蒙古族

Study,work is subjected to deeply edified by the clan folks music in much more interborough year in Inner Mongolia, being lucky followed behind some famous mavins in the meantime, listenning to their excellent work,.

作曲家辛沪光先生工作在内蒙古多年，深爱着这片土地，她的很多作品都具有鲜明的蒙古族风格，她也成为对后来蒙古族音乐创作者中较有影响的当代作曲家之一。

Concrete cotent:In foreword,The author introuduces the conceptional fixing about " Mongolian clans original legend "; domestic and overseas study situation ; the meaning of the study ; research purpose .In chapter 1, Mongolian clans original legend's content summary , motif variation.In chapter 2, The author investigates some problems about the wolf、 the deer 、 the catele 、 the swan 、 the owl and the tree ,which is involved Mongolian clans original legend , whether have relation to clan totemism or not.In chapter 3, The author investigates the key element of invariant content about the ancestor stems from " human " and " heaven " in Mongolian clans original legend .

具体内容为：导论："蒙古族诸氏族起源传说"的概念界定、国内外研究状况、选题意义及研究目的；第一章：蒙古族诸氏族起源传说的内容概要、母题变异；第二章：蒙古族氏族起源传说中所涉及的狼、鹿、牛、天鹅、猫头鹰、树木与氏族图腾崇拜是否有关等诸问题探析；第三章：蒙古族氏族起源传说中祖先源于"人祖"、祖先源于"天"等变异内容要素探析。

With strong love knot of Morgolia minority music, Liang Lei not only collected Morgolia music, but also used its materials in his composition.

这种情结不仅体现在他对蒙古族音乐的搜集与保护上，还体现在他采用蒙古族音乐素材创作的作品中。

Yong Rub, Mongolian conductor should obtain high assessment due his demonstration on self-awareness arousal of Mongolian musical culture identity during his way on musical creation for several decade years from highness of human musical culture history. At the mean time, his way of deploitation visual field actively in multivariate cultural exchange circumstances, absorbing tastes melodize technique widely from different nationalities, praticing new cumulative artistic experience all the time, is worth to be learned by us.

从人类音乐文化历史发展规律的高度来看，蒙古族作曲家永儒布几十年的音乐创作道路所昭示的蒙古族音乐文化身份自我意识的觉醒，应当获得高度的评价；与此同时，他身处多元文化交流的大环境而主动拓宽视野，从诸多异民族文化中广泛吸纳审美理念和作曲技法，勇于实践所积累的新鲜艺术经验，又是值得吾辈学习效法的。

Jietuan morning, after breakfast, car Xi Lamu-steppe (1.5 hours), grassland activities: horseback riding (at their own expense, 50 yuan / person · hours), the graves Aobao Hill, the new visit Muhu family, food tasting milk, lunch tasting grassland flavor - mutton hand expense, after lunch and watch the race, wrestling performances, walk through the prairie, from the professional tour guide for you on Mongolian history, culture, understanding of Mongolia Family folk culture.

早接团，早餐后，乘车希拉穆仁草原（1.5小时），草原活动：骑马（自费50元/人·小时）、拜祭敖包山、访问新式牧户家庭、品尝奶食品，午餐品尝草原风味——手扒羊肉，午餐后，观赛马、摔跤表演，草原漫步，由专业导游为您讲解蒙古族历史文化，了解蒙古族的民俗文化。

Along with the snuff being in vogue in China , the demands for snuff bottle which holds snuff become higher and higher , thus the manufacturing technology of the snuff bottle develops rapidly.

笔者通过研究发现，玛瑙鼻烟壶是汉族的手工业制作技术与蒙古民俗相融合的产物，并且蒙古族在其使用鼻烟壶的过程中形成了特有的蒙古族鼻烟壶文化。

They are Song and Dance Ensemble, Mongolian Drama Troupe, Ethnic Symphony Orchestra, Mongolian Youth Chorus, Mongolian Ensemble, Wild Horse Horse-head Fiddle Ensemble, Center for Films and TV Plays, Stage Art Production Center, Artistic Creation Center and Performance and Exchange Center.

内容： 内蒙古民族歌舞剧院内设歌舞团、蒙古剧团、民族交响乐团、蒙古族青年合唱团、蒙古乐团、野马马头琴乐团、影视剧中心、舞美制作中心、艺术创作中心、演出交流中心等12个职能机构，有国家一级演员51人、国家二级演员140人，主要任务是从事民族歌舞和蒙古剧的创作和演出，促进交响乐、蒙古族合唱艺术和以马头琴为代表的民乐等各类民族艺术的全面繁荣和发展。

The conclusion sums up the evolvement characteristic of the two national mythology : the mythical culture of Mongolia is influenced by Buddhism mythology deeply, and the ancient mythology of the Manchu is influenced by other national mythical culture less that is still keeping original natural style. The taleization and epic characteristic of Mongol mythology is obvious. The Manchu mythology, as each clan of clan oracle, mythology, refreshing song, is mainly kept by the form of teaching orally generation by generation. Swan fairy maiden tale obtains different development in two nationalities. In the mythology of two national Shamanism, the worship form of hawk and vulture and the production of Shaman is derives from the common faith—Shamanism.

结论归纳总结了两个民族神话发展演变的特征，即蒙古族神话文化深受佛教神话影响，满族古神话受其他民族神话文化影响相对较少仍保留着原始自然的风格；蒙古族神话故事化、史诗化特征明显，满族神话作为各氏族部落神谕神话神歌主要通过世代萨满口耳相传的形式保留下来；天鹅仙女神话故事在两个民族中得到不同层次的发展；两个民族萨满神话中鹰鹫崇拜的形态和萨满产生母题来源于共同信仰的萨满教。

With its whole shape like a spoon, The Top Chor is a two-stringed Mongolian Plucked musical instrument. The top is usually graved in such a shape as swan head, antelope head or lion head. The two strings are made of Cowhells or steel strings in some places.

蒙古族传统两弦弹拨乐器，形状像勺子，琴头有的被雕饰成天鹅头形状，有的则为羚羊头形状，有的为狮子头形状，两根弦为牛筋制成，有的地方也用钢丝制弦，这是传统蒙古族乐器中，历史悠久的乐器之一，比蒙古族弓弦乐器还具有更长历史。

Concrete cotent:In foreword,The author introuduces the conceptional fixing about " Mongolian clans original legend "; domestic and overseas study situation ; the meaning of the study ; research purpose .In chapter 1, Mongolian clans original legend's content summary , motif variation.In chapter 2, The author investigates some problems about the wolf、 the deer 、 the catele 、 the swan 、 the owl and the tree ,which is involved Mongolian clans original legend , whether have relation to clan totemism or not.In chapter 3, The author investigates the key element of invariant content about the ancestor stems from " human " and " heaven " in Mongolian clans original legend .

具体内容为：导论：&蒙古族诸氏族起源传说&的概念界定、国内外研究状况、选题意义及研究目的；第一章：蒙古族诸氏族起源传说的内容概要、母题变异；第二章：蒙古族氏族起源传说中所涉及的狼、鹿、牛、天鹅、猫头鹰、树木与氏族图腾崇拜是否有关等诸问题探析；第三章：蒙古族氏族起源传说中祖先源于&人祖&、祖先源于&天&等变异内容要素探析。

Do you know, i need you to come back

你知道吗，我需要你回来

Yang yinshu、Wang xiangsheng、Li decang,The first discovery of haemaphysalis conicinna.

1〕 杨银书，王祥生，李德昌。安徽省首次发现嗜群血蜱。