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虚无地

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We shoud have a sober understanding, we can not indulge in immediate nihilism, and also can not abandon oneself to it, but acti

我们要对现时代"人"的生存状态和精神生活状况有一个清醒的认识,不能沉迷于当下的虚无,更不能因觉得错生了时代就自暴自弃,而是能够积极地去丰富我们自己的精神生活,去感受生命所赋予我们的意义。

It may be the metaphor of that the unreligious is mortal ,but I believe in nihility fatally .

这也许是因为非宗教即是尘世,而我很不幸地信仰虚无。

Unfortunately, we are living in the era of nihilism, whether in the theoretical level, or in the real level, it enveloped us the same as the air, which all the time affect us so that we can not escape, it is very easy to allow the mercy; But fortunately, we are in relatively mature period of nihilism, so we could have a chance to feel it and can stand on the shoulders of giants to know it, and analyse true existence state of human being in the era of nihilism, and on this basis can consciously overcome human being's nihil, and achieve the comprehensive development of human being.

不幸的是,我们生逢虚无盛行的时代,不管是在理论层面,还是在现实层面,它如同空气一样笼罩着我们,无时无刻不在影响着我们,使我们无法摆脱,很容易听任它的摆布;但又幸运的是,我们正处在虚无相对成熟的历史时期,因而能有机会切身地去感受它,能站在思想巨人的肩膀上去认识它,剖析人在虚无时代下真实的生存状态,从而能够在此基础上自觉地克服人的虚无,实现人的全面发展。

S 揘ew Year? s Sacrifice?, this novel embodies 搇ife is all painful? because Sister Xianglin suffers a lot in her life; Juan Sheng in 揗ourn the Dead? leads a life devoid of meaning both before and after the death of Zi Jun, and he can? t escape from his emptiness; Lun Xun conveys his strong emotions and cries out against injustice in his novel 揗edicine? by way of making the ghost? s presence felt;揕oners? reflects inner loneness and pain, and manifests the creed of Buddhaism: Life is death, death is life;揥eeds? and 揅all to the Arms? sighs with feeling for life? s emptiness however, it also stronglyresists life? s emptiness. XuDishandwellson life? s emptiness in his book 揘atural Moutain and Rain?

鲁迅的《祝福》中满篇弥漫着佛教的袅袅轻烟,祥林嫂的遭遇使她受尽了人生的苦难,体现了佛教所宣扬的"人生皆苦";在《伤逝》中,涓生在子君活着和死后都始终感到人生的空虚,无法摆脱;小说《药》结尾处借用佛教显灵的艺术手法抒发作者的情感,为革命者鸣不平;《孤独者》更是体现了内心的孤独和痛苦,表现了佛教生即死、死即生的轮回观点;《野草》、《呐喊》既感叹人生的虚无,又强烈地反抗虚无。

It is better doubtless to believe much unreason and a little truth than to deny for denial's sake truth and unreason alike, for when we do this we have not even a rush candle to guide our steps, not even a poor sowlth to dance before us on the marsh, and must needs fumble our way into the great emptiness where dwell the mis-shapen dhouls.

肯定地接受大部分的不可理喻和一小部分成为事实的事情,比单纯地因为无法接受而拒绝象这样的不可理喻和事实要更好,因为当我们这样做的时候,我们甚至没有哪怕一点点的微光去指引我们的前路,没有哪怕一架失准的指南针在我们面前晃动让我们走出这泥潭,而求生的本能使我们跌跌撞撞地进入了畸形的精灵存身的巨大虚无里。

The only verdict is vengeance, a vendetta, held as a votive not in vain.

唯一地结论就是复仇,一种仇恨,作为一种虚无地奉献。

The body that the broken up part put together is full is a scar, standing alone of body in much time, my hear the oneself go far of shout with broken up of the memory bums unreally in the all empty network.

破碎的片段拼凑的身体满是伤痕,孤独的身躯在许多时候,我只听到自己远去的呼喊与破碎的记忆在空空的网络中虚无地游荡着。

Moreover, this profane introduction of the Six Laws of Art fundamentally relegates this archetype of classical thought to the realms of nihilism.

同样,艺术家也是如此地不肖于理睬《六法论》的神圣性,《六法论》的这种&亵渎的&引入,彻底地将经典的&思想&置于虚无之境。

It's a place for cluster of things as well as a no-place in reality while time and history get totally drained out.

这是一个物品堆积的密集之地,时间、历史被抽空之后的虚无之地,No-place ——一块现实之中的&非地&。

S 揘ew Year? s Sacrifice?, this novel embodies 搇ife is all painful? because Sister Xianglin suffers a lot in her life; Juan Sheng in 揗ourn the Dead? leads a life devoid of meaning both before and after the death of Zi Jun, and he can? t escape from his emptiness; Lun Xun conveys his strong emotions and cries out against injustice in his novel 揗edicine? by way of making the ghost? s presence felt;揕oners? reflects inner loneness and pain, and manifests the creed of Buddhaism: Life is death, death is life;揥eeds? and 揅all to the Arms? sighs with feeling for life? s emptiness however, it also stronglyresists life? s emptiness. XuDishandwellson life? s emptiness in his book 揘atural Moutain and Rain?

鲁迅的《祝福》中满篇弥漫着佛教的袅袅轻烟,祥林嫂的遭遇使她受尽了人生的苦难,体现了佛教所宣扬的&人生皆苦&;在《伤逝》中,涓生在子君活着和死后都始终感到人生的空虚,无法摆脱;小说《药》结尾处借用佛教显灵的艺术手法抒发作者的情感,为革命者鸣不平;《孤独者》更是体现了内心的孤独和痛苦,表现了佛教生即死、死即生的轮回观点;《野草》、《呐喊》既感叹人生的虚无,又强烈地反抗虚无。

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