虚构的

Goodbye Alice in Wonderland Jewel It's four in the afternoon I'm on a flight leaving L.A. Trying to think about my life My youth scattered along the highway Hotel rooms and headlines I've made a living with a song Just a guitar as my companion Wanting desperately to belong Fame is filled with spoiled children They grow fat on fantasy I guess that's why I'm leaving I crave reality So goodbye Alice in Wonderland Goodbye yellow brick road There is a difference between dreaming and pretending I did not find paradise It was only a reflection of my lonely mind searching For what was missing in my life I'm embarassed to say the rest is a rock and roll cliche I hit the bottom when I reached the top I never knew it was you who was breaking my heart I thought you had to love me You did not Yes a heart can hallucinate If it's completely starved for love Can even make monsters seem like Angels from above You forged my love like a weapon And turned it against me like a knife You broke my last heartstring But you opened up my eyes So goodbye Alice in Wonderland Goodbye yellow brick road There is a difference between dreaming and pretending That was not love in your eyes It was only a reflection of my lonely mind wanting what was missing in my life And growing up is not the absence of dreaming It's being able to understand the difference between the ones you can hold And the ones that you've been sold Dreaming is a good thing cause it brings new things to life Pretending is an ending that perpetuates a lie Forgetting what you are Seeing for what you've been told Well, truth is stranger than fiction And this is my chance to get it right Life is much better without all of your pretty lies So Goodbye Alice in Wonderland You can keep your yellow brick road there is a difference between dreaming and pretending There's not tears in my eyes It was only a reflection of my lonely mind searching It was only a reflection of my lonely mind finding I find what's missing in my life

再见，梦游仙境的爱丽丝下午四点我在飞离洛杉矶的班机上试着去理顺生活我的青春散落在公路上就宿于各地旅馆，无数次登上头条我以一首歌成功立足吉他为伴我强烈渴望被接受和认可有名的人大多是被宠坏的孩子幻想使我们贪求无餍我猜想这就是我离开的原因我渴望活在现实里因此再见吧，梦游仙境的爱丽丝再见吧，黄砖路梦想和矫饰不同我没有找到天堂那不过是我孤独心灵的一种反映，我渴望找到生命中缺失的东西尽管尴尬，我不得不说一句摇滚乐界的陈词滥调当我的事业达到顶峰时，我的心情跌落到了谷底我从未想过，会是你让我心碎我以为你一定会爱我但你没有是的，如果心对爱饥渴它会产生幻觉，认假为真它甚至可以把妖魔认作下凡的天使你把我的爱练成一种武器然后把它像刀子一样捅向我你断了我最后一根心弦但你让我看清了现实因此再见吧，梦游仙境的爱丽丝再见吧，黄砖路梦想和矫饰不同你眼里的不是爱不过是我孤独心灵的一种反映，我努力寻找生命中缺失的东西成长不是梦想的消失而是一种能分辨你坚守的东西与导致你被骗的东西的能力并且梦想是个好东西因为它给生命带来新鲜事物但矫饰是一个终结它使谎言无限期地延续忘了你是谁只着眼于人们告诉你的那些东西真实比虚构更奇怪而这是我求取真实的机会没有那些漂亮的谎言，生活会变得更美好因此再见吧，梦游仙境的爱丽丝你可以留住你的黄砖路梦想和矫饰不同我眼里的不是泪水不过是我孤独心灵的一种反映，我意识到不过是我孤独心灵的一种反映，我意识到我已经找到了生命中缺失的东西

Postmodernism discredits the truthfulness of biography and subverts its traditions, such as the anti-biography of Edison by D. Nye, The Woman Warrior by M. H. Kingston, A Memoir of Ronald Reagan by E. Morris and Will in the World by S. Greenblatt. Much fictitious and imaginary content is added to the biographical forms due to different objectives.

后现代对传记的真实性表示怀疑并颠覆传记的传统标准，奈依关于爱迪生的&反传记&、汤婷婷的《女勇士》、莫里斯的《里根回忆录》和格林布拉特的《尘世威尔》等作品出于不同的价值目标，在传记的外形中加入了更多的虚构和想象。

Their differences in form make this effect a complicated process of intersecting and dissociating, attracting and resisting.

日常叙事的风行是对曾经一统天下的宏伟叙事的偏执性反拔，是启蒙神话破裂之后的幻灭叙事，写物主义倾向和日常生活本身的封闭性与重复性使小说的主体性呈现为碎片状态；模糊审美作为叙事风格主要表现为内心光照逐渐黯淡的黑夜主题夺走了叙事者的存在基础，欲望化叙事和表象化叙事闪现着一种遗忘意志，作家相对主义式的犹豫表达模糊了必要的价值分野；小说的新闻化倾向作为一种文体现象，是对快速推进的信息时代和全球性的非虚构化潮流的文化回应，但它所标榜的真实性因为只能停留在表浅层次而显得暖昧和可疑；自我重复是反修辞和反诗学的命题，是指相同的叙事成分在同一作家的不同作品中的机械重复，自我重复有细节重复、情节与结构重复、扩写与改写等表现形式，媒体时代的强制性文化法则、作家的内在缺陷和叙事模式的局限性是其文化根源；反讽与讽刺相比，是一种相对温和却又更具普遍性的文化反抗形式，但九十年代小说的言语反讽、情境反讽和总体反讽都因为主体缺乏内在的价值支撑而陷入虚无，虚伪的反抗成为一种遮蔽现实的屏障；九十年代小说的叙事视角从传统的全知视角转向限知视角，具体表现为旁观视角和窥视视角，这种强调局部性和差异性的视角本来可以成为扩展个人话语空间的正当途径，但由于它们被过分地利用于渲染感官刺激和心理刺激，与大众趣味不谋而合。

The Chinese novels entitled Fusang and Ever-young Yin Xueyan written by two outstanding overseas Chinese writers are typical texts characterized by the symphony of the narrative voices of gender culture. Masculine voice, feminine voice, the mixture of the two and multiple voice are all hidden in the narrator's gender awareness on the biological basis and permeate into psychological aspects of gender culture of the fictional figures.

扶桑》和《永远的尹雪艳》正是提供了性别文化声音此消彼长、抑扬顿挫情形的代表性文本，男性的、女性的、双性混响的，众声杂语喧哗的，诸多声响既隐蔽在叙述人的基于生理的社会性别里，同时也弥漫在小说虚构人物的性别文化心理结构中。

Is a powerful aural mix of club, commercial, and street style beats, all of it straight from the heart of Hong Kong. Ghost Style stretches his lyrical reach even further with 'M.I.C.', waxing lyrical on topics ranging from the chemistry lathered streets of Hong Kong to the territory's politics, bad boys, party girls, and just about anything else worth keeping real in HK. Ghost Style calls these slices of HK life aural movies his 'exaggerated fiction', and his vocal range – from crispy kid to low-key baritone – brings his stories to life. With his instantly recognizable voice, potent lyrics and shards of brilliance, Ghost Style remains the name to remember in Hip Hop on this side of the Pacific Rim.

音乐盛宴，弥漫着商业元素与街头风格，正带着浓浓的Ghost Style味道Ghost Style发挥他的作词天赋，用流畅如水一般的歌词描述着各种主题，在香港街头掀起如泡沫般化学效应政治话题，小混混，夜店流莺，各种香港地下的真实场面被描述得淋漓尽致Ghost Style把这些香港社会的剪影称作是他&夸张的虚构&，他的音域可以从清脆的小屁孩腔转到低沉磁性的男中音，唱着这些如他自己生活一般的点滴故事他的声音那么特殊，以至于过耳难忘，尖刻的歌词打破天真的幻想，Ghost Style这个名字，在嘻哈界早已传到大洋彼岸

There third part analyses the esthetic characters of the intnel-game,including the dummy reality、the two dimensional time strcture、the time of the game and the time of the event、the conception of free patching space、the stress on subjectivity and the existent of self-imitation etc.

在这个虚拟、虚构出来的世界中，人们得到的是均等的机会，每个参与者都可以随意创造自己的形象和行为；&游戏时间&与&事件时间&的&两度&时间结构与&超级链接式&的自由拼接空间概念的显现；自身叙事过程中对互动性、主体性的强调以及自由而虚幻的&自我&存在与体验等。

In the 1990s Bill Geerhart was an unemployed, not-so aspiring screenwriter in his 30s. To pass the time, he channeled his inner child, 10-year-old Billy, and started writing letters to famous and infamous people and institutions. These letters, written in pencil on elementary school ruled paper, asked funny but relevant questions to politicians, serial killers, movie stars, lobbyists, CEOs, and celebrity lawyers.

恶作剧做大了也会有意想不到的收获，有位Bill Geerhart先生就是恶作剧创作人员中的典范。1994年一心想搞写作的他正无业在家，无聊的人总会有多一点无聊的想法（其实他也可以尝试玩些无聊的人在无聊时玩的无聊游戏），于是他开始召唤内心的童真，虚构了一个小盆友，名字叫Billy，并用一些练习本内页+手写六一体写各种信件寄给有名的、没名的各种各样的人，问一些奇怪的问题请求帮助或者建议。

They weren't aggressive, but I yelled and threw a rock in their direction to get them off the trail and away from me, just in case.

他们没有侵略性，但我大喊，并在他们的方向扔石头让他们过的线索，远离我，以防万一。

In slot 2 in your bag put wrapping paper, quantity does not matter in this case.

在你的书包里槽2把包装纸、数量无关紧要。