融为... - 网络例句 - 英语人，englisher

In order to analyze stress mechanics of corm- gated pipe culvert on the condition of thaw settlement , the paper analyzes mechanical property of metal corm- gated pipe culvert and corrugated pipe in permafrost re- gion with large-scale finite element software.

为分析波纹管涵洞融沉下的受力机理，利用大型有限元软件对多年冻土地区采用的金属波纹管涵洞和波纹管本身进行力学性能分析，通过分析可知，金属波纹管本身具有较大的横向补偿位移的能力，波纹管涵洞对预防和彻底解决涵洞因融沉而导致的破坏较为有效。

IPO can the apple that the fund that be in harmony reachs resembles Eve, alluring enterprise is cruel to develop outstanding achievement grow: Old man people horse race encircles the ground, let go one wrestle, overdraw even IPO can the fund that be in harmony reachs, sail of pensile in the ocean of capital pirate " kill person and seize his goods ", after they do not appear on the market so immediateness fierce look finishs now: ITAT has collapse Pan Zhiyu, the land of 45.8 million square metre that Heng Dadun accumulates became sweet potato of very hot hand, the company that the within an inch of of Zhao Song Qing of phlogistic yellow medium just is driven out of him to found single-handed by investment...

IPO能融到的钱就像夏娃的苹果，诱惑企业为冲业绩而野蛮生长：大佬们跑马圈地，放手一搏，甚至透支IPO能融到的钱，在资本的海洋里悬挂海盗帆"杀人越货"，所以当它们上市不成后即刻凶相毕现：ITAT有崩盘之虞，恒大囤积的4580万平方米土地成了烫手山芋，炎黄传媒的赵松青差点被投资方赶出自己一手创立的公司……大浪淘沙，泥沙俱下。

His major works and commissions include: ' Three Temperaments , for Big Choir ' (1986), ' Counterpoint of Times , for woodwind septet ' (1989), ' Wild Children , for mixed Chamber Ensemble ' (1993), ' Overture , for solo Chinese bass drum and Chinese winds and percussion band ' (1994), ' Intonation , for chamber orchestra ' (1990-1994), ' Flavour of Bashu , for two violins, piano and percussion ' (1995), ' Pole , for solo Chinese Yun-luo, Chinese pai-gu and Chinese bass drum with six percussionists ' (1996),commissioned by Japan Asian Percussion Ensemble, ' Symphonic Prelude --- Bashu Capriccio' (1996), 'The Song Without Words , for solo percussion ' (1997), commissioned by the Ministry of Culture of Japan, Japanese Contemporary Music Association, and Japanese Embassy in China,'Illusions of the Symphonic Stage of Tang Dynast y , for orchestra of Tang Dynasty, percussion, voices and a big choir '(1999), commissioned by Japanese No Music Guanshiliu Green Spring Association, Chinese Music Research Center in Japan, Japanese Asian Percussion Ensemble and Japanese-Chinese Cultural Exchange Association,'The Prospect of Colored Desert , for violin, cello, sheng, pipa and percussion '(2000),commissioned by Yo-Yo Ma, Silk Road Project Inc. of the U.S., Sony Record,'Three Movements of Autumn , for small Chinese instruments ensembl e'(2000) and ' Sound Games , for 5 Chinese Percussion Instruments Players ' (2000-01), commissioned by La Cité de la Musique, Paris "2000 Chinese Classical Music Series", ' Fusion I , for Mixed Chamber Ensemble ' (2002), commissioned by Holland New Ensemble and Atlas Ensemble, ' Fusion II , Concerto for Solo Chinese Percussion and Orch.' (2002), commissioned by Japanese–Chinese Committee of Friendship and Public Music Performance, and ' Fusion III , for Irish flute, accordion, bodhran, Chinese sheng, zheng, Percussion and 13 Strings with Chamber Choir.' (2003-04), commissioned by China-Ireland Exchange Program, ' The Three Images from Washing Painting , for chamber ensemble of 17 players '(2005) commissioned by the New Juilliard Ensemble for the special concert of the Juilliard Centennial and sponsored by Asian Cultural Council and the Guggenheim Partnership and 'The Butterfly Dream', new 7 scenes Opera inspired by KUN QU' (2007) commissioned by the Contemporary Legend Theatre, Taiwan etc.

主要作品及委约包括：《三种气质，无伴奏合唱》(1986)、《时间的对位，木管七重奏》（1989）、《野娃子，混合室内乐队与童声》(1993)、《对话，男声独唱，女高音，童声合唱团，混声合唱团与混合乐队》(1993-94)、《序鼓，独奏中国大鼓、排鼓、云锣与中国民间吹打乐队》（1994）、《吟，室内交响乐》（1990-1994）、《蜀韵，两支小提琴、钢琴与打击乐》（1995）、《极，独奏中国云锣、大鼓、排鼓与六位打击乐演奏家》（1996）、《巴蜀随想，交响序曲》（1996）、《无词歌，打击乐独奏》（1997）（日本国文化厅、日本现代音乐协会、日本国驻中国领事馆等联合委约）、《梦的交响舞台，唐代乐队，打击乐，人声与合唱团》（1999）（日本能乐观世流绿泉会、日本中国音乐勉强会、日本亚洲打击乐团、日中文化交流协会等联合委约）、《舞蹈组曲，大型管弦乐队》(1999)、《漠墨图，小提琴、大提琴、笙、琵琶与打击乐》（2000）（马友友、美国丝绸之路文化发展公司、日本Sony唱片等联合委约）、《秋三阕，9位中国乐器演奏家》（2000）、《响趣，5位中国打击乐器演奏家》（2000）（法国巴黎音乐城"2000中国古典音乐系列音乐会"委约）、《融I ，混合室内乐团》（2002）（荷兰 New Ensemble， Atlas Ensemble联合委约）、《融II ，打击乐协奏曲》（2002）（日本日中友好音乐公演委员会委约）、《融III ，爱尔兰笛子、手风琴、巴朗鼓，中国笙、筝，打击乐，13件弦乐器以及室内合唱团》（2003-04）（爱尔兰国家文化委员会、爱中2004文化交流年组委会委约）、《水墨画意三则，为17位演奏家的室内乐团》（2005）（美国朱丽亚音乐学院新室内乐团委约，美国亚洲文化基金会和美国古根海姆基金支助）及《梦蝶，七场新昆剧》（2007）等。

The direct evaporative internal-melt ice storage air conditioning is a new and promising technology.It is important to master the ice coil heat transfer performance for the project.The paper analysed the dynamic characteristics and established the corresponding mathematical models of the system,and used the model to analyse the performance of caving cooling process changes.The model for direct evaporation in the U-shaped ice-melting ice storage VRV system couldbe helpful to design and optimization theory.

直接蒸发内融式冰盘管是空调蓄冷工程中常用的一种方式，对这种冰盘管的融冰传热性能的掌握对于工程应用非常重要，本文对基于VRV空调系统的内融式U形冰盘管融冰过程的动态特性进行了分析，建立了相应的数理模型，并利用该模型分析了放冷过程的性能变化，该模型可为直接蒸发内融式U形冰蓄冷VRV融冰系统的设计及优化提供理论依据。

This paper takes the FuXing substation De_ icer demonstrate project as an example to analyze the structure and characteristic of Dc_ icing system, and have given a perfect protection configuration scheme and operation strategy, which have laid the first stone for the application and development of De_icer control and protection system.

本文以复兴变电站直流融冰示范工程为例，对直流融冰系统的结构、特点进行了分析，并给出了完善的保护配置方案和操作策略，为直流融冰控制保护系统的应用与开发打下了基础。

Some butterflies protect themselves through camouflage—by folding up their wings, they reveal the undersides and blend in with their surroundings.

一些蝴蝶通过伪装来达到保护自己的目的——把漂亮的翅膀折起来，露出土褐色下腹，与周围环境融为一色。

Some butterflies protect themselves through camouflage -- by folding up their wings, they reveal the undersides and blend in with[2] their surroundings.

一些蝴蝶通过伪装来达到保护自己的目的——把漂亮的翅膀收折起来，露出土褐色下腹，与周围环境融为一色。

His major works and commissions include: ' Three Temperaments , for Big Choir ' (1986), ' Counterpoint of Times , for woodwind septet ' (1989), ' Wild Children , for mixed Chamber Ensemble ' (1993), ' Overture , for solo Chinese bass drum and Chinese winds and percussion band ' (1994), ' Intonation , for chamber orchestra ' (1990-1994), ' Flavour of Bashu , for two violins, piano and percussion ' (1995), ' Pole , for solo Chinese Yun-luo, Chinese pai-gu and Chinese bass drum with six percussionists ' (1996),commissioned by Japan Asian Percussion Ensemble, ' Symphonic Prelude --- Bashu Capriccio' (1996), 'The Song Without Words , for solo percussion ' (1997), commissioned by the Ministry of Culture of Japan, Japanese Contemporary Music Association, and Japanese Embassy in China,'Illusions of the Symphonic Stage of Tang Dynast y , for orchestra of Tang Dynasty, percussion, voices and a big choir '(1999), commissioned by Japanese No Music Guanshiliu Green Spring Association, Chinese Music Research Center in Japan, Japanese Asian Percussion Ensemble and Japanese-Chinese Cultural Exchange Association,'The Prospect of Colored Desert , for violin, cello, sheng, pipa and percussion '(2000),commissioned by Yo-Yo Ma, Silk Road Project Inc. of the U.S., Sony Record,'Three Movements of Autumn , for small Chinese instruments ensembl e'(2000) and ' Sound Games , for 5 Chinese Percussion Instruments Players ' (2000-01), commissioned by La Cité de la Musique, Paris "2000 Chinese Classical Music Series", ' Fusion I , for Mixed Chamber Ensemble ' (2002), commissioned by Holland New Ensemble and Atlas Ensemble, ' Fusion II , Concerto for Solo Chinese Percussion and Orch.' (2002), commissioned by Japanese–Chinese Committee of Friendship and Public Music Performance, and ' Fusion III , for Irish flute, accordion, bodhran, Chinese sheng, zheng, Percussion and 13 Strings with Chamber Choir.' (2003-04), commissioned by China-Ireland Exchange Program, ' The Three Images from Washing Painting , for chamber ensemble of 17 players '(2005) commissioned by the New Juilliard Ensemble for the special concert of the Juilliard Centennial and sponsored by Asian Cultural Council and the Guggenheim Partnership and 'The Butterfly Dream', new 7 scenes Opera inspired by KUN QU' (2007) commissioned by the Contemporary Legend Theatre, Taiwan etc.

主要作品及委约包括：《三种气质，无伴奏合唱》(1986)、《时间的对位，木管七重奏》（1989）、《野娃子，混合室内乐队与童声》(1993)、《对话，男声独唱，女高音，童声合唱团，混声合唱团与混合乐队》(1993-94)、《序鼓，独奏中国大鼓、排鼓、云锣与中国民间吹打乐队》（1994）、《吟，室内交响乐》（1990-1994）、《蜀韵，两支小提琴、钢琴与打击乐》（1995）、《极，独奏中国云锣、大鼓、排鼓与六位打击乐演奏家》（1996）、《巴蜀随想，交响序曲》（1996）、《无词歌，打击乐独奏》（1997）（日本国文化厅、日本现代音乐协会、日本国驻中国领事馆等联合委约）、《梦的交响舞台，唐代乐队，打击乐，人声与合唱团》（1999）（日本能乐观世流绿泉会、日本中国音乐勉强会、日本亚洲打击乐团、日中文化交流协会等联合委约）、《舞蹈组曲，大型管弦乐队》(1999)、《漠墨图，小提琴、大提琴、笙、琵琶与打击乐》（2000）（马友友、美国丝绸之路文化发展公司、日本Sony唱片等联合委约）、《秋三阕，9位中国乐器演奏家》（2000）、《响趣，5位中国打击乐器演奏家》（2000）（法国巴黎音乐城&2000中国古典音乐系列音乐会&委约）、《融I ，混合室内乐团》（2002）（荷兰 New Ensemble， Atlas Ensemble联合委约）、《融II ，打击乐协奏曲》（2002）（日本日中友好音乐公演委员会委约）、《融III ，爱尔兰笛子、手风琴、巴朗鼓，中国笙、筝，打击乐，13件弦乐器以及室内合唱团》（2003-04）（爱尔兰国家文化委员会、爱中2004文化交流年组委会委约）、《水墨画意三则，为17位演奏家的室内乐团》（2005）（美国朱丽亚音乐学院新室内乐团委约，美国亚洲文化基金会和美国古根海姆基金支助）及《梦蝶，七场新昆剧》（2007）等。

Having internalised the new whateverism, they launch in and stumble through, with nary a thought for what they actually want to say.

他们已经吸收了全新的无关紧要主义的精髓并融为自我意识的一部分，他们已经开题，步履蹒跚、亦步亦趋，对自己确切想要表达的内容连一个想法都没有。

The development from simplex existence of three tuning systems to organic combination of three tuning systems is known as the twelve-tone-equal temperament with multi-frequency flexibility. The harmonious combinations between circle-of-fifths system and rhyme, just intonation and harmonic, and twelve-tone-equal temperament and inflexion, make up a new tuning system which takes full use of advantages of three tuning systems.

从三律的单一存在发展到现代三律的有机结合(即&复频弹性十二平均律&)，五度相生律与旋律美相映，纯律与和声美相映，平均律与转调美相映，复频弹性十二平均律综合三律之长，避其之短，构成一个新的律制，使三律融为一个自由变通的统一体，进入相对的自由王国。