虚构地

National pride, too, came in time to invest the person of Attila with a halo of fiction.

民族自豪感也及时地出来给阿堤拉这个人投上一层虚构的光环。

It is not necessary to discuss at length a minor question which has been raised by Boeckh, respecting the imaginary date at which the conversation was held the year 411 B.

我们不必详尽地去讨论波厄克提出的那种枝节问题，诸如去想象某篇对话发生的日期（虚构出公元前411年他写了这篇或者那篇对话之类）。

While debating a fictious property case, the hypothetical landowner was referred to as "John Doe," who leased land to another man, the equally fictitious "Richard Roe," who then took the land as his own and "ejected," or evicted, poor "John Doe."

在为一桩虚构的产权案进行辩论的时候，名叫"约翰。罗"的地主将土地租给一个名叫"理查得。罗"的人，约翰和理查得都是虚构的人物，然而，理查得。罗将土地占为己有不说还将可怜的约翰。

To represent fictitiously in play; make believe

装扮：在戏剧中虚构地扮演；使相信

A brand is said to have positive costomer-based brand equity when costomer react more favorably to a product and the way it is marketed when the brandid identified than when it is not(e.g., when it is attributed to a fictitiously named or unnamed version of the broduct).

当 costomer 对它被销售的一种产品和方式产生更顺利的反应时候，商标被说有积极的以 costomer 为基础的商标公正当 brandid 识别超过当它不是的时候。举例来说，当它被归因于一虚构地命名或 broduct 的没透露名字版本

Luhrmann's soft-filtering lens — a man being trampled to death by rampaging cattle or a city being annihilated by bombing Japanese warplanes — the calamities of history are merely colorful grist for his main interest, the romance between a wilted English rose, Lady Sarah Ashley, and an itinerant Australian cattleman, the Drover. The lady and the tramp meet soon after she lands in Australia to track down her cattleman husband, whose early murder sets all the narrative pieces in place. Initially intent on selling her property, including 1,500 head of cattle, Sarah soon transforms into a frontierswoman, seduced by Nullah's smile and the majestic valleys and peaks of both the land and of the Drover's musculature. Although Ms. Kidman and Mr.

爱好每隔一沉重金色原打算沉重时刻那通行证通过Luhrmann's先生柔软地-透入形成透镜状矿体—a男人存在践踏向死在附近狂暴地乱冲牲畜金色a城市存在摧毁在附近轰炸日本人军用飞机—灾难的历史公亩仅仅色彩艳丽制粉用谷物为他的总管道权益讲虚构故事在中间a枯萎英语玫瑰女士萨拉Ashley和一巡回者澳大利亚人养牛人赶牲畜的人。

It could also be a sign that managers have deliberately understated their reserves for uncollectible accounts or recorded fictitious revenues.

另外， 它能是教练为uncollectible的说明或记录的虚构的岁入慎重地克制性地表述他们的保存的记号。

For the traditional urbanist at the height of Postmodernism, reading Koolhaas was akin to the experiences of seeing a horror movie – causing one to flinch uncomfortably, sometimes scream, engender repulsion, and continuously look over the shoulder when leaving the theater – because one knows that danger lurks, yet hopes it was all fiction.

对于站在后现代主义高度的传统城市规划专家，解读库哈斯就好似一个看恐怖电影的经历——使人不适地退缩，有时惊叫，产生排斥，并在离开剧场的时候不停地回头看——因为他知道潜在的危险，却希望那只是虚构的。

"Then we must assume a control over the narrators of this class of tales as well as over the others, and beg them not simply to but rather to commend the world below, intimating to them that their descriptions are untrue, and will do harm to our future warriors."

&如此说来，我们还得对此一类及其另一类的童话的讲述者进行控制，请求这些讲述者不要过分简单地去褒扬阴间地狱的生活方式，应该明白无误地告诉人们他们的虚构和渲染其实并不真实，以免伤害到我们未来国家保卫者的勇气。&

A Portrait of the Artist as a Young Man)简介:James Joyce's Portrait of an Artist is one of the most significant literary works of the twentieth century, and one of the most innovative.

一方面，乔伊斯大量地取材于自己的个人生活，另一方面，他又极其巧妙地把这部书写成了真正意义上的的虚构作品——读者无法把斯蒂芬与乔伊斯完全等同。

They weren't aggressive, but I yelled and threw a rock in their direction to get them off the trail and away from me, just in case.

他们没有侵略性，但我大喊，并在他们的方向扔石头让他们过的线索，远离我，以防万一。

In slot 2 in your bag put wrapping paper, quantity does not matter in this case.

在你的书包里槽2把包装纸、数量无关紧要。