著色的

A new technology, alternating voltage passivating process, was developed for stainless steel coloring.

通过实验研究，提出了一种新型的不锈钢著色工艺-载波钝化著色。

A graph is said to be equitably -colorable if the vertices of is colored with colors such that there are no two adjacent vertices of the same color and the size of the color classes differ by at most one.

如果图上的点可以用个颜色来著色使得相邻的点著不同的颜色且颜色类的大小差最多是1，我们就说这个图是可均匀著色。

The effects of main factors in the process on coloring and the corrosion resistance of a processed steel were studied with electrochemical measurement and colorimeter.

运用色著计、电化学阻抗谱和其他电化学测量方法对载波钝化著色中的影响因素、著色膜色彩的样品的耐蚀性作了研究，并与化学著色样品作了比较。

This paper presents a novel colorization algorithm for Chinese ink paintings. Our algorithm can colorize the grey drawings of Chinese ink paintings and remain their important feature appearance.

本文提出一个有效的著色演算法，能将原本具有水墨渲染的灰阶中国水墨画予以著色，转变成蕴含丰富色彩变化的彩色水墨画，并且保留原始画中大量留白的特性。

Our algorithm has four advantages, including easy colorization, visually pleasing, fast processing, and remaining the important characteristics of Chinese ink paintings.

演算法且具有四项优点：(1)为物件著色简易；(2)效果优异；(3)著色过程快速；(4)可保留灰阶国画的原有特性。

The experimental results demonstrate that our algorithm is feasible to colorize the grey-scale image, producing visually plausible results.

实验结果显示：我们的演算法确实能有效的将这些影像、视讯著色，且我们的著色效果堪称良好。

Comparing with the method proposed by Reinhard et al., this study improves the deviation in varieties of color, and separates the lighting adaptation range from the original system to achieve more real effect.

在本研究中并建立一个三维的虚拟绘图环境，根据瞳孔对於光暗的适应性，以顶点著色与像素著色技术来产生模拟场景明暗变化的效果。

This part exhibits the coloring of a situation in which a resident of the Northern Kingdom, before the cruder conceptions of the Deity had given way to higher ones, would most likely be interested.

这部分展品的著色的情况是，居住在英国北部之前， cruder概念神已经让位於更高，很可能会感兴趣的。

In the Xochimilco section of the city, trajineras, brightly painted gondolas, let passengers explore the canals of the region.

在城市的霍奇米尔科部分，trajineras，生辉的著色的贡都拉一种像威尼斯的小船），让乘客探测运河地区。

This study simulates the dazzling light and the human visual system for light adapting with multiple-pass rendering technique.

本论文主要的研究方向为以著色技术中顶点著色、像素著色与绘图技术中高动态范围影像(High Dynamic Range Image， HDRI)、色调再生等相关图学的研究为基础，并配合人类视觉系统对光的适应性，在这些技术的应用与图学演算法中，进行分析与探讨，以达到模拟瞳孔适光性之研究。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。