著作

Although with poor sale,"The Interpretation of Dreams", which make its father Sigmund Freud to fame, is definitely an undefinable masterpiece. This book is the decipherment of dreams, biography of author, theory of thinking, and Vienna history at that time.

让弗洛伊德闻名遐迩的著作--虽然书卖得很糟糕--《梦的解析》（1900），一本让人无法定义的杰作--是梦的解释，是作者的自传，是思想理论，又是当时的维也纳的历史。

Frequent reference is made in English and American writings to a function of money as a standard of deferred payments.

在英美的著作中，货币作为延期支付标准的功能被频繁地提及。

Because of the individualistic standpoint of independent criticism which they adopt, it is difficult, if not impossible, to class together the representative writers who contributed to the literature of English deism as forming any one definite school, or to group together the positive teachings contained in their writings as any one systematic expression of a concordant philosophy.

由於对个人主义的立场独立的批评，而是采取了，它是困难的，即使不是不可能，也是工人阶级一起代表作家贡献的人文学英语自然神论作为形成任何一个明确的学校，或以小组一起积极教诲载他们的著作，作为任何一个有系统的表达，一个和谐的哲学。

She is as wonderful, as wise and as deliciously off-kilter in person as she is on paper.

作者和插图马伊拉卡尔曼谈她的生活和工作，她覆盖了纽约人对她的著作为儿童和成年人。

In the educational works of Dewey , the democratism occupied the very important position.

在杜威的教育著作中，民主主义占据了很重要的位置。

Marx 's first published word was a study of Democritus .

马克思发表的第一部哲学著作就是以德谟克利特的思想为研究对象的。

The ancient Greek prose (including speech, philosophy and history books) Democritus advocated art imitate nature, that "in many important matters, we are to imitate animals, beasts of the primary and secondary school students do."

古希腊散文（主要包括演说、哲学和历史著作）德谟克利特主张艺术模仿自然，认为"在许多重要的事情上，我们都是在模仿禽兽，做禽兽的小学生。"

As regards demonology the writer's position is largely that of the New Testament and of the Old-Testament apocryphal writings.

至於demonology作者的立场是，在很大程度上是由新约圣经和老式的遗嘱猜测著作。

With a little understanding of the theory of Gombrich, we can easily find out his criticism of expressionism theories in many of his works, but we may ignore his denouncement of the illusion that art could be created on the pure soul with the "originality", namely, this denouncement of the hereinabove "realistic painting".

如果稍微了解贡布里希理论的话，我们会相当容易地在他的许多著作中找到他对表现主义理论的批判，但是人们可能会忽略他对那种以为人们可以在心灵白板的状态下用"原创性"去创造艺术的幻觉的指责，也就是对上述所说的那种"写实"的指责。

Friedman is unequivocal in endorsing this reductive philosophy. He writes that he is often asked if he is a technological determinist, and with the innocent enthusiasm that is a redeeming feature of his prose style he declares resoundingly: This is a legitimate question, so let me try to answer it directly: I am a technological determinist!

弗里德曼明确认可这一简化论的哲学，他在著作中经常自问自己是否是一名技术决定论者，他散文风格的文字充满天真的热情，这是他文章的一大亮点，他用这样的文字高声宣告：这是一个合法的问题，那就让我直接连当地回答吧：我是一个技术决定论者！

She gently rebuff ed him, but agreed that they could be friends

她婉言拒绝了，但同意作为朋友相处。

If in the penal farm, you were sure to be criticized.

要是在劳改农场，你等着挨绳子吧！