finances. We think more of material comfort than the caretaking of our inside beauty or even our own representation outside of the inner beauty, such as nice clothes, walking with dignity and manners, talking with gentleness and sweetness.

我不知道是我们抛弃了自己诗人的本质、浪漫的精神、我们与生俱来的内在美，还是对自己做了什么，以致今天的人更多时候想的是金钱以及物质上的享受，而比较不注重内在美，甚至也不注重外在美的表达，像漂亮的衣服、高雅的仪态、温文尔雅的言谈等等。

We think more of material comfort than the caretaking of our inside beauty or even our own representation outside of the inner beauty, such as nice clothes, walking with dignity and manners, talking with gentleness and sweetness.

我不知道是我们抛弃了自己诗人的本质、浪漫的精神、我们与生俱来的内在美，还是对自己做了什么，以致今天的人更多时候想的是金钱以及物质上的享受，而比较不注重内在美，甚至也不注重外在美的表达，像漂亮的衣服、高雅的仪态、温文尔雅的言谈等等。

Her clothes were of recent fashion; even the ivory-handled parasol that she carried was of a shape unknown in the retired spot to which they had now wandered; and the cut of such articles would have attracted attention in the settle of a tavern.

她穿的衣服是当时流行的样式，就是她带的那把伞柄是象牙的阳伞，在他们信步来到的这个偏僻地点，也是没有人看见过的东西。这些时兴的物品，一定会引起酒店里坐在长椅上的人的注意。

French fashion designer Emanuel Ungaro adds:"What I find deeply unattractive are short sleeves," while Diego Della Valle, chief executive and president of Tods shoes, says, I only wear light-blue buttoned-down Oxford cotton or jean shirts, and I've only ever worn long sleeves.

法国时装设计师伊曼纽尔温加罗补充表示：&我所发现的非常没有吸引力的衣服就是短袖。&Tod's鞋的首席执行官兼总裁迭戈黛拉瓦尔表示：我只穿淡蓝色的领子扣于衬衫上的牛津棉布或牛仔衬衫，并且我唯一一直穿的是长袖。

Then it reminds me of a work by an prominent photographer. In the picture, a graceful female model with delicate dressing poses elegantly before quantities of cameras in the background. Yet what impressed the reader is the back of the model, where a line of clothespins in her dressing ducked out for her ladylike figure. The work is named Behind the Fashion.

于是我就想到了一位摄影大师的一幅作品：画面上，一位姿态婀娜的女模特，正衣饰精致地面对背景里的一群摄影师的镜头，优美地摆着 Pose ，但阅读者比那些摄影师多看到的，是模特儿背后衣服上一排勾勒出她身段姿态的夹子，作品的名字就叫《时尚的背后》。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。