蜜弄

In the next Place, I was at a great Loss for Candle; so that as soon as ever it was dark, which was generally by Seven-a-Clock, was oblig'd to go to Bed: I remembered the Lump of Bees-wax with which I made Candles in my African Adventure, but I had none of that now; the only Remedy had was, that when I had kill'd a Goat, sav'd the Tallow, and with a little Dish made of Clay, which I bak'd in the Sun, to which I added a Wick of some Oakum, I made me a Lamp; and this gave me Light, tho' not a clear steady Light like a Candle; in the Middle of all my Labours it happen'd, that rumaging my Things, I found a little Bag, which, as I hinted before, had been fill'd with Corn for the feeding of Poultry, not for this Voyage, but before, as I suppose, when nt my Wall.

其次，我无法制造蜡烛，所以一到天黑就只得上床睡觉。在这儿一般七点左右天就黑下来了。我记得我曾有过一大块蜜蜡，那是我从萨累的海盗船长手里逃到非洲沿岸的航程中做蜡烛用的，现在早已没有了。我唯一的补救办法是：每当我杀山羊时，把羊油留下来。我用泥土做成一个小盘子，经太阳暴晒成了一个小泥盘，然后把羊油放在泥盘里，再弄松麻绳后取下一些麻絮做灯心。这样总算做成了一盏灯，虽然光线没有蜡烛明亮和稳定，但也至少给了我一点光明。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。