萨格拉

Sargeras bided his time until the youth's power manifested itself.

萨格拉斯等待着时机，等待着这个年轻人体内的力量自动显现出来。

By that time, one caste of night elf nobility had risen to prominence.

他们对奥术魔法肆无忌惮的使用最终引起了萨格拉斯的注意。

Sargeras' lieutenants, Archimonde the Defiler and Mannoroth the Destructor, prepared their infernal minions to strike.

萨格拉斯的副官污染者阿克蒙德和毁灭者玛诺洛斯和他们穷凶极恶的部下准备随时发起进攻。

It seemed to Khadgar like a bow-shot fired against a boat, as small and as ineffective. Yet Sargerasstaggered under the blow, taking a half-step backward and dropping his huge spear. It struck the groundlike a meteorite hitting the earth, and the snow rippled beneath Khadgar's feet. He fell to one knee, butlooked up at the demon lord.

但萨格拉斯在这打击下居然蹒跚着后退了一小步，手中巨大的长矛也掉在了地上，就像陨石砸到了地上一样，地上的冰雪在重击下掀起了巨大的波纹，卡德加站立不稳，单膝跪在地上，抬起头看着堕落的泰坦。

Afterwards, arcane magic was outlawed on pain of death, but the Highborne arrogantly continued their dangerous sorcery.

他们对奥术魔法肆无忌惮的使用最终引起了萨格拉斯的注意。

He mentions several influences: Prodicus the rhetor and Anaxagoras the scientist.

他提到了几种影响：文法家普罗迪科斯与科学家阿那克萨格拉。

They gave Sargeras their allegiance and were transformed into colossal beings of depthless evil.

他们效忠了萨格拉斯并把自己转化成了一种巨大的不朽存在--恶魔。

The man had been evil incarnate, singlehandedly responsible for loosing the orc Horde upon the world.

然而这一切并非真是他所为，事实上麦迪文曾遭到了泰坦萨格拉斯的附体。

Storming from their ranks forever, Sargeras set out to find his own place in the universe.

在和泰坦永远决裂后，萨格拉斯开始寻找自己在宇宙中的位置。

Storming from their ranks forever, Sargeras set out to find his own place in the universe.

与自己的队伍决裂后，萨格拉斯着手在宇宙中寻找自己的位置。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。