虚幻

" Ego is then defined as incessant movements of grasping at a delusory notion of "I" and "mine, self and other, and all the concepts, ideas, desires, and activities that will sustain that false construction.

自我的藏文是dakdzin，其意为&我执&，是对&我&和&我的&、自我和他人的虚幻概念，以及因之产生的所有概念、欲望和行为的不断执著。

Ego is then defined as incessant movements of grasping at a delusory notion of "I" and "mine",self and other,and all the concepts,ideas,desires,and activities that will sustain that fals construction.

自我的藏文是dakdzin，其意为&我执&，是对&我&和&我的&、自我和他人的虚幻概念，以及因之产生的所有概念、欲望和行为的不断执著。

Then another devata exclaimed in the Blessed One's presence: See a concentration well-developed, a mind well-released — neither pressed down nor forced back, nor with mental fabrication kept blocked or suppressed.

& 接著另一位天人来到世尊面前说：&我今天见到了一位善修禅定且内心善解脱者－祂既不是压抑也不是逼退身体的苦痛、更不是用一种内心虚幻的想法或假像转移身体的苦痛而得以抑止或平伏。

To an observer I must have appeared as diaphanously unreal as Luna herself, a being, like her, composed solely of moonlight.

对于目睹的人，我一定像朦胧的，虚幻的月亮神本身，存在，像她一样，仅仅由月光组成。

And that his understanding of reality is dialectical and dichotomous. He confirms the objectivity of real life, opposes to making life and literature contradictory, and believes that art is one part of life. Simultaneously, he deems that the spiritual world of human beings is illusory.

博尔赫斯对现实的认识是辩证的、二分的，他肯定现实生活的客观性，反对将生活和文学对立，认为艺术是生活的一部分；同时，他认为人的精神世界是虚幻的。

An ancient legend on the Indonesian island of Flores tells of an elflike creature similar to the fictional hobbit of novels and film.

在印度尼西亚的弗洛雷斯岛上，有一则古老的传说，据说岛上生活着于一种&小精灵&，类似于虚幻小说或电影中出现的小矮人。

Therefore, we shall not count on Marx to orient the analyse of divided class rule social condition's illusion conscioueness and its fuction as epistemologically, though there has been a lot of hard work to support the opposite idea.

既如此，就不能指望马克思将基于分裂的阶级统治的社会状况之意识形态虚幻及其辩护作用作认识论的定位，尽管常常有人大费周章地认为他确实这样做了。

He creates, with all of it's similarities to our reality, is lush and feels tangible. It's too bad that Stephen King doesn't dabble more in fantasy, because he clearly has a knack for world building. Not to mention everything he writes seems to be phone book sized, which would fit right in with the fantasy genre.Zombies! Sort of; the big threat in The Farseer trilogy comes from the villain turning the people of the Six Duchies into Forged ones, a type of zombification that removes all emotion from someone.

你不可能再找到另外一部在深度上可与之并提的作品（当然也有它的不尽人意之处，那就是每出一本新书，读者都得重读之前的章节，因为你不可能记住每个角色，否则难以跟上节奏），且乔丹显然像继托尔金之后的任何一个奇幻作家一样，热衷于构建庞大的虚幻世界。

All looked colder and darker in that visionary hollow than in reality: and the strange little figure there gazing at me, with a white face and arms specking the gloom, and glittering eyes of fear moving where all else was still, had the effect of a real spirit: I thought it like one of the tiny phantoms, half fairy, half imp, Bessie's evening stories represented as coming out of lone, ferny dells in moors, and appearing before the eyes of belated travellers.

在虚幻的映像中，一切都显得比现实中更冷落、更阴沉。那个陌生的小家伙瞅着我，白白的脸上和胳膊上都蒙上了斑驳的阴影，在—切都凝滞时，唯有那双明亮恐惧的眼睛在闪动，看上去真像是一个幽灵。我觉得她像那种半仙半人的小精灵，恰如贝茵在夜晚的故事中所描绘的那样，从沼泽地带山蕨丛生的荒谷中冒出来，现身于迟归的旅行者眼前。

The third part elaborated the Dong Fang shuo story main characteristic: 1st, the Dong Fang shuo story evolution path from simply to complex again tends to quietly, the character image from to is really unreal. 2nd, the story both carries on the history and to have violates, creates the character image intrinsic contradictory. 3rd, and Martial emperor of Han dynasty's subtle relationship is complex. 4th, the real Dong Fang shuo compares with the history in, in novel image although all-resourceful, slightly reveals actually frailly, insufficiently is plentiful.

第三部分论述了东方朔故事的主要特点：1、东方朔故事演变轨迹由简单到复杂再趋向于沉寂，人物形象由真实到虚幻。2、故事既承袭历史又有所违背，造成人物形象的内在矛盾性。3、与汉武帝的关系微妙复杂。4、与历史中真实的东方朔相比，小说中的形象虽然神通广大，却略显单薄，不够丰满。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。