著色的

Existing colorization techniques produce visually appealing results for natural images such as trees and portraits, but they are not suitable for Chinese ink paintings.

中文摘要现有的著色技术运用在一般灰阶影像上有不错的效果，但是却无法适用於中国水墨画上。

Our algorithm contains three parts, the fuzzy segmentation part, the colorization part, and the over-diffusion removal part.

在著色时，此遮罩不仅可保留背景留白的特性，更可持物件间的细微镂空之处。

The effects of Nb2O5 on glass formation and colouring of glass are discussed.

讨论了Nb2O5在系统中的作用以及部分玻璃的著色问题。

And braised different is not Tangzhi, soy sauce and other seasonings coloring, in order to maintain the color of their own raw materials; Euryale ferox used to thin, with both the raw materials Ruwei, but not to conceal their true color as well.

与红烧不同的是不加糖汁、酱油等著色调味料，以保持原料自身的颜色；用芡宜薄，以既能使原料入味，而又不掩盖其本色为好。

The main appearance of animal derived products is in the fining or clearing process, though others may be used as colorants or anti-foaming agents.

主要出现的动物源性产品的细化或结算过程中，虽然其他人可能被用来作为著色剂或抗发泡剂。

Therefore, okra possesses advantages for cultivation and application as the plant resource of natural pigment that used in the feed additive.

因而，黄秋葵具备以饲料添加剂的形式作为天然著色剂资源植物栽培和应用的优势条件。

The Black Cockers can have some tan on them, but must be less than 10% of the total coloring.

黑Cockers可以有一些新的，但必须少於总数的10 ％著色。

He likes tangerines, muscatel grapes, all amber-colored, and purple figs with their crystal point of honey.

它喜欢小蜜柑，喜欢颗颗都是琥珀色的麝香葡萄，还喜欢带著晶亮蜜珠儿的紫色无花果。

Experimental results demonstrate the feasibility of our algorithm for colorizing the Chinese ink paintings.

我们实现所提的演算法并经由实验证实演算法确实可以有效地将灰阶的中国水墨画著色。

Contact dyeline proof made on paper from stripped-up film.

用拼好的菲林接触晒印在纸上的染料著色稿样。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。