蒙太奇

Early in the development of Episode III, George Lucas requested from the Art

在EP3的早期发展中，乔治·卢卡斯要求艺术部门为一组克隆战争的蒙太奇镜头准备一系列共

The Montagus and the Capulets took their age-old strife to a new setting on Tuesday night as Rome opened its Globe Theater, a replica of the London playhouse where many of William Shakespeare's plays were first staged.

星期二的晚上蒙太奇和凯普莱特(莎士比亚剧本《罗密欧与朱丽叶》中朱丽叶家族的姓)把他们古老的争论带到了新的环境——罗马新开放的环球剧场，莎士比亚戏剧多次上演的伦敦剧场的翻版新鲜出炉。

Rather than rendering the flow of Joe's individual consciousness, as much of the stream-of-consciousness prose in Johnny Got His Gun does, Trumbo uses these sections to create a montage effect of a setting filled with many voices—in this case, Joe's days spent in wartime Paris.

而不是使流动乔的个体意识，多的意识流散文约翰尼没有拿到枪，特朗博使用这些章节，以创建一个蒙太奇效果的设置充满了许多的声音，在这种情况下，乔天用于战时巴黎。

Highlight montages, surviving at least 35 "There's Rashard sitting by himself in the Green Room" closeups, even getting passed on by his hometown Rockets -- before the Sonics mercifully take him as the 32nd overall pick, which means he doesn't even get to shake hands with David Stern.

蒙太奇，Lewis一个人坐在Green Room里，结束。在超音速仁慈地在总32位选他之前，即使他的家乡球队火箭也没有选他。这意味着他连和Stern握手的机会也没有。

Montage is the movie camera to a group title.

蒙太奇是对电影中镜头组接的一种称谓。

The chapter reveals that just like the Surrealists'explosion of art into life itself, Benjamin's theoretical realization is to philosophize life and history. The method employed by him is montage, by which reality is reorganized and thus transformed according to the Messianic ideal.

本章指出：正如超现实主义把生活艺术化，这种实践是把生活和历史哲学化与政治化，它以蒙太奇的手法重新规划现实，显现救赎的远景意象，以此打破资产阶级意识形态的麻醉作用，对抗商品社会的物化与异化状态，寻找历史与现实的本真意义和发展的总体趋势，即到达弥赛亚时代。

Clearly, Eisenstein proposed classification of this montage is a matter of concern because at least the following two reasons.

显然，爱森斯坦所提出的这个蒙太奇分类法令人关注，至少因为以下两个理由。

Film theorists such efforts are well worth attention, many of their new ideas and perspectives, which greatly promoted the development of montage theory, make it, and Eisenstein, Pudovkin's theory, is different.

这些电影理论家的努力是很值得重视的，他们的许多新看法和观点，大大推动了蒙太奇理论的发展，使它和爱森斯坦、普多夫金的学说有了很大区别。

However, Eisenstein in "the fourth movie space" in this montage give classification can be said to be strange and not stand up to scrutiny because it combines a number of nature and the superposition of different considerations, and continuously from one Skip to the scope of the scope of another, from the felt emotion, from the emotional to the rational.

然而，爱森斯坦在《电影的第四度空间》中给出的这个蒙太奇分类可以说是怪异和经不住推敲的，因为它糅合和叠加了一些性质不同的考虑，而且不断地从一种范畴跳到另一种范畴，从感觉到情绪，从情绪到理性。

Eisenstein had used music to describe the characteristics of montage, not because of music to create a special time (This is love at the time of interest to Pu Stan), but mainly because of the music exist in a cover all aspects of sensory elements - the rhythm of the , dynamic, emotional appeal - the specific system, that is to say, music to the Eisenstein provides an integration of emotion and rationality, emotion and thought of the ideal model.

爱森斯坦之所以使用音乐特性来描述蒙太奇，不是因为音乐创造了一段特殊的时间（这是当时爱浦斯坦所感兴趣的），而主要是因为音乐存在于一个囊括了所有感觉元素——节奏的、动感的、情调的——明确的体系中，也就是说，音乐给爱森斯坦提供了一个融合感性与理性、情感与思想的理想模式。

In the United States, chronic alcoholism and hepatitis C are the most common ones.

在美国，慢性酒精中毒，肝炎是最常见的。

If you have any questions, you can contact me anytime.

如果有任何问题，你可以随时联系我。