著作家

Kauffmann survives, but many of the others are now obscure outside academia: Elizabeth Montagu, a critic—"Queen of the Blues", as Dr Johnson dubbed her—whose portrait by Allan Ramsay shows her looking faintly amused in a froth of lace and pink silk, leaning on a volume by David Hume, the Scottish philosopher and historian; or Anna Seward, a poet who is portrayed turning a page in her Milton—plainly waiting to get back to it; or Elizabeth Carter, poet, classicist, rival of Alexander Pope and translator of Epictetus, helmeted as Minerva, the goddess of wisdom, and carrying a volume of Plato.

经过历史的涤荡，考芙曼的声誉不减当年。而其他的女学者除了在学术界尚有影响以外，已逐渐变得鲜为人知。比如批评家伊丽莎白·蒙塔古。他被约翰森博士称为。在Allan Ramsay为她所做的肖像画上，她身着镶有泡状蕾丝的粉色丝质衣衫，斜斜地倚在由苏格兰哲学家和历史家大卫·修所著的书册上，散发出了令人晕眩的美。再比如诗人安娜·西沃德。在画家笔下，她正在翻动手头的弥尔顿诗篇，很明显，她盼着继续阅读。又比如伊丽莎白·卡特。她既是位诗人，又是古典派作家，与亚历山大·蒲柏齐名，她翻译了的作品。在画中，她扮成智慧女神米诺娃的样子，手执柏拉图的书卷。

CURREY''s Science Fiction and Fantasy Authors: A Bibliography of First Printings of their Fiction (1979), a genuine first-edition bibliography which covered about 200 of the principal genre writers and intensified Reginald''s coverage; and George LOCKE''s remarkably accurate A Spectrum of Fantasy: The Bibliography and Biography of a Collection of Fantastic Literature (1980), which suggested en passant several titles that plausibly supplemented the Reginald Checklist; A Spectrum of Fantasy: Volume 2: Acquisitions to a Collection of Fantastic Literature, 1980-1993 (1994) continues the invaluable enterprise.

柯里所著的《科幻和幻想小说作家：其作品第一次印刷版本的目录》（1979）。作为一本纯正的初版目录，包括了大约200个主要的类型作家，并扩大了雷金纳德著作的覆盖面。乔治。洛克的《幻想小说大系：一个幻想文学收藏的目录与传记》（1980）具有让人惊叹的精确性（以及引人入胜的奇闻趣事），其中似真似假地顺便提到了几个条目补充雷金纳德的目录。《幻想小说大系：第二卷：一个幻想文学收藏的所得，1980-1993》（1994）将这一无价的事业继续下去。

For the history of the war it is of less value than I Maccabees, though some recent writers have maintained the opposite opinion.

对於历史上的战争是价值不大比我马加比，虽然最近的一些作家一直保持著相反的意见。

Miss Chen Hsi-han presented the second report on Frankenstein, written by British writer Mary Shelley in the early 19th century. The story described the debates and conflicts arising from the man-like creature created by scientist Victor Frankenstein; how Frankenstein who manipulating life with science was proud of the creature but later hated and was even afraid of it; and the frustration, begging for sympathy, revenge and regret of the creature after realizing its difference between human beings. The book was generally considered as the beginning of contemporary sci-fi.

第二场由陈熙函小姐报告《科学怪人》，本书为十九世纪初英国作家Mary Shelley所著之小说，讲述一名科学家Victor Frankenstein创造出一似人的「怪物」所引发的思辨与冲突，以科学操弄生命的Frankenstein，从自鸣得意到后来的嫌恶、惧怕「怪物」，而逐渐理解自身与人类不同的「怪物」，亦经历了挫折、恳求、报复与懊悔的阶段；此书一般被视为首开近代科幻小说文类的先河。

The legend of King Arthur is from the historical fiction of Geoffrey of Monmouth, a Welsh writer.

阿瑟王的传奇故事来自蒙茅斯郡的一名韦尔斯作家乔佛瑞所著的历史虚构小说。

The top Oscar winner for 1997 was the film called The English Pati t, based on the novel by Booker Prize-winning author Michael Ondaatje.

1997年奥斯卡最佳影片得主为影片《英国病人》，它是根据获布克奖的作家迈克尔·翁达杰所著小说改编的。

Then, Mr. Lin Yung-ching presented the second report on The Pardoner』s Prologue and Tale from The Canterbury Tales by Geoffrey Chaucer. In the tale, Chaucer pointed out the main theme: Radix malorum est cupiditas through self-analysis and parables told by the pardoner selling indulgence.

接著，第二篇由林源庆先生报告《赦罪修士的故事》，本文为一短篇故事，节选自英国作家乔叟Geoffrey Chaucer的《坎特伯利故事集》，故事中藉由贩卖赎罪券的赦罪修士之自我剖析以及其所讲述的譬喻故事，点出贪婪为万恶渊薮的寓意。

In countries like France, where the peasants constitute far more than half of the population, it was natural thatwriters who sided with the proletariat against the bourgeoisie, should use, in their criticism of the bourgeoisregime, the standard of the peasant and petty bourgeois, and from the standpoint of these intermediate classesshould take up the cudgels for the working class.

在一些像法国一样的国家，农民组成了远远超过一半的人口，很自然地，那些与无产阶级并肩反对资产阶级的著作家，在他们对资产阶级政体的批评中，将会使用农民和小资产阶级的标准，而且从这些中间阶级的立场来看的话，应该尽力捍卫工人阶级。

From Orphans to Wastrels" is the other-directed "Survival" images are expressed in different meaning under the pen of writers and it contains the attempt to quit from "Ones' Rest of Their Lives. This is worth to further study.

从孤儿到废人」，是台湾重层历史下，无可自主的「余生」形象，在作家的笔下，他们各自代表著不同的意义，并蕴含著从「余生」出走的企图，值得探究。

The "materialism" of the stock exchange and of business accountancy does not hinder anybody from living up to the standards of Thomas a Kempis or from dying for a noble cause.

股票交易所和公司行号的会计人员的「唯物主义」，并不妨碍谁去追随Thomas a Kempis（德国的一位牧师和著作家，1379-1471）的生活方式，也不妨碍谁为一崇高的理想而以身殉。

So that more consumers can enjoy more delicious quality, technology is even better than wine.

让更多的消费者可以品尝到品质更为鲜美，工艺更为精湛的葡萄酒。

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在你最喜爱的文本编辑器中将它打开。