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虚幻

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The thinkers of the Lunyu School fully expressed their persistence of individualism and their reconsideration in literary modernity Yet the persistence and escape existed side by side, this mode of behavior and thinking indicated that the self-subject of the modern scholars was illusive and was hard to carry on when the modern scholars were covered by the powerful tradition and deeply controlled by modernity's consciousness of time Chapter Two Reconsidering on the character of modernity with leisure ampleness, resisting the human alienation caused by modern materialism and mechanism with humor, reaffirming the space of self-expression, which formed the humor, the leisure, the modern, and the aesthetic spirit implication of Lunyu School But the modern scholar's powerful inclining to the tradition made Lunyu School's aestheticism draw close to live in seclusion And its aesthetic modernity is also discounted for that reason Chapter Three It is the emotion and the leisure manner owning by the middle aged people that help to bring about Lunyu School's essay's adjusting in main key and moving massively in theme Lunyu School changed the way for "gaining the experience of life"in the twenties'prose It went from highly enthusiastic writings to reserved life-concerning and recite with appreciation in everyday life

第一章 三十年代左翼文学以其"新"、"进步"和"时代性"确立了自己的合理性地位,而时代思潮的转换、文艺与政治的日益密切使五四自由知识分子所坚持的个人主义成了"落伍""颓废"的表征。论语派自由思想者充分表达了对个人主义的执着、对文学现代性的反思,但坚持与逃逸并存的行为与思维模式表明现代士子在忧生伤世的强大传统笼罩下和一往无前的现代性时间意识的深刻控制下,个人主体的难以为继和虚幻性。第二章以闲适的余裕对奔竞躁进、汲汲功利、一往无前的现代性特征进行反思,以幽默对抗现代物质主义机械主义对人灵智的异化,重申自我表现的空间,构成论语派幽默闲适的现代性审美精神内涵。但现代文人对于传统的强大趋同力,则使论语派审美主义向隐逸文化靠拢,其审美现代性由此大打折扣。第三章中年情感与闲适气度直接促成论语派散文基调上的调整及主题的大幅横移,在趣味、游戏、幽默、闲适中改变了二十年代散文"问世"的径路,从意兴湍飞的激扬文字走向了沉潜适世的生命关怀与日常人生的吟味与咀嚼。

Seemed to hear faint phantom bells; the amputee's ''.

似乎听到了微弱的虚幻的铃声;截肢者对不存在的肢体产生的''。

As when a Vultur on Imaus bred, Whose snowie ridge the roving Tartar bounds, Dislodging from a Region scarce of prey To gorge the flesh of Lambs or yeanling Kids On Hills where Flocks are fed, flies toward the Springs [ 435 ] Of Ganges or Hydaspes, Indian streams; But in his way lights on the barren Plaines Of Sericana, where Chineses drive With Sails and Wind thir canie Waggons light: So on this windie Sea of Land, the Fiend [ 440 ] Walk'd up and down alone bent on his prey, Alone, for other Creature in this place Living or liveless to be found was none, None yet, but store hereafter from the earth Up hither like Aereal vapours flew [ 445 ] Of all things transitorie and vain, when Sin With vanity had filld the works of men: Both all things vain, and all who in vain things Built thir fond hopes of Glorie or lasting fame, Or happiness in this or th' other life; [ 450 ] All who have thir reward on Earth, the fruits Of painful Superstition and blind Zeal, Naught seeking but the praise of men, here find Fit retribution, emptie as thir deeds; All th' unaccomplisht works of Natures hand, [ 455 ] Abortive, monstrous, or unkindly mixt, Dissolvd on earth, fleet hither, and in vain, Till final dissolution, wander here, Not in the neighbouring Moon, as some have dreamd; Those argent Fields more likely habitants, [ 460 ] Translated Saints, or middle Spirits hold Betwixt th' Angelical and Human kinde: Hither of ill-joynd Sons and Daughters born First from the ancient World those Giants came With many a vain exploit, though then renownd: [ 465 ] The builders next of Babel on the Plain Of Sennaar, and still with vain designe New Babels, had they wherewithall, would build

好像一只伊马乌斯山上生长的秃鹫,在雪岭环绕着鞑靼人流浪的地方,食饵的缺乏迫使他们到放牧羊群的诸小山上去,吃饱了羊羔的肉之后,飞向印度恒河或印度河的发源地;途中降落在丝利刻奈的荒野,那儿的中国人用风帆驾驶藤的轻车。魔王如同这鸷禽,独自徘徊在如海洋一样多风的大地上,寻觅食饵。他真觉孤单,因为那里还找不到其他生物,无论是活,是死;只是后来,罪恶用虚荣填满了人的事业,才从地上升起一切虚无缥缈的东西,像飘浮的气体一般升腾到那里:包括一切虚幻的东西,以及所有人,那些把他们的光荣希望、不朽声名、今生来世的幸福都建筑在虚无缥缈上的人们。有些人在今世得了报应,即可悲的迷信和盲目的狂热追求所结的果实,只追求凡人的称赞,和他们的空虚行为相称的酬报,空虚。自然所未完成的工程,流产的、畸形的、乱七八糟混杂在一块儿,在地上消灭了,都飞到这里来,在这里徒然彷徨,直到最后破灭;有些人把梦想寄托在邻近的月球上,那同样是荒谬的。在那银色的世界里,有各种各样的类族:近乎真实的居民,超升的圣者,介乎天使和人类之间的中性精灵;神的众子和人间女子所生的巨人族,首先从古代世界来,当时很出名,还带来了许多空幻的功业。其次是示拿平原上巴别塔的建筑者,他们还有虚空的计划,要是材料有余的话,还要建筑些新的巴别塔。

But even at a mere 18 tonnes, Apatosaurus would still have been an awesome sight.

但是,即使只有"区区"18吨重,虚幻龙仍然会令人叹为观止。

This works well enough for smaller animals, but it predicts that an elephant should weigh one and a half times as much as it actually does, and that deviation is likely to be much larger for a Brachiosaurus, Apatosaurus or Diplodocus.

对于小的动物来说,这种转换很合适,但是这种方法预测大象的体重是实际体重的的1.5倍,这种偏差对腕龙、虚幻龙或者梁龙来说很可能会大得多。

Gary Packard of Colorado State University and his colleagues do not deny that creatures like Apatosaurus, Brachiosaurus and Diplodocus were big—and bigger than any terrestrial mammal.

来自科罗拉多州立大学的Gary Packard及其同事并不否认一些动物如虚幻龙、腕龙、梁龙很大——比任何陆地上的哺乳类动物都要大。

If you will try to form a notion of yourself, of the sort of a something that you suspect to inhabit and partially to control your flesh and blood body, you will encounter a walking bundle of superfluities: and when you mentally have put aside the extraneous things—your garments and your members and your body, and your acquired habits and your appetites and your inherited traits and your prejudices, and all other appurtenances which considered separately you recognize to be no integral part of you,—there seems to remain i

如果您将努力形成一个概念,自己的那种一个东西你怀疑居住和部分地控制您的血肉身体,你会遇到步行束superfluities :当你精神上已经搁置无关事情你和你的服装成员和你的身体,和你获得的习惯和你的胃口,你继承的特性和您的偏见,和所有其他附属物而单独考虑你承认没有组成部分你,似乎留在这些珍珠色的脑细胞,其中是您的最终巢穴,很少保存教职接受的感觉,你知道其中的较大部分是虚幻的。

In animation, to get the same illusion you would have to animate the background and, indeed, this is a tchnique that can be used, although at quite a sacrifice.

背景会随之变化、拉长。而在动画中,如果想得到同样的虚幻效果,绘制栩栩如生的背景。虽然某些技术能为之所用,实现同样的效果,但需要较大的成本。

From the Aurum Aetus Piraticus album (June 27th, 2006)-Pirate themed Folk/Death Metal "Pirate Metal" Walking through the halls of ancient times Through the souls which do not exist Gazing through the walls Falling down to the ground I'm Foreshadowing my own destiny The atmosphere is spinning The smokes revealing The my life is in jeopardy Forever lost in the halls of illusion Slowly sinking into the sands of time Forever lost in the halls of illusion My tortured screams and unheard cries Magic within the halls of despair Generate the souls which appear Past times slowly slip from my mind My thoughts decome those frozen in time Remember your forgotten past From the ages dead In the halls of the lost Our lives unthread Forever lost in the halls of illusion Slowly sinking into the sands of time Forever lost in the halls of illusion Our lives flash before our eyes

从姆(2006年6月27日),海盗主题的民谣/死亡金属海盗金属灵魂穿过大厅,通过古代的不存在大气望通过该墙倒下在地上,我伏笔我自己的命运是旋转揭示吸烟我的生活是我的心中,在大厅危险的幻想永远失去了幻想慢慢下沉到大厅砂的时间永远失去了我的折磨的尖叫声和哭声似乎闻所未闻的灵魂而魔术的大厅内生成的绝望慢慢滑过去的时代我的想法decome的冻结时间记住你的大厅被遗忘的过去,死者年龄在从我们的损失永远失去了生命抽去虚幻的大厅眼睛慢慢下沉砂我们进入前时间永远失去了生命的闪光在我们的大厅幻觉

Women are once again pressured to act in a way that is unreal, like a barbie doll.

妇女再次施压,以采取行动的方式是虚幻的,像巴比娃娃。

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