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Originally with unique and various esthetical implication, Prajna categories of this era rooted in Indian religion, especially Mahayana Prajna. On the process of the infiltrating in China and syncretizing with Chinese esthetics, its episteme and criterion structure were orientalized; on the other hand all these also assimilated into Chinese Esthetics, and brought profound affection.

魏晋般若范畴以印度宗教,尤其是佛教大乘般若学为文化渊源,原具有十分独特、丰富的美学蕴涵,在其入渐中土并与中国美学融合的境遇中,一方面,其原有的知识和价值结构在纳入中国美学机体时被&中国化&了;另一方面,般若原有的价值观念和思想方法,也&内化&于中国美学,给中国美学以深刻的渗透和影响。

Such thought is well-founded in theory, practice, history and the times. Meanwhile, this innovative thinking comes from its basic, direct, national and complementary sources. It reflects the deep understanding of the CPC on the essence of development. It demonstrates the rich humane values of scientific development outlook and further oversteps the values of foreign development view.

这一思想的形成有着充分的理论与实践依据以及历史与时代依据,同时它也是缘于基础性与直接性来源以及民族性与补充性来源基础上的综合创新,体现了我们党对发展本质认识的深化,彰显了科学发展观蕴涵的丰厚人文价值以及对当代国外发展观在价值取向上的超越与升华。

Itpossesses the following three characteristics:Thoroughness,based on pure"Ontology",which is characterized by non-objective thought and non-anthropological horizon,it bothexternally and internally transcends modernity;Constructiveness,the task of transcendingmodernity is not to advocate destructive post-modernity,which is in the condition of puretexts,like vacuum,but to re-construct lively"pre-modernity";Actuality,the practicality of thechannels of saving modernity——"thinking"and"poetizing"——determines the actuality ofhis critique.

此种批判具有三个特点:一、彻底性,即非表象性的思维与超人类中心主义的视域所构建的纯&存在&论外在而又内在地彻底超越了现代性;二、建设性,即超越现代性的后果不是倡导纯然破坏性、文本化的后现代性,而是在回归中重建积极的、活生生的&前现代性&;三、现实性,即拯救现代性、回归&前现代性&的途径——&诗意之思&、&思性的诗&——是实实在在地为人所秉有、运作与实现,这决定了他的批判蕴涵有深厚的现实意义。

This article through explaining "Western Chamber" which evolves to the classics production by reorganizing the subject, by the cultural esthetical criticism method, excavates "the wall" image which polymerizes and inherits in the Chinese classical esthetic culture and inquires into the culture connotation which contains the humanity emotion demand;promulgates the cultural production mechanism and esthetics value characteristic of the classical text;inspects the riddle of classical art which has eternal charm.

本文通过解读《西厢记》主题嬗变到经典生成的过程,运用文化美学的批评方法,发掘出了&墙&意象在中国古典审美文化中的传承聚合,探究其中蕴涵的人类情感需求这一思想文化意蕴,揭示经典文本的文化生成机制与美学价值特征,考察经典艺术的永恒魅力之谜。

This article through explaining "Western Chamber" which evolves to the classics production by reorganizing the subject, by the cultural esthetical criticism method, excavates "the wall" image which polymerizes and inherits in the Chinese classical esthetic culture and inquires into the culture connotation which contains the humanity emotion demand;promulgates the cultural productionmechanism and esthetics value characteristic of the classical text;inspects the riddle of classical art which has eternal charm

本文通过解读《西厢记》主题嬗变到经典生成的过程,运用文化美学的批评方法,发掘出了&墙&意象在中国古典审美文化中的传承聚合,探究其中蕴涵的人类情感需求这一思想文化意蕴,揭示经典文本的文化生成机制与美学价值特征,考察经典艺术的永恒魅力之谜。

Presupposition is the presupposing condition, and it has absolute and relative features, and there is overlapping among relative presuppositions and entailments. Negation test method can not distinguish them, so its use has limits.

预设是一个句子的前提条件,这些条件有绝对和相对之分,并且相对预设和弱的蕴涵重叠,用否定测试法不能区分它们,所以否定测试法的使用有一定的限制。

The paper commences with the analysis of personal identification of the autobiographers, points out that they mostly put emphasis on reflection and discovery of self-value, which are abundant in pursuit of value and show the birth of modern personality witha modern connotation consciousness and the spirit of science.Chapter III, how to write about I, analyzes two representative aspectsselected from many characteristics shown in artistic expression of the autobiographies, one of which is that its method of representation is not limited the single way of classic Chinese autobiographies, i.e, the mixture of representation and argumentation , and thus gives birth to psychologized representation; the second of which is that its surrounding description shows great mobility, which is different from stiffness and other literary forms.

本文首先从现代作家自传表现出的传主们各异的身份自认的分析中,指出他们的自传大多侧重于对自我存在价值的反思与发现,并且在他们的诸种反思中不仅蕴涵着丰富厚重的价值追求,而且也昭示了现代人格的诞生,其人格的现代性内涵主要包括叛逆精神、忏悔意识和科学精神。

But Weber 's social science methodology itself rebuts the implication of this criticism .

然而韦伯的社会科学方法论本身即蕴涵了对这种批判的反驳。

Besides, this chapter clarifies the legitimacy of CSR form its inherent value, answering and rebutting the blame and criticism by some discommenders.

此外,针对学者们对企业社会责任的种种责难,本章一方面从企业社会责任的价值蕴涵上阐释了企业社会责任的正当性,另一方面回答了企业社会责任反对者对企业社会责任正当性的质疑。

It manifests an academic trend in reinvestigating the history of Chinese fictions since 20st century, with the possibility of forming different views on the development of Chinese fictions by rethinking and sorting out the reality of modern Chinese literature.

中国小说的现代嬗变与类型生成,是一个学术幅面较宽、学术蕴涵较为复杂的研究课题,体现着对于20世纪以来的中国小说史进行重新探究的学术指向,有对现代中国文学实际进行考辨梳理并形成某种新的小说发展观的可能性。

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Do you know, i need you to come back

你知道吗,我需要你回来

Yang yinshu、Wang xiangsheng、Li decang,The first discovery of haemaphysalis conicinna.

1〕 杨银书,王祥生,李德昌。安徽省首次发现嗜群血蜱。

Chapter Three: Type classification of DE structure in Sino-Tibetan languages.

第三章汉藏语&的&字结构的类型划分。