螳螂

When crypsis—the ability of an organism to avoid detection—fails, Deroplatys angustatat, a dead-leaf mimic from Southeast Asia, can flash bright colors and eyespots on the undersides of its legs and forewings to startle enemies.

当crysis——生物避免被发现的能力不能奏效的时候，东南亚的一种模仿腐叶的螳螂Deroplatys angustatat，可以亮出其腿部和前翅下侧的明亮的颜色和眼斑，将敌人吓得心惊肉跳一跳。

He was actually tremendously well-respected within the Hong Kong motion picture industry and recognized traditional master of Northern Shaolin, Eagle Claw, Seven Star Mantis, and other northern styles of martial arts.

另有外號奸人堅，是粵語電影中的老牌奸角，經常都在黃飛鴻電影裡擔任反派的角色。石堅前輩曾習北少林，鷹爪及七星螳螂等北派武功。

Proof of this amazing interstellar capability can be observed from the towering aeries of the mantis screamers that are a common sight on lifeless worlds across several star systems.

关于这项惊人的跨星际能力，透过观察尖啸螳螂耸立的巢穴，通常可以在许多不毛之地出现，跨越许多的恒星系。

When the bell and both cauldrons make noise, grab your sword and help your friends defeat the monster – your blows are stronger to theirs.

当钟和锅发出声音的时候，拔出你的剑，冲向大螳螂吧！你的攻击比战友们更厉害！

An aggressive species of West African mantis in defensive stance, with eyespotson forelimbs that suggest she is much bigger than she is.

颇具攻击性的西印度螳螂正摆出一副防御姿势，两支前臂放在眼睛旁边，好像在暗示对手它其实比自己看起来更强大。

The mantis anthropomorphic to describe as holding long-handled scythe people.

把螳螂拟人化地描写成拿着长柄大镰刀的人。

Insects land on them to get food but , instead , the mantids eat them !

昆虫到他们身上去找食物，代替的是，螳螂吃了他们！

The flower mantids from Africa look like flowers .

非洲的花螳螂就像花朵一样。

Mantids come in many different colours .

螳螂有许多种颜色。

Mantids have two large compound eyes and three other simple eyes located between them.

合掌螳螂拥有两只巨大的复眼，在复眼之间还有三只单眼。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。