萨尔萨舞曲

They are extremely valuable to study and refer to, and greatly affective to the posterities. All of the styles were known as Sonatas by the musician, but the styles indicated by the musician himself were Minuet, Fuga, Gavota, Pastoral, Capriccio, Gegue and Toccata. Through posterities analyzing, summing and indicating, and the writer's analyzing and studying, the styles defined evidently are Pavan, Bourree, Ricercare, Sarabande, Allemande and Courante.

就体裁而言，虽然被作曲家统一称为奏鸣曲，但由作曲家自己标明的体裁就包括：小步舞曲、赋格、加沃特舞曲、田园曲、随想曲、吉格舞曲、托卡塔等，经后人分析总结标注及本文作者的分析研究，其中可明显定义的体裁又包括：帕凡舞曲、布雷舞曲、里切尔卡、萨拉班德舞曲、阿勒芒德舞曲、库朗特舞曲等。

They are extremely valuable to study and refer to, and greatly affective to the posterities. All of the styles were known as Sonatas by the musician, but the styles indicated by the musician himself were Minuet, Fuga, Gavota, Pastoral, Capriccio, Gegue and Toccata. Through posterities analyzing, summing and indicating, and the writers analyzing and studying, the styles defined evidently are Pavan, Bourree, Ricercare, Sarabande, Allemande and Courante.

就体裁而言，虽然被作曲家统一称为奏鸣曲，但由作曲家自己标明的体裁就包括：小步舞曲、赋格、加沃特舞曲、田园曲、随想曲、吉格舞曲、托卡塔等，经后人分析总结标注及本文作者的分析研究，其中可明显定义的体裁又包括：帕凡舞曲、布雷舞曲、里切尔卡、萨拉班德舞曲、阿勒芒德舞曲、库朗特舞曲等。

In Denver, Colorado, and many other cities, people of Hispanic and Mexican descent have a Cinco de Mayo festival with storytelling, parades, food, and dancing to the beat of salsa and mariachi music.

科罗拉多州的丹佛市及其他许许多多的城市内，西班牙人及墨西哥后裔会以说故事表演、游行、食物、萨尔萨舞曲及墨西哥街头音乐来欢庆五月节。

Season with salt and pepper and serve with a salsa of your choice.

季节与盐和胡椒一起上桌了萨尔萨舞曲，你的选择。

The three ostinato bass works Buxtehude composed—two chaconnes (BuxWV 159–160) and a passacaglia ( BuxWV 161 )— not only represent, along with Pachelbel's six organ chaconnes, a shift from the traditional chaconne style, but are also the first truly developed north German contributions to the development of the genre.

这三个固定音型低音工程胡德组成两个 chaconnes（BuxWV 159-160）和帕萨卡里亚（BuxWV 161）-不仅代表着，随着帕赫贝尔的6个器官chaconnes，从传统的舞曲风格的转变，而且也是第一个真正的发展德国北部作出的贡献这一体裁的发展。

My interest went beyond politics; I would come to love the Mexican and Puerto Rican sections of the city—the sounds of salsa and merengue pulsing out of apartments on hot summer nights, the solemnity of Mass in churches once filled with Poles and Italians and Irish, the frantic, happy chatter of soccer matches in the park, the cool humor of the men behind the counter at the sandwich shop, the elderly women who would grasp my hand and laugh at my pathetic efforts at Spanish.

我关心的不仅是政治；我渐渐喜欢上了城市里的墨西哥裔和波多黎各裔社区——在燥热的夏天夜晚，从公寓中传出萨尔萨舞曲和梅伦格舞（海地和多米尼加的一种交际舞）的有节奏的音乐；在肃穆的教堂中做弥撒时，有时会坐满波兰裔、意大利裔和爱尔兰裔；在公园里，足球比赛时的非常快乐的闲聊；在三明治商店里的柜台后的一个伙计讲的冷笑话；老年妇女拉住我的手，笑话我对西班牙裔做出的少的可怜的帮助。

The drama and effort of the barn-building in "Witness", underlined with the mounting rhythms of a passacaglia; the first stirrings of sexual feeling in "A Passage to India", pointed by sitars; and Lawrence bowing ecstatically to his own flowing shadow in the desert, a moment now never recalled without Mr Jarre's soundtrack welling behind him.

目击者》中建造农仓时，渐强节奏的帕萨卡里亚舞曲所突出的戏剧效果；《印度之行》中锡塔尔琴所点醒的性感骚动；以及看着自己影子在沙漠上流动而狂喜的劳伦斯，那一时刻，若没有贾尔先生的音乐在他身后涌流，就不会在人们脑海里再现。

Rupert Grint's latest film Cherrybomb is definitely generating lots of buzz in Irish media. A few days ago we posted a snippet from an interview with Lisa Barros D'Sa, and today we have the entire Cherrybomb feature, courtesy of BBC Radio Ulster. The feature is a part of their Across The Line series, devoted to contemporary indie and underground dance music, presented by Rigsy and Paul Hamill. Their collaborator Keith Anderson talked to Cherrybomb directors Glenn Leyburn and Lisa Barros D'Sa about Rupert Grint and how he became involved with this project, but also about music used in the film, the Belfast setting and other things.

鲁珀特的新片《樱桃炸弹》毫无疑问引起了爱尔兰媒体的巨大关注，前两天我们曾经发布过一小段对该片导演之一丽莎巴罗斯德萨的采访片段，现在该次完整的采访已经由BBC广播电台阿尔斯特（爱尔兰一地区，分属爱尔兰和北爱尔兰）分部播出，这个采访是该电台的Across The Line 节目的一部分，这个节目致力于介绍时下的独立和地下舞曲音乐，由Rigsy和 Paul Hamill主持，他们的合作者Keith Anderson 与《樱桃炸弹》的两位导演格伦雷伯恩和丽莎巴罗斯德萨进行了谈论了鲁珀特格林特，以及他是如何参与到这部影片中来的，他们也谈到了影片中的音乐、用于拍摄的贝尔法斯特的各个场所以及其它一些事情。

In the negative and interrogative forms, of course, this is identical to the non-emphatic forms.

。但是，在否定句或疑问句里，这种带有"do"的方法表达的效果却没有什么强调的意思。

Go down on one's knees;kneel down

屈膝跪下。。。下跪祈祷