街头

I realise someone pushing a little person along needs more right of way than I, but they trundle round the streets like royalty.

我知道一定有人推着很少的人一直需要更多的权利的方式比我，但他们trundle轮街头一样忠心。

You may be earger to sing "Sunset" on street in Tunis......

在突尼斯的街头著实让人有股想唱"黄昏"的冲动。。。。。。

No.Anybody needs to be turf ed out of their homes and thrown onto the streets without alternatives?

不会。还会有人被赶出家园、沦落街头走投无路吗？

"My son's spirit and soul must still be wandering the streets of Iraq." It is not simply what happened in Iraq, but how veterans are treated at home when they seek to unburden their souls, that reinforces post-traumatic stress.

"我儿子的精神和灵魂，仍然要流浪街头的伊拉克，"这是不是简单的事，伊拉克，但如何退伍军人的待遇在家里当他们设法解除了他们的灵魂，即强化了创伤后应激。

They called the action unconstitutional and rallied in street protests against it.

他们所谓的行动违宪，并凝聚在街头抗议反对。

"Despondent Night"-the title for this exhibition chosen by Liu Xintao himself, leads us to the reality of a bustling city late at night –quiet streets ,endless gloominess ,blurred lights, lonely and despaired street walkers and left with commercial display windows and bill boards trying to maintain the glory of the city in the day time.Using Szechuan traditional painting technique, Xintao paints monochromic scenery adeptly by expressing boring life, deserted love, unforgotten sorrow and home sickness.

刘兴涛以《溃夜》命名的这组作品，将我们的视界引向白天喧闹繁华尽落的暗夜，县城空旷的街头、无边的灰暗、模糊不明的灯光、失落孤寂的行人，只有商业厨窗和广告灯箱闪着覆盖一切的欲望之光……用四川艺术家熟谙的传统表现性的笔法涂抹的这些单色风景，表达出一种空虚焦燥的生存感受，真实裸露的感情和挥之不去的伤怀与乡愁。

Street photography is one of my favorite genres because it captures life as it happens — unstaged and unposed.

街头摄影是我最喜欢的剧种之一，因为它吸取了生命，因为它捕捉了当时发生的情景-没有特意的舞台和没有特意的姿势

"The earliest surreal photographs come from the 1850s," added Sontag, when photographers first went out prowling the streets of London, Paris, and New York, looking for their unposed slice of life.

同样是桑塔格，她说：最早的超现实主义照片出现在1850年代，当时的摄影家们首次走出室外，逡巡在伦敦、巴黎和纽约的街头，寻找不事修饰的栩栩如生的现实生活的侧影。

And so on. The streets belong to the past light cake snacks, unpresentable now Fuzhou people also put on a banquet table light cake.

以前光饼属于街头小吃，不登大雅之堂，如今福州人宴桌也摆上了光饼。

A new, unrefined culture of the people who have never been educated was emerging.

一种新型的粗犷的街头文化正在形成。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。